As a direct approach to global environmental issues, reflecting on how to live and creating a domestic space that responds to the needs of its occupants, the DABG/deAbajoGarcia architecture studio presents a proposal based on industrialized construction to create a welcoming, responsible, and respectful home.

By minimizing waste generation and incorporating the logic of the circular economy into the use of materials in response to the demands of the climate emergency, Creneas's project adapts to the domestic scale and generates spaces that reflect an innovative approach, attentive to the human scale and detail.

Architecture studio DABG/deAbajoGarcia adapted to the site's conditions and proposed for Creneas a main structure based on a steel truss resting on the concrete walls of the basement, respecting the existing vegetation. Furthermore, it resolves the main spaces with a CLT timber structure, focusing on spatial quality and orientation, embracing the preexisting elements with its geometry and organizing the floor plan into two halves.

In Creneas, the decision was made to open the rooms to the garden, creating a gallery protected by a practicable latticework that allows residents to enjoy all the spaces, both interior and exterior, and connect them with each other and with their surroundings. The structure frees up the entire space, allows for a generous influx of light and optimal ventilation, and brings residents closer to their immediate surroundings thanks to sustainable and innovative construction decisions.

Creneas by DABG/deAbajoGarcia. Photograph by Montse Zamorano

Creneas by DABG/deAbajoGarcia. Photograph by Montse Zamorano.

Project description by DABG/deAbajoGarcia

The tectonic logics of Creneas reflect the ability of architecture to address challenges in an expanded context. Although the scale of a single-family home is small, this condition facilitates a direct approach to global issues, reflections on the modes of living and new construction approaches.

The project relies on an industrialized construction system and dry assemblies as means to optimize resources and reduce emissions, minimizing the generation of waste and incorporating the logic of the life cycle of materials in response to the demands of the climate emergency.

Creneas adds this interest to the particularities of the context. In this case, the difficulties of the site forced to reduce the impact of the foundation on the ground. For this reason, the main structure is a steel truss, which rests at two points on the concrete walls of a basement that occupies 50% of the surface, respecting the roots of the existing trees. The rest of the structure cantilevers in two directions and the slabs that complete the ground floor are braced by means of tensile rods. The light structure of the first floor rests on the truss. Its geometry subtly embraces the water well and the elm at the entrance. The central support axis organizes the floor in two parts. Taking into account the spatial quality generated by the free heights, the orientation and the infrastructural requirements, the main spaces are resolved with an exposed CLT wood structure, and open to the light from the south.

Creneas by DABG/deAbajoGarcia. Photograph by Montse Zamorano
Creneas by DABG/deAbajoGarcia. Photograph by Montse Zamorano.

The servant spaces are organized in the northern half, with steel sheet slabs through which all the installations are channeled. The work went through multiple unforeseen events, its start being cut short by the arrival of the pandemic. Once started, the supply crisis and successive price increases made both the purchase of wood and the execution of the truss difficult. It was a small company that, by breaking up the structure into smaller parts to facilitate its manufacture in the workshop and transport to the site with the available means, made its execution viable.

The entire façade was executed in a very short time with an industrialized dry assembly system. Spatially, the rooms that open onto the garden are particularly noteworthy: the living room - of large vertical dimensions - with a large window, interrupted only by the tensors that support the slab and the bedrooms on the upper floor, which overlook a gallery protected from the sun by a practicable wooden lattice. The unique structure allows the entire space to be freed up and the program informs the decisions on the filling for a residential solution.

More information

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Architects
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DABG / deAbajoGarcia. Lead architects.- Begoña de Abajo Castrillo, Carlos García Fern. 

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Collaborators
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Quatity Surveyor / DEO.- Miguel Ángel Palencia.
Project and Construction.- Juan F. De la Torre, Structure.
Construction.- Alfredo Lafuente, Structure.

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Client
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Privado.

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Builder
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BAUXUS SL, Claus Proyectos.

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Area
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270 sqm.

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Dates
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Project.- 2018-2019.
Construction.- 2020-2024.

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Location
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Pinto, Madrid, Spain.

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Photography
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Montse Zamorano.
Construcción.- DABG.

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DABG / deAbajoGarcia is an architectural firm founded by Carlos García Fernández (1982, Asturias) and Begoña de Abajo Castrillo (1986, León) in New York in 2013 and currently based in Madrid. Their practice is based on the combination of experiences in the fields of design, construction, and architectural research.

Both are professors in the Department of Projects at ETSAM, hold PhDs in Architecture from the UPM (University of Madrid), and hold Master's degrees in Advanced Architectural Design from Columbia University in New York, where they studied thanks to Fulbright scholarships. Through their work, they propose a reflection on open spatial systems and organizations that incorporate the potential for change over time. Their interest in designing with sustainable construction techniques has led them to specialize in the tectonic logics linked to industrialization, and especially in wood construction, always paying attention to the specific conditions of each context.

Carlos García Fernández holds a PhD in Architecture from the Polytechnic University of Madrid. During his academic training, he also studied in the Netherlands at TU Delft. He was later a fellow at the Spanish Academy in Rome and a visiting researcher at Keio University in Tokyo, in Kazuyo Sejima's laboratory.

Begoña de Abajo Castrillo received the First National Prize for the End of Degree (Ministry of Education) and the 2012 Extraordinary Prize (UPM). He also trained at the IIT in Chicago and is currently pursuing his doctorate at ETSAM as a contracted researcher. During his professional training, he worked at Álvaro Siza's studio in Porto and later at Foster and Partners in Madrid.

Her work has been widely published in specialized magazines and books, presented at international conferences and exhibitions at institutions such as the New European Bauhaus, the German Museum of Architecture, and the AIA in New York. She has received numerous awards, including the DETAIL, BIGMAT, and COACAN prizes, as well as a mention from the COAM Luís Moreno Mansilla. Her work has also been selected for the ENOR, FAD, ARQUIA Próxima, BEAU XIV, and EGURTEK awards.

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Published on: March 28, 2025
Cite: "Logic and constructive sincerity. Creneas by DABG / deAbajoGarcia" METALOCUS. Accessed
<http://www.metalocus.es/en/news/logic-and-constructive-sincerity-creneas-dabg-deabajogarcia> ISSN 1139-6415
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