The proposal by Faena Group aims to revive an area considered in transit and transform it in a Miami area attraction. The project not only limited to the development of Faena Arts Center, is similar to that proposed developed in Puerto Madero in Buenos Aires and here has input from OMA to revive an urban area of almost 7 blocks.

Of the three pieces of project designed by OMA, there are few renderings known, however, we note the collaboration with the Spanish artist Cristina Iglesias who just finished her project Tres Aguas in Toledo, Spain.

Dutch architect Rem Koolhaas and OMA have designed the district’s arts centre, which will also include a Cristina Iglesias-designed fountain and a sculptural installation by Studio Job entitled ‘Tree of Life’.

Culture is at the core of Faena’s vision, and has been the driving force for our collaboration in miami beach. We were invited to design three buildings - an arts center, retail bazaar and car park. These distinct functions are linked by a sequence of public domains including a plaza, courtyard and marina dock. By curating their neighborhood with programmatic diversity, Alan’s sphere of influence will likely extend beyond this development to the rest of Miami Beach.
 

Description project by OMA

Located in Miami Beach, the Faena Arts Center enjoys a unique site that stretches between Indian Creek and the Atlantic beachfront. OMA has designed three buildings for the three block site along Collins Avenue - an arts center, retail bazaar and car park. These distinct functions are linked by a sequence of public domains including a plaza, courtyard and marina dock.

Partner-in-charge, Shohei Shigematsu commented: "Culture is at the core of Faena's vision, and has been the driving force for our collaboration in Miami Beach. By curating their neighborhood with programmatic diversity, Alan's sphere of influence will likely extend beyond this development to the rest of Miami Beach."

The Faena Arts Center is divided into two volumes - a cylinder that accommodates gathering spaces and a cube of hotel and meeting rooms. On the building's third level, an Assembly Hall occupies both the cylinder and the cube. Since each volume has a distinct form and character, the two halves of the Assembly Hall can be used separately on in combination for a variety of uses. Below the cylinder, an exterior plaza along Collins Avenue is formed by removing a "wedge" from the front of the building. The cantilever, which shelters and shades the outdoor plaza, is supported by a structural facade of white cast-in-place concrete with high performance glazing infill panels. The solid cast-in-place concrete elements of the façade both accommodate the structural needs of the building and orchestrate key views to the surrounding buildings and the waterfronts. Along the building's north edge, the cylinder and the cube are smoothly joined to accommodate circulation and structure as well as a balcony accessed via the Assembly Hall.

The Faena Bazaar is a renovation of the historic Atlantic Beach Hotel, built in 1939 and designed by prominent Miami Beach architect Roy France, whose work includes the Saxony and Versaille opposite the site. The Bazaar preserves and restores the existing lobby and facades, while reprogramming the building for retail.

Parking for the Arts Center and Bazaar is located on the third site with a mechanical system for maximum efficiency. Elevators transporting vehicles between levels are exposed on 35th street, while a facade of angled perforations allow for adequate airflow with controlled views.

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Project Architects
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Clarisa Garcia Fresco, Paxton Sheldahl
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Team
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Jake Forster, Lawrence Siu, Francesca Portesine, Ravi Kamisetti, Jesung Park, Anupama Garla, Ted Lin, Andy Westner, Daniel Quesada Lombo, Denis Bondar, Caroline Corbett with Carla Hani, Jenny Zhan, Sarah Carpenter, Marcela Ferreira, Slava Savova, Yusef Ali Dennis, Tamara Levy, Ariel Poliner, Simon McKenzie, Andrew Mack, Cass Nakashima, Matthew Austin
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Status
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Commission 2011; Completion 2016
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Client
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Faena Group
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Venue
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Three sites along Collins Avenue, extending from 33rd Street to 35th Street, including the renovation of the historic Atlantic Beach Hotel. Miami Beach, FL, USA
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Program
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42,565 sf arts center with 6,700 sf performance hall. 20,074 sf retail center. 28,283 sf parking structure
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Partner-in-Charge
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Shohei Shigematsu
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Associate-in-Charge
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Jason Long
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Cristina Iglesias. Born in San Sebastian in November 1956. She studied Chemical Sciences in her home town (1976-1978) and then after a brief period in Barcelona practising ceramics and drawing, she studied Sculpture at the Chelsea School of Art in London, UK (1980-1982). Was granted a Fullbright scholarship to study at Pratt Institute, 1988. In 1995 she was appointed Professor of Sculpture at the Akademie der Bildenden Künste in Munich (Germany) and in 1999 she won Spain's National Visual Arts Prize.

Cristina Iglesias lives and works in Madrid. She has represented Spain twice at the Venice Biennale, at the 42nd edition in 1986 and at the 45th edition in 1993 and has had solo exhibitions of her work hosted by Kunsthalle Berne (1991); Stedelijk Van Abbemuseum, Eindhoven (1993); Guggenheim Bilbao (1997); Museu Serralves, Portugal (2002); Whitechapel Gallery, London (2003); the Ludwig Museum, Cologne (2006); and Museo Reina Sofia, Madrid (2013).

In 2012 she won the Große Kunstpreis Berlin. Iglesias has made several notable large scale works in civic spaces, including Deep Fountain in front of the Royal Museum of Fine Arts in Antwerp and the bronze doors for the extension of the Prado Museum in Madrid.

 

 

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Published on: April 27, 2014
Cite: "Faena Arts Centre. Cristina Iglesias and Rem Koolhaas" METALOCUS. Accessed
<http://www.metalocus.es/en/news/faena-arts-centre-cristina-iglesias-and-rem-koolhaas> ISSN 1139-6415
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