This retail space was designed with a minimalistic interior using concrete flooring and a suspended cloud-shaped neon light, in order to focus on the centerpiece. The architectural shape features a city of constructivist-style buildings. The children can play, run and go into the city using a small staircase, and simultaneously have the primary function of showcasing the brand’s clothes. This intelligente pairing between the program and the avant-garde architectural movement has created an interesting retail space.

L’asticot is a young children clothing brand from Switzerland. For their fist flagship store, they asked Bureau-A to imagine a creative display to present the collection.

The design, a large steel structure, works both as a circular cloth hanger and as a support for a temporary model illustrating the collection. Inspired by Soviet Union architecture and its highly suggestive ability, the fist “world” is a large scale cardboard model of an imaginary city.

Descrption of the project by Bureau-A

The OSA Group (Organization of Contemporary Architects) was an architectural association formed in the Soviet Union during the 1920’s. It gathered important figures of what became known later as constructivist architecture. For the OSA, the architect was not only a builder, he also had to be a sociologist for the new era, a politician of the built environment, and a skilled technician to engineer the future.

From 1926 onwards, the OSA used the magazine SA (Sovremennaïa Arkhitektoura) to (propager) its ideas and projects. Very much influenced by the suprematist principles of Kazimir Malevich, himself an active member of SA, the magazine promoted an architectural modernisme rejecting classicist influences. These incredibly prolific years of the young Soviet Union produced a progressive art and architecture. Vladimir Tatlin, Alexander Vesnin, Konstantin Melnikov, Kazimir Malevich, Ivan Leonidov or the engineer Choukhov are only some of the figures that later shaped modernism through the Bauhaus. This period of social utopia gave birth to many buildings that are somewhere between real and imaginary.

When one thinks about Russia and its epic approach to architecture, childhood is probably the last thing that comes in mind. However, its monuments with their architecture of representation and excess propose a very appropriate landscape to explore architectural fantasies, fairy tale constructions, somewhere between monstrous and marvellous. Given children’s ability to blur the line that separates physical reality from imaginary worlds, kids can easily navigate among these images and built forms.

The display of L’ASTICOT flagship store is a support for a mini-world, a catalogue of built or projected utopias in the form of a scaled-down city. Children can enter at its epicentre to explore the scenarios of this architectural fiction and create a narrative among these soviet monsters. They can hide and play under the big table, which primary function is to hang the clothing collection. On the top of the egg-shaped steel structure, different worlds will emerge following the collection themes.

CREDITS. TECHNICAL SHEET.-

Project.- BUREAU A
Photography.- Dylan Perrenoud
Model built in collaboration with collectif galta.- Amélie Freyche, Antoine Guay, Aurélien Reymond, Gaspar Reverdin & Jessica Brancato.

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BUREAU A. Founded in 2012 by the association of Leopold Banchini and Daniel Zamarbide. Architects by training BUREAU A is a multidisciplinary platform aiming to blur the boundaries of research and project making on architectural related subjects, whichever their nature and status.

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Leopold Banchini was born in Geneva in 1981 and is an architect graduated from the EPFL (Ecole Polytechinique Fédérale de Lausanne). He is also Master in Architecture from the University of Lausanne (2007) and graduate of the Glasgow School of Art (2004).

Is a visiting professor in the HEAD (Haute Ecole de Design et) in Geneva since 2010 and Assistant Professor at the EPFL since 2009. He has also been Archozoom project designer in 2009.

Has been placed in Lot / ek Architects (New York) between the years 2004/2005, as an assistant project Art Basel (Basel) in 2005, and as a project partner of the collective Atelier Van Lieshout (AVL) that same year in Rotterdam.

He has developed his work as an architect in b720 Arquitectos (Barcelona) during the years 2007 and 2008, and Group8 Architects (Geneva) in 2009.

In addition, since 2008 part of 1to100 Architects, and architectural collective based in Geneva. Its members have been active and decisive parts in projects such as the winning participation of Bahrain at the last Venice Biennale - RECLAIM Golden Lion 2011, exhibitions such as The Gulf - OMA-AMO's participation at the Venice Biennale 2007 and publications such as AMO-Rem Koolhaas's Al Manakh. Parallel to that, they conduce many different operations ranging from architecture, to journalism, until urban design. They have teaching positions at the EPFL and the University of Arts and Design in Geneva.

Its aim is to take position and initiate reflexions upon our contemporary environment.

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BUREAU, is the new project by Daniel Zamarbide. The practice hides under its generic name a variety of research activities. BUREAU makes things as an urge to react to the surrounding physical, cultural and social environment with a critical standpoint and with an immersive attitude. BUREAU is (in 2017) a furniture series, an editorial project, a design team, they are architects.

Daniel Zamarbide obtains his master degree at the Institut d’Architecture de l’Université de Genève (IAUG) in 1999. During his studies he followed the workshops of Christian Marclay, Philippe Parreno and Catherine Queloz at the École Supérieure des Beaux Arts in Geneva.

In the year 2000 he becomes one of the founding members of group8, an architectural practice that has acquired an important national and international recognition.


Daniel Zamarbide has developed through the years a particular interest in the protean aspects of his discipline and nourishes his work and research through other domains like philosophy, applied and visual arts as well as cinema.

As a guest lecturer and jury he has been invited at a diversity of international schools and institutions to present and discuss his work and research.

Since 2003 his interest in research and education has led him to be invited as an assistant in the École Polytechnique Fédérale de Lausanne (EPFL) and as a professor (2000-14) at the Haute École d’Art et de Design (HEAD) in Geneva. In 2014, he integrates the team of ALICE Lab (Dieter Dietz) at the École Polytechnique Fédérale de Lausanne (EPFL) as a guest professor and research director.

In 2012, Daniel leaves group8 to start a new practice with Leopold Banchini, architect. Their practice, BUREAU A has explored during 5 years the possibilities of architectural making in a great variety of formats, opening the practice to work in the fields of art, garden and landscape architecture, exhibition design, temporary architecture and object making.

In 2017, following the dissolution of BUREAU A, Daniel Zamarbide pursues his more personal research interests under the name of BUREAU. This new entity produces architecture in the continuity of BUREAU A and incorporates to his already prolific activities furniture design (with a design brand of the same name) and an editorial project, which launches the first publication in June 2017.

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Published on: August 10, 2015
Cite: "FROM RUSSIA WITH LOVE? by Bureau A" METALOCUS. Accessed
<http://www.metalocus.es/en/news/russia-love-bureau-a> ISSN 1139-6415
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