For the event’s sixth edition, Russian-born artists Ilya and Emilia Kabakov, celebrated internationally for their large-scale projects and ambitious installations, have inviting viewers to lose themselves in the maze of an imaginary town: “The Strange City”.

The event is organised by Rmn-GP with the support of the French Ministry of Culture and Communication in association with Multimedia Art Museum Moscow. 2007 was the year former President Nicolas Sarkozy began the Grand Paris project to relaunch Paris as a global metropolis and it was also the year of the first Monumenta, an annual event that invites an international artist to create a work for the huge nave of the Grand Palais.

In 2013, the Réunion des Musées Nationaux-Grand Palais, in collaboration with Moscow’s Multimedia Art Museum, chose Ilya and Emilia Kabakov who developed The Strange City, but a funding shortfall meant it had to be put back a year. Now, it is curated by Jean-Hubert Martin and sponsored by Novatek, Russia’s second-largest gas producer, and French oil company Total, among others.

And the Gallery Thaddaeus Ropac (Paris-Salzbourg) and the Gallery Lia Rumma (Milan-Naples).

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Ilya and Emilia Kabakov are Russian-born, American-based artists that collaborate on environments which fuse elements of the everyday with those of the conceptual. While their work is deeply rooted in the Soviet social and cultural context in which the Kabakovs came of age, their work still attains a universal significance.

Ilya Kabakov was born in Dnepropetrovsk, Soviet Union, in 1933. He studied at the VA Surikov Art Academy in Moscow, and began his career as a children's book illustrator during the 1950's. He was part of a group of Conceptual artists in Moscow who worked outside the official Soviet art system. In 1985 he received his first solo show exhibition at Dina Vierny Gallery, Paris, and he moved to the West two years later taking up a six months residency at Kunstverein Graz, Austria. In 1988 Kabakov began working with his future wife Emilia (they were to be married in 1992). From this point onwards, all their work was collaborative, in different proportions according to the specific project involved. Today Kabakov is recognized as the most important Russian artist to have emerged in the late 20th century. His installations speak as much about conditions in post-Stalinist Russia as they do about the human condition universally.

Emilia Kabakov (nee Kanevsky) was born in Dnepropetrovsk, Soviet Union, in 1945. She attended the Music College in Irkutsk in addition to studying Spanish language and literature at the Moscow University. She immigrated to Israel in 1973, and moved to New York in 1975, where she worked as a curator and art dealer.

Their work has been shown in such venues as the Museum of Modern Art, the Hirshhorn Museum in Washington DC, the Stedelijk Museum in Amsterdam, Documenta IX, at the Whitney Biennial in 1997 and the State Hermitage Museum in St. Petersburg among others. In 1993 they represented Russia at the 45th Venice Biennale with their installation The Red Pavilion. The Kabakovs have also completed many important public commissions throughout Europe and have received a number of honors and awards, including the Oscar Kokoschka Preis, Vienna, in 2002 and the Chevalier des Arts et des Lettres, Paris, in 1995.

The Kabakovs live and work in Long Island.

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Published on: June 23, 2014
Cite: "The Strange City. Ilya ed Emilia Kabako" METALOCUS. Accessed
<http://www.metalocus.es/en/news/strange-city-ilya-ed-emilia-kabako> ISSN 1139-6415
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