The Île-de-France Architecture and Landscape Biennale, France's most important architectural exhibition, will hold its third edition from May 7 to July 13. The exhibition "Four degrees Celsius between you and me", curated by Sana Frini, from the Mexican firm LOCUS, and Philippe Rahm, from the French firm PHILIPPE RAHM ARCHITECTES, will be part of the 2025 edition.
The aim of the exhibition will be to show the evolution that temperate climate cities, such as Paris and other northern cities at similar latitudes, will experience by the end of the 21st century, in response to the advance of climate change. The central theme of the exhibition raises awareness about the transition these cities will experience towards a subtropical climate, which will present significant challenges and opportunities for architectural and urban design.
As regards the city of Paris in particular, the Météo-France report has announced the following changes for the year 2100:
In summer:
- An increase in the average temperature of up to +5.3°C.
- A drastic increase in the number of days of heat waves, which will go from 1 day at present to between 3 and 26 days per year.
- An increase in the frequency and severity of droughts.
In winter:
- An increase in the average temperature of up to +3.9°C, with fewer periods of frost.
- An increase in the amount of precipitation, without a significant increase in the number of rainy days.
The exhibition aims to encourage architects and urban planners working in cities with temperate climates, such as Paris, New York or London, to take as a reference those models of architecture and urban planning that are applied in cities in southern areas, where subtropical, Mediterranean, arid or tropical climates require solutions that are capable of combating heat, drought, rain and flooding.
This climatic transformation means that the urban landscape of temperate climates will become "Mediterraneanized" and "tropicalized" throughout the 21st century. The aesthetics of architecture and urban planning will not be alien to this revolution and will therefore have to adapt its forms, appearances and, more profoundly, cultures, customs and lifestyles to these new material conditions.