At 82 Pritzker Prize-winning architect Frank Gehry working on 20 projects at any given time, has designed some of the world's most impressive buildings including the Guggenheim Museum in Bilbao.

Mr. Gehry has just opened New York at 8 Spruce St., the largest apartment building in the Western Hemisphere and Mr. Gehry's first major residential project in New York City.

In this interview Gehry shares that Gian Lorenzo Bernini is one of his greatest influences, what he has always wanted to design, why he doesn't sketch much anymore and designing for Lady Gaga.

The best advice I’ve received is to be yourself. The best artists do that. People look over their shoulders too much. I tell kids that come to Yale, where I’ve taught every other year since 1978, to find your own way because then you’re the only expert. Some people might not like what you do, but still, you’re the only expert.

View of 8 Spruce St.

One of my greatest influences is the Italian artist Gian Lorenzo Bernini. The first time I saw his sculpture of Saint Teresa [in Santa Maria della Vittoria in Rome] was in 1960. You can only see it during Mass and in order to see the little chapel it’s in, you have to get to the front pew and lean forward. I don’t know how to do the crossing myself very well. The young priest was howling with laughter when he saw me in the front row, trying to kneel when everyone else kneels, but doing it wrong.

I’ve always been fascinated with folds. All artists through the ages have spent time on the fold. Michelangelo had stacks of drawings of fabric. At 8 Spruce, we’re using Bernini’s folds to inspire the façade. I look for ways to express feeling in a building without using historic decoration.

 A project that got away was the trellis I tried to build for Norton Simon. It emulated the movement of an Indian dancing figure in his private collection. I wanted it to look like a pile of wood had been lifted in the air by the wind. I got two layers built and was getting ready to do the third when he called me and said, “I’m going to stop this. This is going to be your unfinished symphony.”

I used to sketch—that’s the way I thought out loud. Then they made a book of my sketches and I got self-conscious, so now I don’t do it much. I’ve got to do that more.

I love music. I flew to Milan the other night to hear Daniel Barenboim play Schubert and it was so beautiful, even though La Scala’s acoustics aren’t that great. I don’t listen to music when I work, but I do go to a lot of concerts.

View of 8 Spruce St.

A conductor I love is “the Dude,” Gustavo Dudamel because he’s come to our building [the Walt Disney Concert Hall]. I also love Esa-Pekka Salonen and Pierre Boulez. When I first saw Boulez conduct it was the famous “rug concert.” He had the seats removed from Philharmonic Hall and put rugs out. I sat on the rugs and watched him conduct. He keeps his arms within this very small space. I’d never seen somebody express passion so simply. Conductors usually wave and move so much, but this guy had it all inside.

The original hat I made for Lady Gaga, commissioned by Francesco Vezzoli, was made out of leather and was floppy so it didn’t work. She never saw it. I was thinking of sending it to her but she probably gets all kin of junk.

© GagaDaily.com

A well-designed home has to be very comfortable. I can’t stand the aesthetics, the minimal thing. I can’t live that way. My home has to be filled with stuff—mostly paintings, sculpture, my fish lamps, cardboard furniture, lots of books. I couldn’t live in the Farnsworth House.

I don’t collect objects, but I do collect art. My favorite artists are Ken Price, Robert Rauschenberg, Ellsworth Kelly, Ed Moses, and John Baldessari.

I’d always wanted to design tabletop items, but I never had a venue. When I started working with Tiffany, it was to do tabletop but I got brought into the jewelry because whenever I’d go to their offices, they’d let me watch the craftsmen. It was seduction by the workmanship. I just made 30 one-of-a-kind bone-china cuff bracelets.

Tiffany bracelet designed by Mr. Gehry.

My hobby is sailing. I have a Beneteau First 44.7 sailboat that I keep in Marina del Rey. I just day sail. It relaxes me like nothing else. When you’re sailing, things change every second so you’ve got to be on your toes. I love that.

Ice hockey was an inspiration for the Hat Trick Chair I designed for Knoll. I own a team called the Fog, and we play in the Over-30 League. I played a bit growing up and I loved playing with my boys.

I can’t keep up with my wife, who reads two books a week, but I’m reading “Listen to This,” by Alex Ross. And I’m reading “The Snowball: Warren Buffett and the Business of Life,” which is long, so I put it down and read other things in between.

If I think of my greatest achievement, it’s like a love affair: You’re always excited about the building you’re working on. So right now it’s 8 Spruce St., but next month it will be something else.

The next building I’m working on is the Guggenheim Museum in Abu Dhabi. They’re pouring the foundations right now.

At any given moment, I’m working on 20 projects, in stages ranging from conceptual to construction.

I can’t retire. I’m 82. It’s too young.

Architect Frank Gehry in New York at 8 Spruce St., his new residential tower in Manhattan. Francois Dischinger for The Wall Street Journal.

More information

Frank Owen Gehry, was born in 1929 in Toronto (Canada), but adopted American nationality after moving to Los Angeles in 1947 with his parents. He graduated in Architecture in 1954 from the University of Baja California and began working in the studio of Victor Gruen. After completing his military service, he studied Urban Planning at Harvard and returned to Gruen’s office. He moved to Paris in 1961 with his wife and two daughters, where he worked for a year with André Rémondet. In 1962, he opened his own studio –Frank O. Gehry and Associates– in Los Angeles, from which he has worked on projects in America, Europe and Asia for five decades now.

