Prada continues to hybridize its latest presentations with the metaverse. The latest catwalk, Autumn Winter 2022 Men and Women, designed by AMO, has combined the royal presentation in an exceptional context, such as the Prince Jun Mansion complex, and in parallel, a futuristic presentation for the XIRang social application, (platform of virtual reality designed by the Chinese search engine and main Internet player: Baidu).

AMO created a scenography that would allow the double real and virtual presentation, inserting an aluminium landscape that basically uses black and white colours that contrast spectacularly with the red interior of the Yin An Palace (originally built in 1648), located in the centre of the Mansion. of Prince Jun, a member of the Qing dynasty.
AMO visually transformed the space by adding geometric lighting systems, and industrial non-slip metal floors, with benches and counters made of light-reflecting aluminium sheets.

This new scenography, hybridized with the architecture of the old royal enclosure, was complemented with satin fabric ceilings and vertical partitions made of three-dimensional triangular modules, reinterpreting Chinese paper lanterns to control the lighting elements.

The creation of this container of light was the perfect piece to show the appeal of presentation on two scales: the most intimate and reduced of physical occasions, and its opening and access to a much larger audience in the metaverse, with its presentation. on Baidu's XIRang platform, generating a great diffusion impact collected by all the Chinese media.

A presentation that shows the ability of the Prada fashion house to reinvent itself and maintain its aesthetic appeal, in a timeless context that made an interesting journey from traditional architecture to the current People's Republic of China.


Prada FW22 Men’s and Women’s Show by OMA. Photograph courtesy of Prada.


Prada FW22 Men’s and Women’s Show by OMA. Photograph courtesy of Prada.
 

Project description by AMO

For the Prada show at the Prince Shuncheng Mansion in Beijing, AMO proposes a scenography that invites guests to gradually discover the 400-year-old former royal compound. The fashion show is hosted in the Yin An palace, situated in the centre of the compound, from which visitors move towards the palace’s courtyard for an informal dinner, followed by an afterparty in the pavilions around the ponds of the back garden.

AMO’s design creates visual continuity throughout the venues by inserting a layer of lighting elements that reinterpret the pattern of Chinese paper lanterns. Bright ceilings and vertical partitions made of three-dimensional triangular modules, casting the spaces in soft pink light, create a warm ambience amplified by the reflection in the ponds. In contrast to the carefully crafted lighting elements, the floor and the seating areas are covered with treadplate metal sheets, which act as another mirroring surface, further amplifying the atmosphere.

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Architects
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AMO - OMA. Partner.- Rem Koolhaas. Project architect.- Giulio Margheri.
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Project team
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Catalina Dumitru, Luisa Carvalho Punchirolli, Alex Tintea, Mingda Zhang.
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Client
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Dates
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08.2022.
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Location
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Beijing, China.
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Photography
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Courtesy of Prada.
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AMO is the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas in 1999. Applying architectural thinking to domains beyond building, AMO has worked with Prada, the European Union, Universal Studios, Amsterdam’s Schiphol airport, Condé Nast, Harvard University, and the Hermitage. It has produced exhibitions, including Expansion and Neglect (2005) and When Attitudes Become Form: Bern 1969/Venice 2013 (2013) at the Venice Biennale; The Gulf (2006), Cronocaos (2010), Public Works (2012), and Elements of Architecture (2014) at the Venice Architecture Biennale; and Serial Classics and Portable Classics (both 2015) at Fondazione Prada, Milan and Venice, respectively.

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a coloured "barcode" flag – combining the flags of all member states – that was used during the Austrian presidency of the EU.

AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced exhibitions at the Venice Architecture Biennale, including The Gulf (2006), Cronocaos (2010) and Public Works (2012) and for Fondazione Prada including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its principle publication Elements. Other notable projects are a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.
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Rem Koolhaas wwas born in Rotterdam on 17 November 1944. He began his career as a journalist working for the Haagse Post and also as a set designer in the Netherlands and Hollywood. He studied architecture at the Architectural Association School in London, and after winning the Harkness scholarship he moved to the USA. There he spent some time at the IAUS (Institute for Architecture and Urban Studies) in New York, a centre directed by Peter Eisenman. He later moved to Cornell University where he studied with Oswald Mathias Ungers.

In these early years of collaboration between Rem Koolhaas, Elia Zenghelis, Madelon Vriesendorp and Zoe Zenghelis, the name of the group while they were developing their first ideas and conceptual projects was more experimental: Office for Metropolitan Architecture – The Laboratory of Dr. Caligari. A time that served to consolidate initial ideas that would later lead to the formal founding of OMA in 1975 with his three colleagues.

In 1978 he wrote Delirious New York: A Retroactive Manifesto for Manhattan, which has become a classic of contemporary architectural theory.

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder of the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This program has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim Museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe Prize (2005). In 2008, Time mentioned him among the 100 most influential people on the planet.

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Giulio joined OMA in 2015, working across architecture, scenography, curation, research and product design. Projects Giulio has worked on include the transformation of the historic building Fondaco dei Tedeschi in Venice, and proposals for the renewal of the Galeries Lafayette in Paris, the New Tretyakov Gallery in Moscow, and a new Ministry of Sound in London. In an ongoing collaboration with Prada and Miu Miu, Giulio has designed the sets of Prada and Miu Miu runway shows and developed the brands’ online presence and retail set-up. He recently led the design of retail and scenography projects for Jacquemus, Tiffany & Co., BVLGARI and the Dutch natural stone brand Solid Nature. Giulio has also worked on the set design and curation of institutional exhibitions including Recycling Beauty at Fondazione Prada in Milan (2022); Manifesta12 in Palermo (2018), and PANDA at the Oslo Architecture Triennale (2016). Prior to joining OMA, Giulio worked for Ipostudio in Florence, OFIS in Ljubljana and TD architects in Amsterdam. From 2012 to 2014, he conducted urban research at the I2A - Institute of Architecture in Switzerland, and at Strelka Institute for Architecture Media and Design in Moscow.
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Published on: September 2, 2022
Cite: "Prada combines reality and metaverse for its latest catwalk, by AMO" METALOCUS. Accessed
<http://www.metalocus.es/en/news/prada-combines-reality-and-metaverse-its-latest-catwalk-amo> ISSN 1139-6415
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