10 Architecture Studios Led by Women [VII]
08/03/2020.
INTERNATIONAL WORKING WOMEN'S DAY 2020
metalocus, VALERIA OZUNA, MARYAN RODRÍGUEZ BUERGO
metalocus, VALERIA OZUNA, MARYAN RODRÍGUEZ BUERGO
On occasion of the International Working Women’s Day, from METALOCUS we have selected ten major international architectural firms founded and led by women with a successful career. We strongly think that we should emphasizes the women’s work in architecture and we selected ten important architecture firms to continue with the series we started five years ago.
The "BELAROIA" in Montpellier by Manuelle Gautrand. Photography by Luc Boegly and Julien Thomazo.
Sainsbury Wing of the National Gallery in London by Robert Venturi and Denise Scott Brown. Photograph by Richard George.
Vanna Venturi House by Robert Venturi and Denise Scott Brown. Photograph by George Pohl. Courtesy of Venturi, Scott Brown and Associates, Inc.
Site Museum of Pachacamac by Llosa Cortegana Arquitectos. Photograph by Juan Solano.
Library FACI PUCP by Llosa Cortegana Arquitectos. Photograph by Juan Solano.
Higher Secondary School, Sector 23, Chandigarh by Jane Drew. Courtesy of RIBA Library Photographs Collection (RIBA58577).
University of Ibadan 1962, Nigeriay by Fry Drew & Partners. Courtesy of University of Ibadan
Juanqinzhai theater room after conservation by Annabelle Selldorf. Image courtesy World Monuments Fund.
Rendering of The Frick Collection from 70th Street by Annabelle Selldorf. Courtesy of Selldorf Architects.
Teatro Oficina by Lina Bo Bardi. Photograph by Nelson Kon.
House of Glass by Lina Bo Bardi. Fotografía by Peter Scheleier. Cortesía by Arquivo ILBPMB.
Ningbo History Museum in China by Amateur Architecture Studio. Photo by Lv Hengzhong.
Five Scattered Houses in Ningbo China by Amateur Architecture Studio. Photo by Lu Wenyu.
Vaulted House by Cecilia Puga. Photograph by Gonzalo Puga.
Bahía Azul House by Cecilia Puga. Photograph by Cristobal Palma.
Punta Caliza Hotel by Estudio Macías Peredo. Photograph by César Béjar.
María Montessori School by EPArquitectos and Estudio Macías Peredo. Photograph by Onnis Luque.
Edificio Alcanfores por Alexia Leon y Lucho Marcial. Fotografía por Eduardo Hirose.
Vertical House in San Isidro by Alexia Leon. Photograph by Eduardo Hirose.
Le FORUM by Manuelle Gautrand. Photography by Guillaume Guerin.
In this 2020 edition we want tu pay tribute to the effort made by firms led by female architects. These are some of the most important studios led and founded by women. They all have relevant projects although not all of them are known well enough.
These are this year's studios led by hard-working and strong women.- Denise Scott Brown - Venturi Scott Brown & Associates Studio. Patricia Llosa - Llosa Cortegana Arquitectos. Jane Drew - Fry, Drew and Partners. Annabelle Selldorf - Selldorf Architects. Lina Bo Bardi. Lu Wenyu - Amateur Architecture Studio. Cecilia Puga - Cecilia Puga Arquitectos. Magui Peredo - Estudio Macías Peredo. Alexia León - Leonmarcial Arquitectos. Manuelle Gautrand - Manuelle Gautrand Architectur.
These are this year's studios led by hard-working and strong women.- Denise Scott Brown - Venturi Scott Brown & Associates Studio. Patricia Llosa - Llosa Cortegana Arquitectos. Jane Drew - Fry, Drew and Partners. Annabelle Selldorf - Selldorf Architects. Lina Bo Bardi. Lu Wenyu - Amateur Architecture Studio. Cecilia Puga - Cecilia Puga Arquitectos. Magui Peredo - Estudio Macías Peredo. Alexia León - Leonmarcial Arquitectos. Manuelle Gautrand - Manuelle Gautrand Architectur.