He rose to prominence in the 70s for his buildings with sculptural forms that combine unusual industrial materials such as titanium and glass. During this same period, he began to develop a role as a designer of furniture with his Easy Edges collection, conceived as a low-cost range comprising fourteen pieces made out of cardboard, subsequently followed by the more artistic range, Experimental Edges. Since the late 80s, the name of Frank Gehry has been associated with the deconstructionist movement, characterized by fragmentation and the rupture of a linear design process, resulting in buildings with a striking visual appearance. The Guggenheim Museum in Bilbao (1997) and the Nationale-Nederlanden building in Prague (1996), known as the Dancing House, may be considered among the most prominent examples of this formal language. Likewise noteworthy among his works are the Aerospace Museum of California (1984), the Vitra Design Museum in Weil am Rhein, Germany (1989), the Frederick Weisman Art Museum in Minneapolis (1993), the DZ Bank building in Berlin (1998), the Gehry Tower in Hannover (2001), the Massachusetts Institute of Technology Stata Center in Cambridge (2003), the Walt Disney Concert Hall (2003) and the Maggie's Centre in Dundee, Scotland (2003). Gehry has also worked on a museum of contemporary art in Paris for the Louis Vuitton Foundation, the design of his first playground in New York, at the southern tip of the island of Manhattan known as The Battery, and the remodelling and recovery of Mayer Park in Lisbon, which included the restoration of the Capitolio Theatre. In Spain, 2006 saw the opening of the Herederos del Marqués de Riscal winery in Elciego (Álava), and he has also designed the Sagrera Tower in Barcelona.

His work has been the subject of numerous case studies and, in 2006, the film director Sydney Pollack released the documentary Sketches of Frank Gehry, presented at Cannes. In that same year, he presented his project for the new Guggenheim Museum in Abu Dhabi. In 2008, he designed the Serpentine Gallery Pavilion in Hyde Park, London. The first residential building in Asia designed by Gehry, the Opus Hong Kong tower, was opened in 2012. He is currently working on the design of the Eisenhower Memorial to be built in Washington; on the West Campus that Facebook is to build in Menlo Park, California and on the project of a residential tower in Berlin, which will become the tallest skyscraper in the city.

His designs have received over one hundred awards around the world. Noteworthy among the distinctions he has received are more than a dozen honorary degrees, the Arnold W. Brunner Memorial Prize (USA, 1977), the Pritzker Prize (1989), the Wolf Prize in Arts (Israel, 1992), the Praemium Imperiale (Japan, 1992), the Dorothy and Lillian Gish Prize (1994), the Friedrich Kiesler Prize (Austria, 1998), and the Twenty Five Year Award from the American Institute of Architects (2012). He also holds the National Medal of Arts (USA, 1998), the Lotos Medal of Merit (USA, 1999), the Gold Medal of the American Institute of Architects (1999), and the Royal Gold Medal for the promotion of architecture (2000), awarded by the Queen of England. Gehry has been a member of the Pritzker Prize Jury and of institutions such as the American Academy of Arts and Letters, the American Academy of Arts and Sciences, the US National Design Academy and the Royal Academy of Arts.

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Gehry Partners, LLP. The Gehry Partners team on the Battersea project is headed by Craig Webb and Brian Aamoth. Gehry Partners, LLP is a full service architectural firm with extensive international experience in the design and construction of academic, museum, theater, performance, commercial, and master planning projects.

Founded in 1962 and located in Los Angeles, California, Gehry Partners currently has a staff of approximately 125 people. Every project undertaken by Gehry Partners has Frank Gehry personally involved. Frank is supported by the broad resources of the firm and the extensive experience of the firm’s senior partners and staff. On Battersea, the design team will be led by Craig Webb who has collaborated with Frank for over 20 years. Current projects include: Guggenheim Abu Dhabi; LUMA Foundation in Arles, France; Divan Orchestra in Berlin; Eisenhower Memorial in Washington, D.C.; King Street Development in Toronto, Ontario; Philadelphia Museum of Art in Philadelphia; Q-MOCA in Quanzhou, China; and West Campus for Facebook in Menlo Park, California. Projects under construction include the Puente de Vida Museum of Biodiversity in Panama; Foundation Louis Vuitton Museum in Paris, France and the Dr. Chau Chak Wing Building for the University of Technology, Sydney, Australia.

Raised in Toronto, Canada, Frank Gehry moved with his family to Los Angeles in 1947. He received his Bachelor of Architecture degree from USC in 1954, and studied city planning at the Harvard University Graduate School of Design. He founded Gehry Partners, LLP, in Los Angeles in 1962, a full-service architectural firm that developed extensive international experience in the design and construction of academic, museum, theater, performance and commercial projects.

Hallmarks of Mr. Gehry’s work include a concern that people dwell comfortably within the spaces that he creates, and an insistence that his buildings address the context and culture of their sites.

Despite his international stature and renown, he continues to be closely associated with Los Angeles, where his 1978 redesign of his Santa Monica home launched his international career.

“Frank holds a special place in his art for the work of contemporary artists. He was a central figure in the contemporary art world in Los Angeles in the 1960s and 70s, working closely with Billy Al Bengston, Larry Bell, John Altoon, Bob Irwin, Ed Moses, Ed Ruscha and Ken Price. And he continues to work closely with artists, including Claes Oldenburg and Jeff Koons, for whom he has collaborated on deeply sensitive installations of their work,” said Cuno. “Given his contributions to architecture, and the Getty’s extensive research and collections in Los Angeles art and architecture at the mid-century and beyond, and the commitment of the Getty Conservation Institute, the Getty Foundation, and the Getty Research Institute to the conservation and study of modern architecture, it is fitting that we present Frank with our highest honor.”

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Published on: April 24, 2011
Cite: "Frank Gehry by Jackie Cooperman" METALOCUS. Accessed
<http://www.metalocus.es/en/news/frank-gehry-jackie-cooperman> ISSN 1139-6415
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