Opening Friday April 5, 2019 in New York, after more than a decade in the making, The Shed will be an arts center dedicated to commissioning, producing, and presenting a variety of disciplines: performing arts, visual arts, and popular culture. The Shed’s building is designed to physically transform to support artists' most ambitious ideas.
The Shed was designed by Diller Scofidio + Renfro and the collaboration of Rockwell Group. The Shed's eight-level base building includes two levels of gallery space, a versatile theater, a rehearsal space, a creative lab, and a skylit event space; a 120-foot movable and telescoping outer shell can deploy from its position over the base building and glide along rails onto an adjoining plaza to double the building’s footprint for large-scale performances, installations, and events.
 
During a press preview Wednesday, architect Liz Diller called her project a “perpetual work in progress,” and noted the necessity of the structure to evolve with contemporary art. “I see the building as an ‘architecture of infrastructure,’ all muscle, no fat, and responsive to the ever-changing needs of artists into a future we cannot predict.”

The Shed's opening season, will feature performances by Björk, Ben Whishaw, Renee Fleming, Sia and Arca. Kicking things off April 5 is a five-night concert series, “Soundtrack of America,” which was directed by Steve McQueen, Quincy Jones, and Maureen Mahon, and explores the impact of African American music on modern culture.
 

Description of project by Diller Scofidio + Renfro

The Shed + Architecture

When deployed, the Shed's shell creates a 17,200-square-foot light-, sound-, and temperature-controlled hall that can serve an infinite variety of uses. The hall can accommodate an audience of 1,200 seated or 2,700 standing; flexible overlap space in the two adjoining galleries of the base building allows for an expanded audience in the hall of up to 3,000. The shell’s entire ceiling operates as an occupiable theatrical deck with rigging and structural capacity throughout. Large operable doors on the Plaza level allow for engagement with the public areas to the east and north when open.

When the Shed's shell is nested over the base building, the 19,500-square-foot plaza will be open public space that can be used for outdoor programming; the eastern façade can serve as a backdrop for projection with lighting and sound support. The Plaza is equipped with distributed power supply for outdoor functions.

The Shed + Historical NYC

The building is able to expand and contract by rolling the telescoping shell on rails. The Shed’s kinetic system is inspired by the industrial past of the High Line and the West Side Railyard.  Through the use of conventional building systems for the fixed structure and adapting gantry crane technology to activate the outer shell, the institution is able to accommodate large-scale indoor and open-air programming on demand.

The Shed takes inspiration, architecturally, from the Fun Palace, the influential but unrealized building-machine conceived by British architect Cedric Price and theater director Joan Littlewood in the 1960s. Like its precursor, The Shed’s open infrastructure can be permanently flexible for an unknowable future and responsive to variability in scale, media, technology, and the evolving needs of artists.

The Shed’s back-of-house spaces, which include offices, mechanical spaces, dressing rooms, and storage, are located on Level 1 and the lower levels of the residential tower to the west, 15 Hudson Yards (designed by Diller Scofidio + Renfro, Lead Architect and Rockwell Group, Lead Interior Architect). This allows the bulk of The Shed’s base building to be devoted to programmable space for art.

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Architects
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Lead Architect.- Diller Scofidio + Renfro
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Collaborating Architect
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Rockwell Group
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Collaborators
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Structural Engineer.- Thornton Tomasetti. Kinetic Systems Consultant.- Hardesty & Hanover. MEP & Fire Protection Consultant.- Jaros Baum & Bolles
Energy Modeling Consultant.- Vidaris. Lighting Consultant.- Tillotson Design Associates. Acoustics / Audio / Visual Consultant.- Akustiks. Theater Consultant.- Fisher Dachs. Structural Steel Fabricator.- Cimolai. Construction Manager.- Sciame Construction, LLC.
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Client
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The Shed
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Area
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Size (GSF).- 200000
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Location
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The Shed, New York, United States
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Design-proposal2008. Groundbreaking2015. Opening5th April 2019.
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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Published on: April 4, 2019
Cite: "The Shed by Diller Scofidio + Renfro, opening tomorrow" METALOCUS. Accessed
<http://www.metalocus.es/en/news/shed-diller-scofidio-renfro-opening-tomorrow> ISSN 1139-6415
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