- Denise Scott Brown Venturi Scott Brown & Associates Studio
Denis Scott Brown (b. Nkana, Zambia, 1931). She is a postmodernist architect, considered as the most famous female architect in the second half of the 20th century. She wrote in 1972 in collaboration with Robert Venturi and Steven Izenour “Learning from Las Vegas: the forgotten symbolism of architectural form”, where they proclaimed the importance of popular culture, becoming a reference of American culture.
She started her studies in South Africa at the University of the Witwatersrand, she continued in the Architectural association School of Architecture in London where she graduated with a degree in architecture in 1955. Subsequently, she studied a master’s degree in urban planning at the University os Pennsylvania. Once graduated the became part of the faculty as a teacher, where she met her husband Robert Venturi, who joined to set up the Venturi-Scott Brown & Associates Studio.
Her style has been characterized by the search for the positive, for a “day-to-day” architecture, for a reconciliation between historicism and modernity.
Among her most representative works are the Seattle Art Museum (1991), the Collage of Humanistic studies of the State University (New York), the Clinical Research Building of the University of Pennsylvania or the Philadelphia Orchestra Auditorium.
In 1991 he was excluded from the Pritzker Prize which caused her protest and the debate about the difficulties of women architect to be recognized in their profession. Finally, there were granted to participate in the 2016 AIA Gold Medal becoming the second woman in history who won the most prestigious award in the world of architecture and the first woman alive to receive this award. In 2018 won 2018 Soane Medal.
- Patricia Llosa Llosa Cortegana Arquitectos
Patricia Llosa Bueno is an architect from the Universidad Ricardo Palma of Lima, Peru. She has completed the master's degree in Architecture, Criticism and Project with Josep Quetglas at the Universidad Politecnica of Catalonia between 1998 and 1999. Currently, together with Rodolfo Cortegana, he forms the Llosa-Cortegana studio that was formed in 2005.
At the same time, Patricia Llosa is a professor at the Pontifical Catholic University of Peru and has been invited as a orator on several occasions.
To describe her academic formation and influences, Patricia Llosa emphasizes the importance of affiliations and mentions that, despite deciding on the architecture as a balance between the artistic and the technical, it was not until she was a student of Juvenal Baracco, when understood what It truly implies the profession. She points out what the architecture meant to her as follows: “He has been one of the key people in my life. It has marked a lot my way of looking at the world, my way of being an architect and my way of facing the world”.
His second stage was the trip she made to Barcelona to study the postgraduate. The diverse formation, the need to soak up issues indirectly related to architecture through texts from other disciplines and the possibility of visiting the architectural works that was considered emblematic during her academic formation make this stage mark a before and after in her life.
As a studio, every so often they make an effort to sit down and wonder where they are and what their concerns are at the time of projecting, sometimes going through a process of unlearning. Patricia Llosa makes a conscious effort to question whether it is precisely the tradition of modernity that she wants to design in the present. This, far from leading to rejection, leads her to different ways of understanding and interpreting it, among which she recognizes the Brazilian production as a favorite.
- Jane Drew
Jane Drew (b. Thornton Heath, England, March 24,1911 - d. Barnard Castle, Durham, July 27, 1996). She was an English modernist architect and town planner. She paid great attention to the harmony of design with the environment that made her one of Great Britain’s best-loved architect.
Drew qualified at the Architectural Association School of Architecture in London, finding her first employment as an architect with Joseph Hill. After she partnered with her husband, James Thomas Alliston, founding Alliston & Drew, being their principal work housing in Winchester, they won a competition in 1937 for a cottage hospital in Devon. She become one of the founders and promoters of MARS Group: association of architects, artists and industrialist to disseminate the ideas and practices of Modern Movement in Britain which was based on the mission statement “the use of space for human activity instead of the manipulation of the stylized convention”.
Together with Le Corbusier, she and Maxwell Fry were commissioned to design the new capital of Punjab, the city of Chandigargh, in India. Drew used the city to experiment with new housing strategies, and over time she managed to extend the design of modern housing throughout India.
In war time between 1939 and 1944, Drew has her first office, with the idea of employing only female architects, architecture was a male dominated profession. Her work included the Kitchen Planning Exhibition for the Commercial Gas Corporation and The “Rebuilding Britain” exhibition at the Nacional Gallery in London.
