The exhibition, which could be visited since the first of May, walking through photographs, videos, sculptures, paintings and even installations, a new way of seeing the history of art from the late 19th century in which value is placed on the redefined or reinvented public space for the game, festival and looking for new possibilities of use.
We have found several images with a special interest such as the ones of Unité d'habitation roof full of people (Le Corbusier dream's made true), or Buckminster Fuller during the construction of some of his prototypes. Besides, public spaces designed by Aldo Van Eyck or Lina Bo Bardi.
Description of the exhibition:
Adopting as its premise the notion of carnival pageantry as a practice that alters the established order, the exhibition Playgrounds. Reinventing the square will explore the collective dimension of play and the need for a “ground” of its own in order to engage in the construction of a new public arena.
Playgrounds (curated by Manuel J. Borja-Villel, Tamara Díaz & Teresa Velázquez) takes a historical and artistic approach to the space reserved for play and its socializing, transgressive and political potential from the dawn of modernity to the present day.
The show to be seen at the Museo Reina Sofía aims to explore the recreational, playful, festive side of life that puts the humdrum reality of the everyday on hold, subverting, reinventing and transcending it for one fleeting moment.
With approximately 300 works in several formats (painting, sculpture, facilities, video, photography, graphical arts, cinema and documents) of artists like James Ensor, Francisco of Goya, Henri Cartier-Bresson, Helen Levitt, Alberto Giacometti, Ángel Ferrant, Hélio Oiticica, Lina Bo Bardi, Fischli and Weiss, Vito Acconci, Priscila Fernandes, or Xabier Rivas, Playgrounds. Reinventing the square shows how the playful element, understood as creative strategy, coexists with questions related to the public sphere Departing from this idea, the exhibition explores the recognition of the time and the space of the game as areas of essay and learning.
The introduction to the exhibition will provide background on the carnivalesque concept of life, underscoring certain aspects related to the notion of free time in modern life. The show will also revisit the street as a place of play and self-realization, through examples of adventure playgrounds as well as photographs and films that will give a historic panoramic since the 1930s from a documentary perspective.
The nucleus of the exhibition is devoted to the model of the modern playground and its contradictions, with relevant materials accounting for the urban revolution of the 1960s, the consideration of the city as a relational and psychological construction and works that parallel aesthetic and political transformations.
The last section of the show will consist of a series of experiments based on anti-hegemonic exercises, such us the civil appropriation of the street for “playground” use and works that challenge passive recreation through the emancipative power of play, not to mention recent experiences that resume the collective reinvention of the square and have become essential in envisioning new ways of doing politics.
Text.- Museo Nacional Centro de Arte Reina Sofía.
Dates.- 30th April - 22nd September of 2014.
Venue.- Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. Sabatini building. Room A1.
Organization.- Museo Nacional Centro de Arte Reina Sofía.
Curator.- Manuel Borja-Villel, Teresa Velázquez y Tamara Díaz.
Scientific Comitee.- Lars Bang Larsen, Beatriz Colomina, Marcelo Expósito,João Fernandes y Rodrigo Pérez de Arce.
Coordinator.- Tamara Díaz, Beatriz Jordana and Rocío Robles.
Parallel to the exhibition 'Playgrounds. Reinventing the square. 'several associated activities will be developed:
Course and seminary La imaginación política:
Alan W. Moore. Art-gangs. Protesta y contracultura en Nueva York.
Date: 4th of June, 07:00 pm. Venue: Nouvel building, Auditorium 200 seats. Free access until completion of capacity.
Oliver Ressler. Ocupación espacial.
Date: 5th of June, 07:00 pm. Venue: Nouvel building, Auditorium 200 seats. Free access until completion of capacity.
Adrià Rodríguez and Lilia Westlaty, in conversation. Kairós. Reinventing democracy in the Mediterranean.
Date: 11st of June, 07:00 h. Venue: Nouvel building, Auditorium 200 seats. Free access until completion of capacity.
Workshop for adults Playgrounds. Reinventing the square:
Aimed at.- adults.
Date.- eight sessions from 19th of May to 13rd of June.
Free inscription through mediacion@museoreinasofia.es
Visit A propósito de…Playgrounds:
Aimed at.- adults.
Date.- thursdays of May and June, 07:15 pm.
Venue.- Muesum meeting point, 10 min. before starting.
Free inscription with no reserve.
Artist workshop for children A jugar:
Aimed at.- children from 8 to 11 years old.
Date.- 23/27 of June, 30-06/04 of July, 07/11 and 14/18 of July, from 10.30am to 01.00 pm.
Free access through actividadesinfantiles@museoreinasofia.es
![John Baldessari (American, b. 1931). Hands Framing New York Harbor from Pier 18. 1971. Photograph by Shunk-Kender (Harry Shunk [German, 1924–2006] and János Kender [Hungarian, 1937–2009]). Gelatin silver print, 7 3/8 × 9 15/16" (18.8 × 25.2 cm). Museo Reina Sofía, MNCARS. Gift of the Roy Lichtenstein Foundation in honor of Jennifer Winkworth and Kynaston McShine and in memory of Harry Shunk and János Kender. © 2015 John Baldessari. Photograph.- Shunk-Kender](/sites/default/files/styles/mopis_home_news_category_slider_desktop/public/lead-images/metalocus_baldessari-pier_18_0_0.webp?h=29b58320&itok=KoXnNl1u "John Baldessari (American, b. 1931). Hands Framing New York Harbor from Pier 18. 1971. Photograph by Shunk-Kender (Harry Shunk [German, 1924–2006] and János Kender [Hungarian, 1937–2009]). Gelatin silver print, 7 3/8 × 9 15/16\" (18.8 × 25.2 cm). Museo Reina Sofía, MNCARS. Gift of the Roy Lichtenstein Foundation in honor of Jennifer Winkworth and Kynaston McShine and in memory of Harry Shunk and János Kender. © 2015 John Baldessari. Photograph.- Shunk-Kender")
