Mecanoo completes the interior design project for the hotel chain The Place.

For the Place, like its name, Mecanoo brands them as a hotel that creates a unique visitor experienced that embodies the specific identity of place. For each assignment, their goal is to seek out the secret of the location to create a unique design that strengthens the its identity.
“For each assignment, our goal is to seek out the secret of the location to create a unique design that strengthens the distinct identity of the context. By contrasting old and new, mixing of west and east, the hotel becomes a contemporary interpretation of a traditional art form.

For the interior design of The Place hotel in Taipei’s Nangang district, Mecanoo drew inspiration from the local tea production tradition. The tea industry has contributed to shaping the area’s landscape and history and is part of what makes Nangang unique.”

Project description by Mecanoo

The Place, like its name, brands itself as a hotel that creates a unique visitor experienced that embodies the specific identity of each place. This specificity of place is central to Mecanoo’s “People, Place, Purpose” design philosophy, which emphasizes users, a holistic understanding of the social, historical and physical context, and a response to current and future building functions. For each assignment, our goal is to seek out the secret of the location to create a unique design that strengthens the distinct identity of the context.

In keeping with this design philosophy, Mecanoo’s interiors for The Place hotels in other cities all embody a unique sense of place: The Place in Tainan reinterprets the historic city’s rich streetscape; in Yilan, the hotel is located in the National Center for Traditional Arts and draws its inspiration from local craftsmanship. By contrasting old and new, mixing of west and east, the hotel becomes a contemporary interpretation of a traditional art form.

For the interior design of the The Place hotel in Taipei’s Nangang district, Mecanoo drew inspiration from the local tea production tradition. The tea industry has contributed to shaping the area’s landscape and history, and is part of what makes Nangang unique. More recently, since shifting from a manufacturing economy to the knowledge-based economy in the late 20th C, Nangang has developed as a sustainable regional centre for conferences and trade shows. The district includes a software park and a High Speed Rail connection to the airport. Mecanoo’s design for the hotel interior combines old and new, tying together these two aspects of Nangang’s distinct identity.

The Nangang district: Pouchong tea

Historically, one of the Nangang district’s most important export products has been Pouchong tea. It is harvested from terraced tea plantations, which have become a popular touristic destination with the Nangang Tea Processing Demonstration Centre. It is a type of Oolong tea with a bright yellow colour. The tea was dried, fermented, packaged and transported and distributed worldwide.

Hotel public area: tea house (socialising)

The local Pouchong tea became the springboard for Mecanoo’s design of The Place in Nangan. The hotel is located on the 10th to 20th floors of a mixed-use building. Visitors pass through a ground-floor lobby and arrive at the 10th floor check-in / lounge / dining area, which functions like a Taiwanese tea house. Traditionally, these tea houses are social spaces, not unlike European cafes and bars. Likewise, The Place’s welcoming lobby allows guests to check in, work, rest, dine and socialise. These services are “highlighted” in a contemporary bright blue linear element, creating a strong contrast with the warm oak walls. This element contains a buffet counter, flexible stepped seating, and several one-step self-check-in points. As in a tea house, hospitality and socialisation are central.

Social spaces should have an energetic buzz without becoming overcrowded; depending on the time of day, the size of the lobby can be flexibly adjusted with a system of curtains. Only half of the space is open in the late evenings; when the hotel is fully booked, the lobby can extend to the adjacent multipurpose room. Curtains also add a rich experiential layer to the project; in the 10th floor dining area, overlapping layers of fabric with different degrees of transparency selectively reveal views. In the conference room, a historic photograph of boats transporting tea is reinterpreted for the region’s technology-focussed development. The ca. 60m x 4m printed image is a “digitalised history” – what appears as a historic image from a distance becomes a pattern of 1s and 0s when seen up close.

Hotels rooms: tea fields (production)

While the lobby is a tea house, the hotel corridors and rooms embody the tea production process. The corridor carpet pattern evokes the terraced tea plantation landscape. Stepping into the rooms, the chevron wood floor pattern echoes the woven bamboo baskets for drying tea leaves. The colour palette is natural wood with Pouchong tea-coloured accents.

The compact hotels rooms vary between 20 m² and 43 m². They are flexible and efficient. The Place is primarily a business hotel, with guests coming for trade fairs and shows. Storage space and computer working stations are therefore conveniently provided. There are seven types of rooms, each with a compact layout and designed to appear as spacious as possible. To this end, fixed elements are integrated into one box: the bathroom, wardrobe, a place for luggage, a mini bar and a standing workplace. Others are mobile elements: rotating round table, work from bed or chair. Above the standing workplace is a pegboard that provides an assortment of “working tools” for the guests’ stay: chargers, stationary, speakers, tea, cups, even airplants.

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Client
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Royal Management Consultant Co., Ltd.

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Programme
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1F entrance lobby / tea shop. 1MF tea shop seating area. 10F reception/ restaurant / two conference rooms / gym. 11-20F 179 guestrooms (5 room types + 2 suite types).
 

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Measures
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Public area aprox 600 m²
. Guestroom floors aprox. 6000m². Size.- 6600m²
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Dates
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Design.- 2014-2018
. Realisation.- 2018-2019.

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Address
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No.196 Jingmao 2nd Road 10F, Taipei 115 Taiwan.

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Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

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Published on: August 10, 2019
Cite: "Mecanoo completes The Place Taipei Hotel in Taiwan. Strengthening identity" METALOCUS. Accessed
<http://www.metalocus.es/en/news/mecanoo-completes-place-taipei-hotel-taiwan-strengthening-identity> ISSN 1139-6415
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