After the II World War in 1950, she cofounded with her second husband, Maxwell Fry, a studio as Fry, Drew and Partners, where they focused on the development of housing architecture. Their project most important are the Hospital building for the Kuwait Oil Company and the Passfields flats in Lewisham in London.
She was the first woman to be part of the Council of Royal Institute of Britain Architects (RIBA). In 1996 she was named Lady of the British Empire. Since 1998, the Jane Drew Prize has been named as a tribute, awarded annually by the Architects Journal.
- Annabelle Selldorf Selldorf Architects
Annabelle Selldorf was born and raised in Germany, she received a Bachelor of Architecture degree from Pratt Institute and a Master of Architecture degree from Syracuse University in Florence, Italy. She is a Fellow of the American Institute of Architects and serves on the Board of the Architectural League of New York, the World Monuments Fund, the Chinati Foundation, and the Center for Curatorial Studies at Bard College.
Selldorf founded her first independent practice in 1988, which today employs upwards of 65 employees. Annabelle’s first large-scale building was completed in 2010: a residential block at 200 11th Avenue in Chelsea. Selldorf has designed gallery and exhibition spaces for Hauser & Wirth, The Whitney,Gladstone Gallery, Michael Werner, David Zwirner, Acquavella Galleries and Frieze Art Fair's Frieze Masters. Her firm routinely collaborates with the Gagosian Gallery on exhibition designs.
In 2017, Selldorf was elected to the American Academy of Arts and Letters, three years after receiving the organization’s prestigious Award in Architecture. She is also the recipient of the 2016 Medal of Honor from the American Institute of Architecture New York Chapter.
Selldorf founded her first independent practice in 1988, which today employs upwards of 65 employees. Annabelle’s first large-scale building was completed in 2010: a residential block at 200 11th Avenue in Chelsea. Selldorf has designed gallery and exhibition spaces for Hauser & Wirth, The Whitney,Gladstone Gallery, Michael Werner, David Zwirner, Acquavella Galleries and Frieze Art Fair's Frieze Masters. Her firm routinely collaborates with the Gagosian Gallery on exhibition designs.
In 2017, Selldorf was elected to the American Academy of Arts and Letters, three years after receiving the organization’s prestigious Award in Architecture. She is also the recipient of the 2016 Medal of Honor from the American Institute of Architecture New York Chapter.
- Lina Bo Bardi
Lina Bo Bardi (b. Rome, Italy, December 5,1914 - d. Sao Paulo, Brasil, March 20, 1992). She was a modernist architect and designer, she devoted her working life to promoting the social and cultural potential of architecture and design.
Bo Bardi graduated from the Rome Collage of Architecture at the age of 25. Then she moved to Milan, where she begins to work with the architect Carlo Pagani in the Studio Bo e Pagani. Bo Bardi collaborated with architect and designer Giò Poti in the magazine “Lo Stile - nella casa e nell’arredamento”.
Then in 1942 she opened her own studio, but her office was destroyed by an aerial bombing in 1943. From 1944-45 Bardi was the Deputy Director of Domus magazine. From then she used to work in several magazine and newspapers.
In 1946 Bo Bardi and her husband Pietro Maria Bardi moved to Sao Paulo, Brazil, country which had a profound effect on her creative thinking. They both founded the influential art magazine Habitat, referenced as a conceptualization of the ideal interior as a habitat designed to maximize human potencial.
Thereupon they’re invited to run a Museum of Art in Sao Paulo. Bo Bardi sought to design a museum that embodied a simple form of monumental architecture. Another of his most significant projects was “The Glass House”, which is the first building she designs as an architect, where she lived with her husband. In this building we can see the strong influence of Italian modernism in which she had been trained in line with the creative thinking caused by the immersion she had in Brazilian culture. Bo Bardi has also created jewelry, furniture, costume and set designs.
Her grant to the theory of architecture was essential with the text “Contribuição Propedeutica ao ensino da Teoria da arquitetura (1957)”, a humanist allegation in defense of a cultured and ecological architecture, based in technical advances.
