Anatomy of the Wallpaper
The Wallpaper gives rise to the overlapping nature of History over an immaterial and intangible element. A form of abstraction, liberating the viewer beyond a literal examination of the elements, that compose Architecture, is perceptible. Over time, new physical layers are inserted on the Wallpaper, thus, from its earliest form, being immaterialized and disembodied, it is mutated into a physical barrier. It encompasses thickness, then it is formatted into a Wall and, ultimately into a Space. Being presented in a simplified form of a story narration (where names, time, and place do not exist), we aim to prioritize ideas and concepts. The Wallpaper will be partially exhibited and examined on a real scale, in its crucial form. While it is decorticating it will allow the viewers to uncover different stories of time or different versions of the same story.
Cypriot pavilion at the 14th International Architecture Exhibition in Venice is directed by architects Michael Hadjistyllis and Stefanos Roimpas.
The exhibition is an abstraction that explores the passage of time and history through the metaphor of wallpaper and the work with collages and on different surfaces.
More information
Published on:
June 13, 2014
Cite: ""The Wallpaper." Cyprus at the 14th Venice Biennale" METALOCUS.
Accessed
<http://www.metalocus.es/en/news/wallpaper-cyprus-14th-venice-biennale>
ISSN 1139-6415
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