The Kingdom of Saudi Arabia Pavilion, designed by Foster + Partners, for Expo 2025 Osaka, has been inaugurated. The pavilion is located on the waterfront of the artificial island of Yumeshima, where all the pavilions have been installed.

For this project, Foster + Partners created a pavilion with spatial experiences that remind visitors of and transport them to the cities and towns of Saudi Arabia.

The pavilion, designed by Foster + Partners, is organized around the Saudi Courtyard, the heart of the project, creating tranquil spaces that facilitate reflection during the day and transforming into a performance space at night. Visitors enter the pavilion through the northern esplanade, crossing an area of ​​native Saudi Arabian flora. This leads them to the "village," a collection of volumes that create winding streets leading to a succession of immersive spaces, a tribute to Saudi Arabia's architectural heritage.

The Pavilion was built to meet the highest level of the Japanese sustainable building classification system (CASBEE S). Therefore, it was constructed with low-carbon materials and designed to be as lightweight as possible, reducing the amount of concrete used for the foundation. The structure is seamless, with precast reinforced concrete slabs on steel beams. The Pavilion's façade is composed of a lightweight system of Saudi stone, which can be removed and replaced as needed. The building's layout was designed to allow the westerly wind to circulate through the streets and provide cooling, while in the winter months, the landscaped esplanade serves as a shield from the strong northern winds.

KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.
KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.

Project description by Foster + Partners

The Kingdom of Saudi Arabia Pavilion for Expo 2025 Osaka has opened to the public. Designed by Foster + Partners and located on the Yumeshima waterfront, the Pavilion creates a spatial experience that echoes the exploration of Saudi Arabian towns and cities, while providing a setting for immersive engagement that connects visitors with the undiscovered wonders of the Kingdom.

The highly sustainable and inclusive Pavilion has been designed with its legacy in mind as the project aims to achieve the Japanese green building rating system’s highest level (CASBEE S) and will be net zero operational carbon.

Luke Fox, Head of Studio, Foster + Partners, said: “We are delighted to see the Saudi Pavilion open to the public and ready to welcome its first visitors on an epic journey of new discovery. The project is a celebration of Saudi Arabian culture, evoking the wonderful streetscapes and captivating natural landscapes that define the Kingdom. Every element has been carefully considered to create a one-of-a-kind experience that is highly sustainable and accessible to everyone.”

KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.
KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.

Visitors enter the Pavilion through the forecourt, planted with native Saudi Arabian flora, and travel through narrow streets that lead to the Saudi Courtyard, which is the beating heart of the scheme. The Courtyard allows for moments of quiet reflection during the day and transforms into a venue for performances and events at night. From here, visitors are invited to explore a ‘village’ of meandering streets, with windows and doorways into a series of immersive spaces, designed in close collaboration with Journey (59 Productions and Squint/Opera). The project honours the Saudi’s architectural heritage, evokes a sense of place, and provides visitors with a glimpse into the daily life and urban fabric of the Kingdom’s streets.

Tony Miki, Partner, Foster + Partners, added: “The Saudi Pavilion is also designed to create meaningful connections between the visiting public and Saudi Arabia’s incredible artists and musicians. By engaging all of the senses, the space allows visitors to experience the national transformation of Saudi Arabia. It is its own urban microcosm that carefully balances tradition and heritage with modern technologies which is shaping the Kingdom’s future. We have worked closely with Journey to ensure that the immersive digital content is holistically integrated within the architectural design.”  

KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.
KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.

Leo Warner, Director of Journey, said: “The unique partnership with Foster + Partners, whereby our team were embedded with the master architecture practice from the very start to the very end, enabled a unique way of conceiving and delivering a pavilion that both platforms the people of Saudi Arabia to tell their own story and delivers a unique approach to nation-branding in an Expo environment. It was their vision, openness and collaborative methodology that facilitated this unique partnership.”

