International architectural firm Kengo Kuma and Associates, together with OMA*AMO, the think tank of the Office for Metropolitan Architecture (OMA), have developed the Qatar Pavilion for the 2025 Osaka Expo. The project is conceived as a lightweight wooden structure, clad in a gauzy white fabric, housing a multimedia exhibition exploring how the country's 563 kilometers of coastline have shaped the nation's culture, heritage, identity, and industry.

The representative essence of the Qatari people finds meaning and purpose in the shores of their coastline. In that sense, the project seeks to represent the dynamic harmony between land and sea, which has provided a livelihood that has helped transform the people of Qatar into what it is today: a global center of trade and diplomacy.

The project, developed by Kengo Kuma and Associates + OMA*AMO, is inspired by the shape of a dhow, the traditional sailing vessel of Qatar and its region, and employs traditional Qatari and Japanese woodworking techniques, merging the maritime heritage of both nations. Within the Pavilion, the central exhibition space presents a panorama of the Qatari coastline, where visitors are invited to immerse themselves in the earth with sands of various hues, characteristic of the desert landscapes of the country's interior.

Closely aligned with the main theme of Expo 2025, "Designing the Future Society for Our Lives," the proposal highlights the central role of the Qatari people in the development of their nation. Carefully selected materials, along with multimedia imagery, illustrate how Qatar's different sectors have complemented each other to empower and enrich the lives of Qataris.

The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO. Photograph by Iwan Baan. Courtesy of Qatar Museums.

The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO. Photograph by Iwan Baan. Courtesy of Qatar Museums.

Project description by Kengo Kuma and Associates + OMA*AMO

The Qatar Pavilion at Expo 2025 Osaka officially opened today, bringing a vision of the relationship between land and sea to the global audience gathered for this World Exposition. The Pavilion was commissioned by Qatar’s Ministry of Commerce and Industry with creative and content direction led by the Qatar Blueprint, a think tank within Chairperson’s Office of Qatar Museums.

Housed in an extraordinary structure designed by Kengo Kuma and Associates, a multimedia exhibition conceived by the international architecture and urbanism firm OMA*AMO explores how the nation’s 563-kilometre (360-mile) coastline has shaped the culture, heritage, identity, and industry of Qatar. The Pavilion is the nation’s official contribution to Expo 2025 Osaka, which is dedicated to helping the world achieve the United Nations’ Sustainable Development Goals. The Qatar Pavilion will remain on view through 13 October 2025.

The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO. Photograph by Iwan Baan. Courtesy of Qatar Museums.
The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO. Photograph by Iwan Baan. Courtesy of Qatar Museums.

“For centuries, the people of Qatar have drawn both sustenance and meaning from the coastline. The dynamic harmony between land and sea has inspired our culture and heritage, provided our livelihoods, and helped transform our nation into what it is today, a global hub for trade and diplomacy. We are proud to share these experiences with the international audience at Expo 2025 Osaka. Congratulations to the Qatar Pavilion Commissioner-General H.E. Mr. Jaber Jarallah Al-Marri, Ambassador of the State of Qatar to Japan, and H.E. Sheikh Ali Alwaleed Al-Thani, Deputy Commissioner-General and Chairman of the preparation committee. Thank you to the brilliant design teams at Kengo Kuma & Associates and OMA*AMO.”

Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums.

Kengo Kuma’s design for the Qatar Pavilion recalls the form of a dhow, the traditional sailing vessel of Qatar and its region. The lightweight timber structure wrapped in flowing white fabric employs both traditional Qatari and Japanese wood-joinery techniques, linking the nations’ maritime heritage in tribute to the close relations between the two nations, both of which have established pearling histories.

Approaching the Pavilion’s entrance, an outdoor vitrine welcomes visitors with poems by Qatar’s Founder, Sheikh Jassim bin Mohammed bin Thani, and Ahmed bin Hassan Al-Hassan Al-Muhannadi printed on representations of the coast. The images evoke the spectacular color gradient—from the deep blue of the sea to the shimmering turquoise of the sandy shores—that greets voyagers as they approach Qatar.

The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO. Photograph by Iwan Baan. Courtesy of Qatar Museums.
The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO. Photograph by Iwan Baan. Courtesy of Qatar Museums.

Inside the Pavilion, visitors reach the “land” with sands of various hues representing the desert landscapes of inland Qatar and backlit wall graphics that showcase rock carvings discovered on the coastal region of Al Jassasiya during archaeological surveys from the 1950s to the 1970s. Two maps illustrate Qatar’s historical trajectory and modern development, visually illustrating 200 years of dramatic coastal transformation.

The exhibition’s main space features a panorama of the Qatari coastline and a “Sea Curtain” designed by interior architecture firm Inside-Outside that wraps around the Pavilion’s interior representing the maritime boundary that cradles the nation. Central to the exhibition is a three-screen film by The Explorers that tells the story of Qatar’s journey from the past into the present through archival footage and contemporary imagery.

