This new scenography, hybridized with the architecture of the old royal enclosure, was complemented with satin fabric ceilings and vertical partitions made of three-dimensional triangular modules, reinterpreting Chinese paper lanterns to control the lighting elements.
The creation of this container of light was the perfect piece to show the appeal of presentation on two scales: the most intimate and reduced of physical occasions, and its opening and access to a much larger audience in the metaverse, with its presentation. on Baidu's XIRang platform, generating a great diffusion impact collected by all the Chinese media.
A presentation that shows the ability of the Prada fashion house to reinvent itself and maintain its aesthetic appeal, in a timeless context that made an interesting journey from traditional architecture to the current People's Republic of China.
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Prada FW22 Men’s and Women’s Show by OMA. Photograph courtesy of Prada.
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Prada FW22 Men’s and Women’s Show by OMA. Photograph courtesy of Prada.
Project description by AMO
For the Prada show at the Prince Shuncheng Mansion in Beijing, AMO proposes a scenography that invites guests to gradually discover the 400-year-old former royal compound. The fashion show is hosted in the Yin An palace, situated in the centre of the compound, from which visitors move towards the palace’s courtyard for an informal dinner, followed by an afterparty in the pavilions around the ponds of the back garden.
AMO’s design creates visual continuity throughout the venues by inserting a layer of lighting elements that reinterpret the pattern of Chinese paper lanterns. Bright ceilings and vertical partitions made of three-dimensional triangular modules, casting the spaces in soft pink light, create a warm ambience amplified by the reflection in the ponds. In contrast to the carefully crafted lighting elements, the floor and the seating areas are covered with treadplate metal sheets, which act as another mirroring surface, further amplifying the atmosphere.