A few hours ago, the architecture firm DS+R issued a statement announcing the death, at the age of 89, of architect Ricardo Scofidio in New York.

Ricardo Scofidio, together with his partner and professional companion Elizabeth Diller, founded one of the most avant-garde and innovative architectural firms of recent decades in the United States and on the international scene, which in the last two decades was joined by Charles Renfro as a partner.

His legacy includes exceptional works that transformed his urban environments and revealed that utopias are still possible, even in his country.

DS+R issued the following statement just after midnight in Europe:

"It is with great sadness that we announce DS+R founder Ricardo Scofidio has passed away peacefully on March 6, 2025 at the age of 89. He was surrounded by his family, including his partner in life and work, Elizabeth Diller. Ric had a profound impact on our architectural practice, establishing the studio with a mission to make space on his own terms.

The firm's partners and principals, many of whom have collaborated with him for decades, will extend his architectural legacy in the work we will continue to perform every day. A memorial service to celebrate Ric's life is being planned and will be announced in the coming weeks."

Ricardo Scofidio was born in New York in 1935 and in 1981, with his partner Elizabeth Diller, who had arrived like so many others from the other side of the Atlantic, Poland, he formed one of the most interesting architectural couples of the last half century, carrying out projects that always overflowed with intelligence and a brilliant conception of architecture, in which they always sought utopia and rethinking the foundations of architecture.

With a more reserved and less media-friendly personality than most of his colleagues of his generation, his work from the beginning in the 1980s and 1990s would be an example of the most avant-garde proposals for his ability to rethink the present and the immediate future from conceptual and tremendously innovative parameters. He was always interested in contemporary technologies as important tools in his work, highlighting the culture of vision as an important factor in the definition of space due to its ability to make us live in "delayed times" and expressing his influence by the work of Foucault.

The Brasserie, Manhattan por Diller+Scofidio.

The Brasserie, Manhattan by Diller+Scofidio.

In Spain, the avant-garde night-time television programme «Metrópolis» (broadcast by RTVE's «La 2» on 12 October 2000) opened its season by showing a brief summary of its most experimental work, in fields as diverse as installations, interventions in choreographic space, web pages, design objects and architecture, which showed themes such as childhood fears, video surveillance, sexuality or voyeurism, among many others. A tour of proposals such as «pageant», a metaphor for globalisation; the choreography «moving target», inspired by the diaries of the schizophrenic dancer Vaslav Nijinsky, to investigate new ways of using space, its juxtapositions and the hybridisation between the real and the virtual.

The programme included works such as the “brasserie” on the ground floor of the Seagram in New York or his “Blur Building”, a temporary structure in the form of an artificial cloud, a multimedia building formed by fog, without form, a statement of anti-architecture in which the building avoided having a façade or belonging to a specific architectural style, which could be penetrated and seemed to float on the waters of Lake Neuchâtel, for the Swiss Expo in Lausanne in 2002.

Ric would comment on how his work worked on many levels, incorporating deep reflections and ideas in layers as if it were an onion that allows reaching different levels of meaning.

With his intelligence and brilliant conception of architecture, he worked in a world that in just a few years became completely unrecognizable. With his best results and projects in the country that seem to have disappeared or that are now unrecognizable, and works all over the world, even in Moscow.

Some of his most notable works include the restoration of the High Line, a railway infrastructure on the west side of Manhattan, transformed into a 2.4-kilometre-long public park, which includes one of the most innovative and interesting structures built in New York in recent decades, The Shed, and more recent ones such as the Roy and Diana Vagelos Medical and Teaching Centre, the Columbia University Business School, the Park Union Bridge connecting with the Olympic and Paralympic Museum in Colorado Springs, the Tianjin Juilliard School in China, and the New Zaryadye Park in the centre of Moscow.

More information

Ricardo Scofidio, AIA (Born on April 16, 1935 in New York, and died on March 6, 2025 in New York,), was a partner of Diller Scofidio + Renfro (DS+R). Scofidio studied at Columbia University before practising at a New York architecture firm and becoming a professor at the Cooper Union School of Architecture in 1965 for several decades. It was there he met then-student Diller, almost 20 years his junior, and they founded their studio in 1981, in 1999, they were the first architects to receive a MacArthur ‘genius’ grant (Architect Charles Renfro’s name was added after he became a partner more than two decades later). 

Alongside partner Elizabeth Diller, Ric’s cross-genre work distinguished with TIME’s "100 Most Influential People" list and the first MacArthur Foundation fellowship awarded in the field of architecture. He led the design of the High Line – the adaptive reuse of an obsolete, industrial rail infrastructure into a 1.5 mile-long public park, Blur Building – a pavilion made of fog on Lake Neuchâtel for the 2002 Swiss Expo, and contributed to the redesign of Lincoln Center for the Performing Arts in New York, and The Broad in Los Angeles.

Ric spearheads many of the studio’s independent works, including Soft Sell, a video installation in an abandoned porn theatre in Times Square; Tourisms: suitCase Studies, an investigation of American tourist attractions at the Walker Art Center in Minneapolis; and Musings on a Glass Box for the Fondation Cartier pour l’art contemporain in Paris. He is a Professor Emeritus at The Cooper Union School of Architecture.

Read more
Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
Read more
Published on: March 7, 2025
Cite: "Ricardo Scofidio, one of the most avant-garde architects of his generation, passes away" METALOCUS. Accessed
<http://www.metalocus.es/en/news/ricardo-scofidio-one-most-avant-garde-architects-his-generation-passes-away> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...