The recently opened exhibition on the architect David Adjaye's most emblematic buildings can be enjoyed until january 3rd. The practice led by the architect is currently engrossed in the project of the Smithsonian National Museum of African American History and Culture in Washington DC.

Art Institute of Chicago presents its latest exhibition where the recent work of David Adjaye is collected. The architect is known for its great respect for the location and time (context) of each project and his multiple origin of architectural references, which vary from the traditional canon of Western architecture, giving the final work a richer dimension.

A video about the exhibition, facilitated by the Arts Institute of Chicago, where the curator Zoë Ryan describes the exposure from the combination of different elements of graphical representation is included. His recent works include the Silk Weaving Facility in Varanasi, the School of Management in Moscow and the Nobel Peace Center in Oslo, among others.

Description of the exhibition by Art Institute Chicago

Of African ancestry and raised in Ghana, the Middle East, and England, David Adjaye now has offices in London, New York, Berlin, and Accra. Like many international architects, he is itinerant, and his practices defy cultural borders and geopolitical categories. However, Adjaye is unique in being an African-born architect working in a global landscape. Having traveled the world studying buildings and architectural styles, most recently and extensively in Africa, he is acutely sensitive to the effects of location. A proponent for architecture from beyond the Western canon, he brings a distinctive contemporary “Afropolitan” view to his various projects.

While Adjaye has never adhered to a discrete style, his projects coalesce around certain ideas. Often set in cities struggling with diversity and difference, his public buildings provide spaces that foster links among people and explore how neighborhoods evolve, how new communities are created, and how unexpected junctures weave diverse urban identities and experiences into the tapestry of multiculturalism. Rethinking conventions, his designs speak to the specific time and place in which they were made. These ideas are expressed in important recent projects, such as the Smithsonian’s National Museum of African American History and Culture on the National Mall in Washington, D.C., a building that faces history head-on, bringing together references from across Africa and America in a visually and physically evocative design.

This exhibition, comprising furniture, housing, public buildings, and master plans, fills the first-floor Abbott Galleries and the second-floor architecture and design galleries in the Modern Wing. In addition to drawings, sketches, models, and building mock-ups, a specially commissioned film featuring Adjaye’s collaborators—an international roster of artists, the exhibition curators, and other influential figures in the art world—helps bring his projects to life and makes clear the important role that Adjaye plays in contemporary architecture today.


CREDITS.-

Dates.- 19 september 2015 to 03 january 2016.
Location.- Art Institute Chicago [Chicago] USA.

The video with Zoë Ryan, below.-

More information

David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.

Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.

Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.

Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.

In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.

Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.

The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".

http://www.adjaye.com

Read more
Published on: September 28, 2015
Cite: "Making Place: The Architecture of David Adjaye " METALOCUS. Accessed
<http://www.metalocus.es/en/news/making-place-architecture-david-adjaye> ISSN 1139-6415
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