In line with Expo 2025’s overarching theme, “Designing Future Society for Our Lives,” the exhibition highlights the central role of the Qatari people in shaping the nation’s development and vision for the future and illustrates how different sectors in Qatar have complemented each other to empower and enrich the lives of Qataris.

The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO. Photograph by Iwan Baan. Courtesy of Qatar Museums.
The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO. Photograph by Iwan Baan. Courtesy of Qatar Museums.

The section titled Land & Sea – Navigating the Journey, curated by the National Museum of Qatar, focuses on the pearl divers (ghawaseen) who for centuries risked their lives along the coast, and the pearl merchants (altawash) who brought Qatari goods to international markets. It also looks at the role of women in these communities through objects found in coastal houses across the Arabian Peninsula.

The Pavilion’s second floor features a library curated by Qatar-based Atlas Bookstore and a meeting room, or majlis, with seating by Qatari designer Maryam Al Homaid. A special display celebrates Qatar-Japan relations as well as artworks by Yousef Ahmed (Qatar) and
Hayaki Nishigaki (Japan), created as part of Qatar–Japan 2012 Year of Culture. The second floor’s flexible layout allows it to host events, lectures, workshops, and more.

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Project team
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Design team.- Satoshi Adachi, Takumi Kozuki, Catherine Octaviana and Jayant Negi.
Graphic.- Yoo Shiho.

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Ilumination.- LPA – Lighting Planners Associates.

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1,111.00 sqm.

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13.04 > 13.10.2025.

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Yumeshima Island, Osaka, Japan.

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Kengo Kuma was born in Yokohama (Kanagawa, Japan) in 1954. He studied architecture at the University of Tokyo, finishing his degree in 1979. In 1987, he opened the "Spatial Design Studio". In 1990 he founded "Kengo Kuma & Associates" and extended the study to Europe (Paris, France) in 2008. Since 1985 and until 2009, has taught as a visiting professor and holder at the universities of Columbia, Keio, Illinois and Tokyo.

Notable projects include Japan National Stadium (2019), V&A Dundee (2019), Odunpazari Modern Art Museum (2019), and The Suntory Museum of Art (2007).

Kengo Kuma proposes architecture that opens up new relationships between nature, technology, and human beings. His major publications include Zen Shigoto(The complete works, Daiwa S hobo)Ten Sen Men (“point, line, plane”, IwanamiShoten), Makeru Kenchiku (Architecture of Defeat, Iwanami Shoten), Shizen na Kenchiku(Natural Architecture, Iwanami Shinsho), Chii sana Kenchiku (Small Architecture, IwanamiShinsho) and many others.

Main Awards:

· 2011 The Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize for "Yusuhara Wooden Bridge Museum."
· 2010 Mainichi Art Award for “Nezu Museum.”
· 2009 "Decoration Officier de L'Ordre des Arts et des Lettres" (France).
· 2008 Energy Performance + Architecture Award (France). Bois Magazine International Wood Architecture Award (France).
· 2002 Spirit of Nature Wood Architecture Award (Finland).
· 2001 Togo Murano Award for “Nakagawa-machi Bato Hiroshige Museum.”
· 1997 Architectural Institute of Japan Award for “Noh Stage in the Forest”. First Place, AIA DuPONT Benedictus Award for “Water/Glass” (USA).

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AMO is the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas in 1999. Applying architectural thinking to domains beyond building, AMO has worked with Prada, the European Union, Universal Studios, Amsterdam’s Schiphol airport, Condé Nast, Harvard University, and the Hermitage. It has produced exhibitions, including Expansion and Neglect (2005) and When Attitudes Become Form: Bern 1969/Venice 2013 (2013) at the Venice Biennale; The Gulf (2006), Cronocaos (2010), Public Works (2012), and Elements of Architecture (2014) at the Venice Architecture Biennale; and Serial Classics and Portable Classics (both 2015) at Fondazione Prada, Milan and Venice, respectively.

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a coloured "barcode" flag – combining the flags of all member states – that was used during the Austrian presidency of the EU.

AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced exhibitions at the Venice Architecture Biennale, including The Gulf (2006), Cronocaos (2010) and Public Works (2012) and for Fondazione Prada including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its principle publication Elements. Other notable projects are a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.
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Published on: April 16, 2025
Cite: "Between Sea and Land. The Qatar Pavilion at Expo 2025 Osaka by Kengo Kuma and Associates + OMA*AMO" METALOCUS. Accessed
<http://www.metalocus.es/en/news/between-sea-and-land-qatar-pavilion-expo-2025-osaka-kengo-kuma-and-associates-omaamo> ISSN 1139-6415
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