The russian artists Ilya & Emilia Kabakov return to Madrid, where they exhibit their works produced from the late nineties to the present day with different techniques making references to art history. In 2000 we published in our magazine, METALOCUS 04, the exhibition of these artists in the Palacio de Cristal in the Retiro park, Madrid, where some of the works were exposed as How One Can Change Oneselves that you will see from next month in Ivorypress Space. You don´t miss this exhibition.

On 9 April Ivorypress Space will host in Madrid an exhibition of Ilya and Emilia Kabakov, the Russianborn and international artistic duo currently based in the United States. Under the title Vertical Paintings and Other Works, the show will encompass a wide selection of work that, through different techniques, makes references to art history and literature.

Their work is deeply rooted in the Soviet sociocultural context in which they lived during their youth; however, their pieces approach themes that are universally meaningful, such as utopia, fantasies, and How Can One Change Oneself | Ilya & Emilia Kabakov, 2000 | Courtesy of Ivorypress human fears and dreams. In the exhibition, which will be open until 18 May, visitors to the gallery will find works produced from the late nineties to the present day.

One of the key pieces of the show is How Can One Change Oneself (2000), one of the projects from the series The Palace of Projects. Two white wings to hang on one’s back and stop to think for a few minutes every two hours during our daily life are, according to the creative conception of this artistic duo, the secret to being kinder, becoming better people and increasing our creativity.

The exhibition also includes a selection of graphic work, as well as various recent canvases from the series Quotation Paintings (2012) and the piece The Black Corner Missed by Malevich (2006), which is an ironic reference to the work of the great Russian Suprematist painter. According to the Kabakovs, among all his geometrical paintings, Malevich ‘never painted a black corner’, an omission which they correct through this piece.

Previously, the work of the Kabakovs was on show in Spain in the Palacio de Cristal in the Retiro park, Madrid (1998-1999), and in the group show L’internationale, celebrated in 2011 at the Museu d’Art Contemporani de Barcelona (MACBA). Also, one of their large sculptures, Pianist and Muse, is part of the urban landscape of Alcobendas, in Madrid. They were also responsible for designing the dome for the set of the opera Saint François D’Assise, by Oliver Messiaen, presented at the Teatro Real in Madrid in 2011.

Opening with presence of the artists.- 9 April 2013 at 19:00 p.m.
Venue.- Ivorypress C/ Comandante Zorita 48, Madrid. Spain.
Exhibition.- From 9 April to 18 May 2013.

METALOCUS.-

Ilya y Emilia Kabakov. “Projects Palace" | Jose Coca.
published in: M-04 | p. 116.

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Ilya and Emilia Kabakov are Russian-born, American-based artists that collaborate on environments which fuse elements of the everyday with those of the conceptual. While their work is deeply rooted in the Soviet social and cultural context in which the Kabakovs came of age, their work still attains a universal significance.

Ilya Kabakov was born in Dnepropetrovsk, Soviet Union, in 1933. He studied at the VA Surikov Art Academy in Moscow, and began his career as a children's book illustrator during the 1950's. He was part of a group of Conceptual artists in Moscow who worked outside the official Soviet art system. In 1985 he received his first solo show exhibition at Dina Vierny Gallery, Paris, and he moved to the West two years later taking up a six months residency at Kunstverein Graz, Austria. In 1988 Kabakov began working with his future wife Emilia (they were to be married in 1992). From this point onwards, all their work was collaborative, in different proportions according to the specific project involved. Today Kabakov is recognized as the most important Russian artist to have emerged in the late 20th century. His installations speak as much about conditions in post-Stalinist Russia as they do about the human condition universally.

Emilia Kabakov (nee Kanevsky) was born in Dnepropetrovsk, Soviet Union, in 1945. She attended the Music College in Irkutsk in addition to studying Spanish language and literature at the Moscow University. She immigrated to Israel in 1973, and moved to New York in 1975, where she worked as a curator and art dealer.

Their work has been shown in such venues as the Museum of Modern Art, the Hirshhorn Museum in Washington DC, the Stedelijk Museum in Amsterdam, Documenta IX, at the Whitney Biennial in 1997 and the State Hermitage Museum in St. Petersburg among others. In 1993 they represented Russia at the 45th Venice Biennale with their installation The Red Pavilion. The Kabakovs have also completed many important public commissions throughout Europe and have received a number of honors and awards, including the Oscar Kokoschka Preis, Vienna, in 2002 and the Chevalier des Arts et des Lettres, Paris, in 1995.

The Kabakovs live and work in Long Island.

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Published on: April 7, 2013
Cite: "Ilya & Emilia Kabakov: Vertical Paintings and Other Works" METALOCUS. Accessed
<http://www.metalocus.es/en/news/ilya-emilia-kabakov-vertical-paintings-and-other-works> ISSN 1139-6415
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