Warhol estará por partida doble las próximas semanas en Madrid. Con motivo del festival internacional de fotografía y artes visuales PHotoEspaña2012, comienza en Madrid durante el mes de junio una amplia retrospectiva sobre Andy Warhol y el que fue su centro de operaciones durante los años sesenta, La Factory. El programa incluye un ciclo de cine organizado conjuntamente con la Filmoteca Española, y una exposición fotográfica con los proyectos realizados durante esos años en La Factory realizada en colaboración con la Fundación Banco Santander.

Andy Warhol es uno de los artistas más importantes e influyentes del siglo XX. De todas sus contribuciones al desarrollo de la estética posmoderna y contemporánea, quizás ninguna sea tan significativa como el trabajo colaborativo de la Factory. En funcionamiento desde 1962, no fue únicamente un espacio de trabajo sino un núcleo para las interacciones sociales y culturales entre Warhol y una gran cantidad de amigos, amantes, artistas, conocidos, curiosos y espectadores. Un punto de encuentro de gran actividad que se convirtió en una comunidad vital. Dentro de la Factory numerosos artistas generaron un microcosmos que sirve como ejemplo de un acercamiento relacional al quehacer artístico.

La exposición examina el papel decisivo de la fotografía en la documentación y en la realización de la extravagante cultura bohemia de la Factory. Está compuesta por el trabajo fotográfico de autores ligados al estudio –profesionales, amateurs y voyeurs pasajeros– que reflejan una amplia variedad de técnicas y géneros. Entre las más de cien fotografías expuestas tienen un papel destacado las realizadas por el propio Warhol, imágenes poco conocidas a las que se accede gracias a la Andy Warhol Foundation. En los últimos años de su vida, el propio Warhol buscó dar a conocer la Factory, por lo que se incluye una selección de sus libros y revistas que evidencian la cada vez más global práctica social y cultural de Warhol.

La filmografía de Warhol comienza en 1966 con las películas Kiss, Sleep y Eat y termina en 1968, año en el que sufre un intento de asesinato. En este breve periodo realiza más de 100 películas y 500 pruebas de proyección (Screen Tests) que constituyen un retrato fílmico colectivo de los habitantes de la Factory. Con ellas quedan documentadas la multitud de personas que allí trabajaron e incluso vivieron: la Velvet Underground, Bob Dylan, Lou Reed, Dennis Hopper, Marisa Berenson, Susan Sontag, Salvador Dalí, Marcel Duchamp, Peter Hujar, Allen Ginsberg, Edie Sedgwick, Mario Montez, Alan Salomon, Gerard Malanga, Billy Name... todos ellos sirvieron como actores para las películas de Warhol.

Douglas Crimp organiza las piezas en series, cada prueba de proyección se acompaña por uno o varios filmes que componen una programación con duración similar a un largometraje. El largometraje Las chicas de Chelsea, con tres horas y media de duración, sería la única excepción a este formato.

- Andy Warhol. Pruebas de proyección y películas de la Factory.
Lugar: Filmoteca Española. C/ Santa Isabel 3, 28012 Madrid.
Comisario: Douglas Crimp.
Fechas: 5 junio – 22 junio.

- De la Factory al mundo. Fotografía y la comunidad de Warhol. Exposición colectiva.
Lugar: Teatro Fernán Gómez/ Fundación Banco Santander. Plaza de Colón, 4 28046 Madrid.
Comisaria: Catherine Zuromskis.
Fechas: 6 junio – 22 julio.

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The youngest child of three, Andy was born Andrew Warhola on August 6, 1928 in the working-class neighborhood of Oakland, in Pittsburgh, Pennsylvania.  Stricken at an early age with a rare neurological disorder, the young Andy Warhol found solace and escape in the form of popular celebrity magazines and DC comic books, imagery he would return to years later. 

Work came quickly to Warhol in New York, a city he made his home and studio for the rest of his life. Within a year of arriving, Warhol garnered top assignments as a succesful commercial artist. After establishing himself as an acclaimed graphic artist, Warhol turned to painting and drawing in the 1950s, and in 1952 he had his first solo exhibition at the Hugo Gallery, with Fifteen Drawings Based on the Writings of Truman Capote. As he matured, his paintings incorporated photo-based techniques he developed as a commercial illustrator. The Museum of Modern Art (among others) took notice, and in 1956 the institution included his work in his first group show.

The turbulent 1960s ignited an impressive and wildly prolific time in Warhol’s life.  It is this period, extending into the early 1970s, which saw the production of many of Warhol’s most iconic works. Building on the emerging movement of Pop Art, wherein artists used everyday consumer objects as subjects, Warhol started painting readily found, mass-produced objects, drawing on his extensive advertising background.  When asked about the impulse to paint Campbell’s soup cans, Warhol replied, “I wanted to paint nothing. I was looking for something that was the essence of nothing, and that was it”. The humble soup cans would soon take their place among the Marilyn Monroes, Dollar Signs, Disasters, and Coca Cola Bottles as essential, exemplary works of contemporary art.

Operating out of a silver-painted, and foil-draped studio nicknamed The Factory, located at 231 East 47th Street, (his second studio space to hold that title), Warhol embraced work in film and video.  He made his first films with a newly purchased Bolex camera in 1963 and began experimenting with video as early as 1965.During this time he also expanded his interests into the realm of performance and music, producing the traveling multi-media spectacle, The Exploding Plastic Inevitable, with the Velvet Underground and Nico.

In 1968 Warhol suffered a nearly fatal gun-shot wound from aspiring playwright and radical feminist author, Valerie Solanas. The shooting, which occurred in the entrance of the Factory, forever changed Warhol. 

The traumatic attempt on his life did not, however, slow down his output or his cunning ability to seamlessly infiltrate the worlds of fashion, music, media, and celebrity.

His artistic practice soon intersected with all aspects of popular culture, in some cases long before it would become truly popular. He co-founded Interview Magazine; appeared on television in a memorable episode of The Love Boat; painted an early computer portrait of singer Debbie Harry; designed Grammy-winning record covers for The Rolling Stones; signed with a modeling agency; contributed short films to Saturday Night Live; and produced Andy Warhol’s Fifteen Minutes and Andy Warhol’s TV, his own television programs for MTV and cable access.

In 1984, Warhol collaborated with the young artists Jean-Michel Basquiat, Francesco Clemente, and Keith Haring. Warhol returned to painting with a brush for these artworks, briefly abandoning the silkscreen method he had used exclusively since 1962.

Warhol’s final two exhibitions were his series of Last Supper paintings, shown in Milan and his Sewn Photos (multiple prints of identical photos sewn together in a grid), exhibited in New York. Both shows opened in January 1987, one month before his death.

http://www.warholfoundation.org/legacy/biography.html

http://www.warhol.org/collection/aboutandy/

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Publicado en: 5 de Junio de 2012
Cita: "WARHOL POR DUPLICADO EN MADRID" METALOCUS. Accedido el
<http://www.metalocus.es/es/noticias/warhol-por-duplicado-en-madrid> ISSN 1139-6415
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