- Lu Wenyu Amateur Architecture Studio
Lu Wenyu, was born in 1966 in the Chinese city of Hangzhou, where she has lived all her life. He studied architecture at the Nanjing Institute of Technology. She is the co-founder of the "Amateur Architecture Studio" studio, which produces architecture in harmony with the legacy of the past and the eye on the future, in 1987 with her partner Wang Shu. Among the office's best-known works are: the Wenzheng Library at Suzhou University, the Port Art Museum in Ningbo and the Xiangshan Campus of the Hangzhou Chinese Academy of Art.
She is co-founder of the Hangzhou school of architecture, "China Academy of Art" where she teaches architecture. In addition to his practice as a professor at the Chinese Academy of Art, he continues his work as an engineer and project manager for the Research of East China and the Design Institute, until 2003. He worked at the Ningbo History Museum of 2003 to 2008. He worked on the installation of the Tile Garden at the Venice Biennale 2006. He taught at Harvard's Graduate School of Design.
In 2010, Lu Wenyu and Wang Shu together won the German Schelling Architecture Prize. In 2012, Wang Shu was awarded the Pritzker Prize for the work the duo completed together in their firm, Amateur Architecture Studio.
She is co-founder of the Hangzhou school of architecture, "China Academy of Art" where she teaches architecture. In addition to his practice as a professor at the Chinese Academy of Art, he continues his work as an engineer and project manager for the Research of East China and the Design Institute, until 2003. He worked at the Ningbo History Museum of 2003 to 2008. He worked on the installation of the Tile Garden at the Venice Biennale 2006. He taught at Harvard's Graduate School of Design.
In 2010, Lu Wenyu and Wang Shu together won the German Schelling Architecture Prize. In 2012, Wang Shu was awarded the Pritzker Prize for the work the duo completed together in their firm, Amateur Architecture Studio.
- Cecilia Puga Cecilia Puga Arquitectos
Cecilia Puga Larrain, was born in Santiago, Chile, on October 2, 1961. Puga is one of the most relevant architects in Chile, graduated as an architect from the Pontifical Catholic University of Chile in 1990. Later she studied History and Restoration of Monuments Architectural at the Universitá della Sapienza in Rome, with a grant from the Italian Ministry of Foreign Affairs. She worked as editor of Revista CA, official organ of the College of Architects of Chile.
From the year 1995 he develops his profession independently and as part of that exercise, she has participated in important competitions and has received several awards and distinctions. Her work is part of several publications, including a number specially dedicated to her work in Gustavo Gili's 2G magazine. Her professional work has been exhibited in Chile and the US, and includes single-family houses, an apartment building, interiors of shops and offices, a chapel and the master plan for the recovery of old buildings of the Southern Cone Vineyard in Chimbarongo, where she also built a access pavilion, an occasion, and a barrel room.
In 2009, her studio was one of the 100 offices worldwide selected by Herzog & De Meuron to design a villa in Inner Mongolia in the context of the Ordos 100 project. In the contest for the Mapocho Station Cultural Center, she won the third prize. Winner of the Sergio Larrain García-Moreno Library and Documentation Center contest.
From the year 1995 he develops his profession independently and as part of that exercise, she has participated in important competitions and has received several awards and distinctions. Her work is part of several publications, including a number specially dedicated to her work in Gustavo Gili's 2G magazine. Her professional work has been exhibited in Chile and the US, and includes single-family houses, an apartment building, interiors of shops and offices, a chapel and the master plan for the recovery of old buildings of the Southern Cone Vineyard in Chimbarongo, where she also built a access pavilion, an occasion, and a barrel room.
In 2009, her studio was one of the 100 offices worldwide selected by Herzog & De Meuron to design a villa in Inner Mongolia in the context of the Ordos 100 project. In the contest for the Mapocho Station Cultural Center, she won the third prize. Winner of the Sergio Larrain García-Moreno Library and Documentation Center contest.
- Magui Peredo Estudio Macías Peredo
Magui Peredo was born in 1979. She graduated as an Architect from the Instituto Tecnológico y de Estudios Superiores de Occidente (ITESO) in Guadalajara Jalisco , later she studied the Master in Theory and History of Architecture at the Polytechnic University of Catalonia in Barcelona. Before founding Macías Peredo, along with her husband, also the architect Salvador Macías, collaborated in several national and international offices.
