CODA'S Party Wall to Provide the Setting for the Warm Up Summer Music Series in the Courtyard of MoMA PS1. The proposal reuses ecological remains of the wooden panels for manufacturing skateboards, as pieces to building stage.

Intelligence and recycling, it is the project sign by Caroline O'Donnell, in annual proposal for the MoMA PS1 Young Architects. Congratulations!

The Museum of Modern Art and MoMA PS1 announce CODA (Caroline O'Donnell, Ithaca, NY) as the winner of the annual Young Architects Program (YAP) in New York.

Now in its 14th edition, the Young Architects Program at MoMA and MoMA PS1 is committed to offering emerging architectural talent the opportunity to design and present innovative projects, challenging each year's winners to develop creative designs for a temporary, outdoor installation at MoMA PS1 that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling. CODA, drawn from among five finalists, will design a temporary urban landscape for the 2013 Warm Up summer music series in MoMA PS1's outdoor courtyard.

The winning project, Party Wall, opening at MoMA PS1 in Long Island City in late June, is a pavilion and flexible experimental space that uses its large-scale, linear form to provide shade for the Warm Up crowds, in addition to other functions.

The porous façade is affixed to a tall self-supporting steel frame that is balanced in place with large fabric containers filled with water, and clad with a screen of interlocking wooden elements donated by Comet, an Ithaca-based manufacturer of eco-friendly skateboards.

The lower portion of the Party Wall’s façade is capable of shedding its “exterior,” as 120 panels can be detached from the structure and used as benches and communal tables during Warm Up and other diverse events and programs such as lectures, classes, performances, and film screenings.

A shallow stage of reclaimed wood weaves around Party Wall’s base to create a series of micro-stages for performances of varying types and scales. At various locations under the structure, pools of water serve as refreshing cooling stations that can also be covered to provide additional staging space or a shaded area from the direct sunlight.

Party Wall’s steel-angle structure is ballasted by water-filled “pillows” made of polyester base fabric that will be lit at night to produce a luminous effect. Party Wall acts as an aqueduct by carrying a stream of water along the top of the structure. The water is projected from the structure, via a pressure-tank, into a fountain that feeds a misting station and a series of pools.

"CODA's proposal was selected because of its clever identification and use of locally available resources—the waste products of skateboard-making—to make an impactful and poetic architectural statement within MoMA PS1's courtyard," said Pedro Gadanho, Curator in MoMA's Department of Architecture and Design. "Party Wall arches over the various available spaces, activating them for different purposes, while making evident that even the most unexpected materials can always be reinvented to originate architectural form and its ability to communicate with the public."

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CODA tiene su sede en Ithaca, es un estudio experimental que investiga a diferentes  escalas. El trabajo de CODA es una negociación entre la forma y el medio ambiente. El compromiso con las complejidades del lugar es fundamental para cada estrategia de diseño, produciendo una intervención que es a la vez emergente y reacción a un ambiente particular. Los proyectos recientes de la firma incluyen Bloodline, un pabellón de autoconsumo de barbacoa en Stuttgart, Alemania; Urban Punc, una estrategia urbana para Leisnig, Alemania (en colaboración con Troy Schaum). CounterSpace, un complejo de viviendas en Dublín, Irlanda; Noatun, un plan urbano para Klaksvik, Faroe Islands, Zoom House, una ampliación temporal en Brisbane, Australia, y Half-House, una casa en un lugar secreto en los Estados Unidos.

CAROLINE O'DONNELL nació en Irlanda en 1974. Recibió su B.A. (Hons) y B.Arch con distinción por la Manchester School of Architecture, Inglaterra, donde fue galardonada con la Medalla de Heywood. Recibió su Máster en Arquitectura en la Princeton University, y fue galardonada con el premio Suzanne K. Underwood Prize debido a la habilidad y el talento excepcional en el Diseño Arquitectónico.

Desde el año 2000, O'Donnell ha trabajado en numerosos encargos y concursos, tanto de forma independiente como en colaboración, en particular con SMAQ, Shine Project Group, Troy Schaum, Brantley Hightower y Mike Green. De 2006 - 2008, ella fue arquitecto del proyecto en Eisenman Architects en Nueva York, donde dirigió los la formación de equipos de diseño de varios proyectos, incluyendo Hamburg Library, Pompei Santuario Railway Station. De 2000 - 2004 fue un diseñadora en KCAP, Rotterdam.

Ha colaborado en varias revistas, incluyendo Thresholds, Log, MAP y Pidgin. Ella es una de los editoras fundadoras (junto con Brian Tabolt y Marc McQuade) de la revista Pidgin y actualmente es el editor en jefe de la Cornell Journall de Arquitectura.

O'Donnell es actualmente profesor adjunto de Richard Meier en la Cornell University. Anteriormente ha impartido clases en The Cooper Union y Princeton University. Desde junio de 2008, es miembro de Akademie Schlooss Solitude, Stuttgart, Alemania.

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Published on: January 18, 2013
Cite: "Caroline O’Donnell, CODA, winner of the 2013 YOUNG ARCHITECTS PROGRAM " METALOCUS. Accessed
<http://www.metalocus.es/en/news/caroline-odonnell-coda-winner-2013-young-architects-program> ISSN 1139-6415
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