As we presented a few weeks ago OMA has been commissioned to design the Chinese Pavilion at the Venice Biennale 2015, an immersive space where images and projections are juxtaposed.

The project for the Chinese Pavilion at the Venice Biennale 2015 has been developed by OMA Asia in collaboration with its curatorial advisor Kayoko Ota. The design team is led by Director Dongmei Yao, Architects Wanyu He and Long Yu, and Partner Michael Kokora. The 56th International Art Exhibition runs 9 May to 22 November 2015.

Composer Tan Dun, artist Lu Yang and architect Liu Kiakun together have created work influenced by traditional chinese heritage, social reality, nature and classics meanwhile simultaneously blending their vision with contemporary music with dance.

More information about the project here.

CREDITS.-

Chinese Pavilion at the Venice Biennale 2015.
Architects.- OMA / OMA Asia.
Venue.- 56th International Art Exhibition of La Biennale di Venezia.
Dates.- May 9th to November 22nd of 2015.

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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: May 27, 2015
Cite: "Chinese Pavilion at the Venice Biennale 2015 by OMA" METALOCUS. Accessed
<http://www.metalocus.es/en/news/chinese-pavilion-venice-biennale-2015-oma> ISSN 1139-6415
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