The Saudi Pavilion’s massing recalls the organic shapes of traditional Saudi villages. The practice’s design developed these concepts and has been carefully crafted using computational fluid dynamics simulations, to allow cool winds from the west into the streets during the height of summer. In the cooler months of April and October, the landscaped forecourt acts as a barrier to protect the pavilion from harsher northerly winds.
 

KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.
KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.

Sustainability

- The Saudi Pavilion is the first temporary structure to receive the WELL Health and Safety Rating (HSR) certification.
- It is made from low carbon materials and designed in line with the Saudi Green Initiative.
- The Saudi Pavilion uses energy saving luminaires and incorporates rooftop photovoltaic technologies that generate electricity.
- It is designed to be as lightweight as possible, to minimise the amount of concrete for the foundations.
- An innovative, jointless DfMA-based (Design for Manufacturing and Assembly) structural system incorporates a steel moment frame and precast reinforced concrete slabs on steel beams, balancing ductile design for buildings in high-seismic zones with fast construction and quality control.
- The façade is made from a lightweight Saudi stone composite system and designed to be efficiently deconstructed and reassembled, or completely reconfigured, to meet different requirements in a future location. It has been designed and manufactured to give the appearance of permanence.
 

KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.
KSA Pavilion, Expo 2025 Osaka  by Foster + Partners. Photograph by Nigel Young.

Inclusive design

- A ramped entrance accommodates the site's gradient and provides a single entryway for all visitors.
- The sunken stage at its centre is fully retractable and can be raised to ground level, providing equitable participation for all performers.
- Wheelchair-accessible spaces are thoughtfully integrated amongst audience seating, so that everyone can enjoy performances together.
- The restaurant features innovative seating areas, which are at different levels to provide a range of seating options.
- The restaurant’s WC includes a ceiling track hoist, supporting dignified and independent movement for those who require additional physical assistance. This is one of the first facilities of its kind in Japan.
- A calm room aligns with neuro-inclusion principles and provides a quiet space for visitors who may need to take a break from sensory stimulation.
- All signage is in Japanese Braille, as well as written Japanese and English.

More information

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Architects
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Project team
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Local architect.- Azusa Sekkei.
Exhibition Designer.- 59 Productions, Squint Opera.
Design Team.- Norman Foster, Luke Fox, Tony Miki, Nick Haddock, Juan Zhang, Farah Caswell, Wolfgang Muller, Jiannan Luo, Xiaonian Duan, Yue-Qi Hou, Mingchen Liu, Luigi Rodrigues Durando, Chi Yen Fu, Xiaomin Zhang, Ami Matsumoto, Natasha Rieffel, Alan Cheng, Ken Ho, Nadia Saki, Ioanna Nika, Hang Sia, Lorenzo Luzzi, Sarah Abiad, Caio Ribeiro, Jiahao Syu, Jordan Bizzell and Pierre Zebouni.

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Collaborators
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Mechanical Engineers.- Azusa Sekkei.
Cost Consultant.- Turner & Townsend.
Façade Consultant.- Front.
Graphics & Wayfinding Designer.- Bright Dot Design.
Food & Beverage Consultant.- Humble Arnold.
People Moving Strategy Consultant.- Buro Happold.
Construction Project Manager.- Black Engineering.

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Client
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Kingdom of Saudi Arabia, Ministry of Culture.

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Main Contractor
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RIMOND Japan.

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Area
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Site.- 3,505.00 sqm.
Total Floor.- 3,542.54 sqm.

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Dates
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Appointment.- 2022.
Construction Start.- 2024.
Completion Date.- 2025.

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Location
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In the northern area of ​​the Grand Ring, Osaka Expo, Yumeshima Island, Osaka, Japan.

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Photography
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Nigel Young.

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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

Read more
Published on: April 16, 2025
Cite: "A journey into Saudi traditions. KSA Pavilion, Expo 2025 Osaka by Foster + Partners" METALOCUS. Accessed
<http://www.metalocus.es/en/news/journey-saudi-traditions-ksa-pavilion-expo-2025-osaka-foster-partners> ISSN 1139-6415
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