Japanese architecture practice Kengo Kuma and Associates has inaugurated one of this year’s most interesting new cultural projects, the new Audeum (or Audio Museum) in Seoul/Gangnam, South Korea, following a two-year construction period.

The newly completed building, the world’s first museum dedicated to sound is approximately 11,000 square meters, offering a unique experience of sound and architecture. According to Kengo Kuma and Associates a "place where you can not only see but also experience sound firsthand. ...it is not just a place to listen to sound; it is an architectural instrument that returns humans to a natural state, allowing them to experience the five senses of the body."
Kengo Kuma and Associates designed the new museum with an exterior envelope with 20,000 overlapping aluminium tubes that create changing shadows, echoing the effect of sunlight that accumulates in a bamboo forest. The Japanese architect arranges the slats randomly to harmonize natural disorder and order: "emphasizing the beauty of light that changes according to climate, time and season."

Visitors will enter through a large “valley”-shaped staircase that descends beneath the building while passing a wall made of natural stone. From there, the transition to a softer environment is brought about by the backdrop of special Alaska cypress wall panels installed in the lobby atrium. The exterior, with its hybrid aluminium envelope, gradually transitions to the interior until reaching the softness of the wood used in the rooms.

In the interior, the use of wood is used with a technique that the architect calls "wood curtain", which differs from the typical finishes of this material, emphasizing its softness and nature. Another gallery covered with fabric wall finishes highlights the material's ability to transmute both light and sound. A grand, double-height opening facing the city tops off the seven-story design, completing a spirit-reviving experience.

The idea of ​​creating this museum came from Michael Chung, a specialist in acoustic equipment and founder of the Korean brand of vacuum tube amplifiers Silbatone Acoustics, which has invested 130 million euros.


New Audeum Museum by Kengo Kuma and Associates. Photograph by Namsun Lee.
 

Project description by Kengo Kuma

The Audeum (Audio Museum), located in Seoul/Gangnam, is a museum that goes beyond the traditional concept of a museum. It is a place where you can not only see but also experience sound firsthand. Moreover, it is not just a place to listen to sound; it is an architectural instrument that returns humans to a natural state, allowing them to experience the five senses of the body.

The exterior design uses vertically overlapping aluminum louvers to create changing shadows, where light and shadow meet between the louvers, producing a beautiful effect like sunlight in a forest. The use of aluminum pipes mimics the changes in natural light, randomly arranging the pipes to harmonize natural disorder and order, emphasizing the beauty of light that changes according to weather, time, and season. Additionally, the bright aluminum pipes envelop the entire building, allowing the exterior to show new expressions according to the seasons, incorporating the random characteristics of the urban environment and nature into the architecture.


New Audeum Museum by Kengo Kuma and Associates. Photograph by Namsun Lee.

The interior of the exhibition rooms uses wood, adopting a detail we call ‘wood drape,’ which differs from typical wood finishes, emphasizing the softness and naturalness of the wood. The exterior, with its hard aluminum, transitions to the soft material of the wood inside, creating a gradual shift from the exterior to the interior. The wood finish is designed with acoustics in mind, creating a space that stimulates human senses and fosters a sense of closeness to nature.

The Audeum (Audio Museum) is a space where you can experience not only visual elements but also sound, light, wind, and fragrance, engaging all the senses. This place, where you can experience a new sensory world, goes beyond a museum, providing a special healing and sensory experience. It is destined to become a symbolic place of the new era.

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Architects
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Kengo Kuma and Associates (KKAA). Architect.- Kengo Kuma.
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Project team
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Sungyeon Won, Hiroyo Yamamoto, Shoki An, Yi Ji, Yuzuru Kamiya, Masafumi Yukimoto*, Yuya Mori*, Jeongwon Kim, Sayaka Shimizu.
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Collaborators
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Kozo Keikaku Engineering, NI Steel.
LPA – Lighting Planners Associates.
Nippon Design Center.
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Builder
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KCC Corporation.
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Area
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Site Area.- 2,332.90m².
Building Area.- 1,089.13m².
Total Floor Area.- 11,009 m².
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Dates
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Design.- 5. 2019 / 12.2022.
Works.- 8.2021 / 8.2023.8.
Completion.- May 2024.
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Location
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6, Heolleung-ro 8-gil, Seocho-gu, Seoul, Republic of Korea 06798.
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Photography
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Lee Namsun, Lee Yongbaek, Taiki Fukao, and Audeum Audio Museum.
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Kengo Kuma was born in Yokohama (Kanagawa, Japan) in 1954. He studied architecture at the University of Tokyo, finishing his degree in 1979. In 1987, he opened the "Spatial Design Studio". In 1990 he founded "Kengo Kuma & Associates" and extended the study to Europe (Paris, France) in 2008. Since 1985 and until 2009, has taught as a visiting professor and holder at the universities of Columbia, Keio, Illinois and Tokyo.

Notable projects include Japan National Stadium (2019), V&A Dundee (2019), Odunpazari Modern Art Museum (2019), and The Suntory Museum of Art (2007).

Kengo Kuma proposes architecture that opens up new relationships between nature, technology, and human beings. His major publications include Zen Shigoto(The complete works, Daiwa S hobo)Ten Sen Men (“point, line, plane”, IwanamiShoten), Makeru Kenchiku (Architecture of Defeat, Iwanami Shoten), Shizen na Kenchiku(Natural Architecture, Iwanami Shinsho), Chii sana Kenchiku (Small Architecture, IwanamiShinsho) and many others.

Main Awards:

· 2011 The Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize for "Yusuhara Wooden Bridge Museum."
· 2010 Mainichi Art Award for “Nezu Museum.”
· 2009 "Decoration Officier de L'Ordre des Arts et des Lettres" (France).
· 2008 Energy Performance + Architecture Award (France). Bois Magazine International Wood Architecture Award (France).
· 2002 Spirit of Nature Wood Architecture Award (Finland).
· 2001 Togo Murano Award for “Nakagawa-machi Bato Hiroshige Museum.”
· 1997 Architectural Institute of Japan Award for “Noh Stage in the Forest”. First Place, AIA DuPONT Benedictus Award for “Water/Glass” (USA).

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