The sculptor Cristina Iglesias will inaugurate on June 3 and 4 her new performance, Hondalea, at the lighthouse on Santa Clara Island located in Donostia-San Sebastián.

It is a sculpture that the artist gives to her hometown, becoming her first work in the city. Its location in the lighthouse encourages the renovation of this building and seeks to convert such an emblematic place of the city, such as the island of Santa Clara, into a location in which a space for reflection and communication between the city and the sea is generated.
Cristina Iglesias intends to create a performance that brings the emblematic island even closer to the city, creating awareness for the conservation of the seas and the natural environment of the lighthouse. In this way, she wants her performance to also host a program of educational and artistic activities related to sustainability and the environment.

The sculpture is also intimately related to the place, inspired by the wild nature of the island and the steep forms of the Basque coast, but without altering the landscape as it is hidden by the walls of the lighthouse. The artist intends to value the environment in which her work is located so that the visitor arrives by boat and travels the paths that cross the island contemplating the rocks and the waves until they reach the lighthouse. Once inside, the visitor will be able to contemplate the sculpture of geological strata fused with the water that flows through them, and that will plunge them into an experience of deep time.

This work is added to the long list of performances in which Cristina Iglesias relates art to ecological defense and the recovery of abandoned buildings or places. Her works propose to generate dialogue and debate about the need to protect the environment we inhabit, providing a renewed conception of the practice of sculpture through the transformation and enhancement of a place by intervening in its artistic language.
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Dates
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Inauguration.- June 3 and 4. Opening.- June 5.
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Location
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Lighthouse on Santa Clara Island, Donostia-San Sebastián, Basque Country, Spain.
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Photography
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Iñigo Aguayo, José Luis López Zubiria, Cristina Sarasola, Idoia Unzurrunzaga.
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Cristina Iglesias. Born in San Sebastian in November 1956. She studied Chemical Sciences in her home town (1976-1978) and then after a brief period in Barcelona practising ceramics and drawing, she studied Sculpture at the Chelsea School of Art in London, UK (1980-1982). Was granted a Fullbright scholarship to study at Pratt Institute, 1988. In 1995 she was appointed Professor of Sculpture at the Akademie der Bildenden Künste in Munich (Germany) and in 1999 she won Spain's National Visual Arts Prize.

Cristina Iglesias lives and works in Madrid. She has represented Spain twice at the Venice Biennale, at the 42nd edition in 1986 and at the 45th edition in 1993 and has had solo exhibitions of her work hosted by Kunsthalle Berne (1991); Stedelijk Van Abbemuseum, Eindhoven (1993); Guggenheim Bilbao (1997); Museu Serralves, Portugal (2002); Whitechapel Gallery, London (2003); the Ludwig Museum, Cologne (2006); and Museo Reina Sofia, Madrid (2013).

In 2012 she won the Große Kunstpreis Berlin. Iglesias has made several notable large scale works in civic spaces, including Deep Fountain in front of the Royal Museum of Fine Arts in Antwerp and the bronze doors for the extension of the Prado Museum in Madrid.

 

 

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Published on: May 16, 2021
Cite: "Ecology and art. Hondalea by Cristina Iglesias" METALOCUS. Accessed
<http://www.metalocus.es/en/news/ecology-and-art-hondalea-cristina-iglesias> ISSN 1139-6415
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