The second intervention for the 2022 edition of the Madison Square Park Conservancy has been inaugurated with a new installation by the Spanish artist Cristina Iglesias called "Landscape and Memory". The project looks for unearthing the forgotten terrains and geographic history of Madison Square Park in a new public art installation.

Not everyone knows, including many New Yorkers, that at one time the island of Manhattan was covered by wetlands, streams, rivers and even a 50-acre pond with a depth of 60 feet where Chinatown now stands, known as Collect Pond or Freshwater pond, a river system that was gradually buried but continues to flow, flooding its banks and basements when it rains.
For "Landscape and Memory", Cristina Iglesias recovers, in her first major temporary public art project in the United States, the memory into the Madison Square Park’s Oval Lawn, with five subterranean bronze sculptures connected to a flowing stream whose presence reminds us the former configuration of Cedar Creek. The installation will be on view through December 4, 2022.
 
"Madison Square Park has a rich history, witnessing and participating in several hundred years of New York City’s growth and evolution," the Conservancy’s Executive Director Keats Myer said of the significance of the site, which before the 19th century had been called Cedar Creek. “[Cristina’s] commission digs deep into this history, evoking an era that predates even our centuries-old park, to reconnect today’s visitors with the natural wonder of the original site."

Nodding to historian Simon Schama’s major 1995 volume of the same name, which surveyed the history of landscape across time and terrain, Landscape and Memory is informed by Iglesias’ research into the history of the site. For the project, Iglesias located and studied antique maps that documented the water flow beneath Madison Square Park, where the Cedar Creek and Minetta Brook once coursed for two miles before flowing into the Hudson River. With nineteenth-century industrialization, streams like the Cedar and Minetta were buried underground to create additional land for building sites, underground drains, or sewers. Through Landscape and Memory, Iglesias renders this buried history visible again, inviting viewers to contemplate centuries of transformation of urban sites that were once natural.

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Artist
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Curator
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Brooke Kamin Rapaport.
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Promoter
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Venue
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Madison Square Park’s Oval Lawn. Manhattan, NYC, USA.
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June 3 to December 4, 2022.
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Photography
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Rashmi Gill.
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Cristina Iglesias. Born in San Sebastian in November 1956. She studied Chemical Sciences in her home town (1976-1978) and then after a brief period in Barcelona practising ceramics and drawing, she studied Sculpture at the Chelsea School of Art in London, UK (1980-1982). Was granted a Fullbright scholarship to study at Pratt Institute, 1988. In 1995 she was appointed Professor of Sculpture at the Akademie der Bildenden Künste in Munich (Germany) and in 1999 she won Spain's National Visual Arts Prize.

Cristina Iglesias lives and works in Madrid. She has represented Spain twice at the Venice Biennale, at the 42nd edition in 1986 and at the 45th edition in 1993 and has had solo exhibitions of her work hosted by Kunsthalle Berne (1991); Stedelijk Van Abbemuseum, Eindhoven (1993); Guggenheim Bilbao (1997); Museu Serralves, Portugal (2002); Whitechapel Gallery, London (2003); the Ludwig Museum, Cologne (2006); and Museo Reina Sofia, Madrid (2013).

In 2012 she won the Große Kunstpreis Berlin. Iglesias has made several notable large scale works in civic spaces, including Deep Fountain in front of the Royal Museum of Fine Arts in Antwerp and the bronze doors for the extension of the Prado Museum in Madrid.

 

 

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Published on: June 6, 2022
Cite: "Cristina Iglesias, recovering the memory and landscape beneath the Manhattan grid" METALOCUS. Accessed
<http://www.metalocus.es/en/news/cristina-iglesias-recovering-memory-and-landscape-beneath-manhattan-grid> ISSN 1139-6415
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