The exhibition reveals structures of control within Rio de Janeiro's smart city command hub, COR. Control Syntax Rio examines Rio de Janeiro’s civic command center, Centro de Operações Rio as a model of computational smart city governance.

Het Nieuwe Instituut and Storefront,'s current exhibit, Control Syntax Rio, is on display through May 20th. Curated and designed by Farzin Lotfi-Jam and Mark Wasiuta, the syntax of Rio de Janeiro is assembled from seemingly banal “if-then” statements that become surprisingly charged by their encounters with the political and circulatory life of the city.
 
An attempt to manage the complex urban life through a computer program. Artificial intelligence to manage chaos.
 
 

Descripction of project by Farzin Lotfi-Jam and Mark Wasiuta

Rio de Janeiro is one of the most visible sites of smart city experimentation. In response to catastrophic natural disasters, calamitous traffic congestion, and urban health epidemics, the Centro de Operações Rio (COR) was designed as a corrective tool and as a new command and control hub that would allow the city to prepare for the 2016 Olympic Games. Launched in 2010, COR now monitors its urban camera network and information sensors, gauges optimal traffic patterns, determines landslide risk zones, predicts weather disruptions, and maps disease paths.

Rio’s wild topography, wealth disparities, and aging infrastructure make it an unlikely testing ground for the smooth rationality of urban management that smart city rhetoric proclaims. Through COR, the predictable impression of Rio de Janeiro as a lush playground of beaches and samba dancers conflicts with the new image of a Rio governed by smart city control systems. As it becomes increasingly marked by extreme police tactics and political protests , Rio appears less a case of urban optimization than a platform for viewing the conflicts that have erupted around urban data management, civil rights, and issues of social control. Yet, COR also signals a new form of participatory civic politics. Citizens visiting COR headquarters are able to observe COR operations and the data COR collects and displays. Through this demonstration of openness and access, COR serves as a public relations space from which the city attempts to broadcast an image of informational transparency and competent urban administration.

Control Syntax Rio shows the city of Rio structured through COR’s control syntax and smart city command processes. This syntax is assembled from seemingly banal “if-then” statements that become surprisingly charged by their encounters with the political and circulatory life of the city. Through COR, the exhibition sees traffic engineering as urban politics and as haunted by potential catastrophe. If a protest forms, then traffic will have to be redirected to avoid paralysis. If a building explodes, then routes will need to be cleared to bring in response teams. Explosions, fires, protests, landslides, rallies, and sudden tropical storms combine with faulty traffic lights, accidents, spilled trucks, burning buses, and quotidian congestion as elements of the COR syntax.

In the exhibition, a street route through Rio de Janeiro doubles as a COR decision path. COR assesses every incident to learn if it will escalate to an event, an emergency, or a crisis. These four conditions are color coded green, blue, orange, and red. With this code, and through COR, we are able to perceive glimpses of the current image of urban computational governmentality, not only blithely directed toward engineered efficiency, but also saturated with a thousand narratives of possible threat, risk, disruption, and instability.

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Curators
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Farzin Lotfi-Jam, Mark Wasiuta
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Exhibition Design
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Sharif Anous, Farzin Lotfi-Jam, Mark Wasiuta
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Graphic Design
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MTWTF

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Exhibition Design and Production Assistance
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Florencia Alvarez, Javier Bidot-Betancourt, John Dwyer, Jennifer Komorowski, Chelsea Meyer, Jacqui Robbins, Miranda Römer, Augustine Savage, Jen Wood
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Sound Design.- Sonic Platforms (Michael Christopher, Max Lauter)
Film Voiceover.- Louise Dreier
Field Recordings.- Marco Pavão
Videography.- Terry Barentsen
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Team Het Nieuwe Instituut
This project has been made possible through the initiative and leadership of the teams at HNI, led by Guus Beumer (Artistic Director) and Marina Otero Verzier (Head of Research), and at Storefront, led by Eva Franch (Chief Curator and Executive Director).
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Farzin Farzin (Farzin Lotfi-Jam) investigates the means by which objects, sites and systems acquire cultural value and examines the representation of value in architectural form. In what unexpected ways might architecture engage questions of history, preservation, and political contingency? Can a method of intervention in these matters be learned from the hairy logic of computational processes?  The studio addresses these questions through the design of spaces, software, and media.

Farzin Farzin was founded in 2008 by Farzin Lotfi-Jam. Lotfi-Jam (b. 1984, Tehran) is an adjunct professor in architecture at Columbia University, and holds advanced degrees from Columbia University and RMIT University in Melbourne Australia. He is a 2015-2017 Fellow of the Akademie Schloss Solitude in Stuttgart and was a 2013-2014 Sanders Fellow at the University of Michigan.
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Mark Wasiuta is Co-Director of the MS degree program Critical, Curatorial and Conceptual Practices in Architecture at Columbia GSAPP. Over the last decade, as Director of Exhibitions at GSAPP, he has developed a body of research and archival exhibitions that focus on under-examined practices of the postwar period. Recent exhibitions, produced with various collaborators, include “Every Building in Baghdad: The Rifat Chadirji Archives at the Arab Image Foundation,” “Environmental Communications: Contact High,” “Information Fall-Out: Buckminster Fuller’s World Game,” and “Les Levine: Bio-Tech Rehearsals 1967-1973.” His work has appeared at the Graham Foundation, the Istanbul Design Biennial, the Venice Architecture Biennale, Het Nieuwe Instituut, the Chicago Architecture Biennial, and elsewhere. He directs Collecting Architecture Territories, a multi-year research program that analyses global art institutions that have emerged from private collections. Wasiuta is recipient of recent grants from the Asian Cultural Council, the Graham Foundation, and NYSCA.
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Published on: April 20, 2017
Cite: "CONTROL SYNTAX RIO by Farzin Lotfi-Jam and Mark Wasiuta" METALOCUS. Accessed
<http://www.metalocus.es/en/news/control-syntax-rio-farzin-lotfi-jam-and-mark-wasiuta> ISSN 1139-6415
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