She has been a critic and guest speaker at different universities and has exhibited her research topic around Mathias Goeritz in various national forums. Since 2010 she has been a professor in the ITESO project workshops in the city of Guadalajara.
As the founding partner of the Mexican studio Macías Peredo, she has been awarded by The Architectural League of New York with the 2014 Emerging Voices award. She has received two silver medals from the Jalisco Academy of Architecture and several honorable mentions for her built work. The studio obtained the second place in the contest of the Pavilion of Mexico in the Expo Shanghai 2010 and the first place in the Pavilion Eco 2013 in Mexico City. Recently the firm published its first monograph ‘Calm the Noise’.
She has been a critic and guest speaker at different universities and has exhibited her research topic around Mathias Goeritz in various national forums. Since 2010 she has been a professor in the ITESO project workshops in the city of Guadalajara.
As the founding partner of the Mexican studio Macías Peredo, she has been awarded by The Architectural League of New York with the 2014 Emerging Voices award. She has received two silver medals from the Jalisco Academy of Architecture and several honorable mentions for her built work. The studio obtained the second place in the contest of the Pavilion of Mexico in the Expo Shanghai 2010 and the first place in the Pavilion Eco 2013 in Mexico City. Recently the firm published its first monograph ‘Calm the Noise’.
- Alexia León Leonmarcial Arquitectos
María Alexia León Angel was born in Lima in 1970. She obtained the Degree of Architect from the School of Architecture and Urbanism of the Ricardo Palma University in Lima in 1992. In 1996 she founded her own architecture workshop "Leondelima" that used to work as a research platform for architecture and design in the desert and other contexts. She has dedicated years of research on the Peruvian coastal desert where she has designed and built most of her projects. In 2012, her architecture studio merged with Lucho Marcial's studio, creating Leonmarcial Arquitectos.
León has been a visiting professor at the Graduate School of Design, Harvard University (2007) where she taught an architecture workshop for advanced programs: GSD1318 Urban Desert Studio. Her work has been published in Arkinka, Casabella, ARQ, L’’s Costruzioni industry, La Moderna. Her most recent literary work is called "Desert-Density" which contains 15 years of research in the field of architecture and urban fabrics in the desert.
She has participated as an architecture critic and held several conferences in South America, Europe, Asia and the United States. Her first project, Casa Mori in Playa Bonita, was chosen as a finalist in the I Biennial of Architecture and Civil Engineering of Madrid. In 2000, she was a finalist in the II Mies van der Rohe Prize for Latin American Architecture. She was selected by the MAK, Center for Art and Architecture, for the UFI Program with the proposal LA-LIMA, Probing the Urban Desert or Testing the Desert, being nominated in the same year to receive the Marcus Prize in architecture.
León has been a visiting professor at the Graduate School of Design, Harvard University (2007) where she taught an architecture workshop for advanced programs: GSD1318 Urban Desert Studio. Her work has been published in Arkinka, Casabella, ARQ, L’’s Costruzioni industry, La Moderna. Her most recent literary work is called "Desert-Density" which contains 15 years of research in the field of architecture and urban fabrics in the desert.
She has participated as an architecture critic and held several conferences in South America, Europe, Asia and the United States. Her first project, Casa Mori in Playa Bonita, was chosen as a finalist in the I Biennial of Architecture and Civil Engineering of Madrid. In 2000, she was a finalist in the II Mies van der Rohe Prize for Latin American Architecture. She was selected by the MAK, Center for Art and Architecture, for the UFI Program with the proposal LA-LIMA, Probing the Urban Desert or Testing the Desert, being nominated in the same year to receive the Marcus Prize in architecture.
- Manuelle Gautrand Manuelle Gautrand Architecture
Manuelle Gautrand was born on July 14, 1961 in Marseille, France. She obtained her graduate diploma in Architecture from the “Ecole Nationale Supérieure d’Architecture de Montpellier” in 1985. She worked for 6 year in different architecture studios in Paris, and founded her office in 1991, first in Lyons and then in Paris. She lives and works in Paris since 1994. The poetics of Gautrand is characterized very often by the combination of color and formal invention, aimed at empathy and arousing admiration.
She is the principal architect and director of the agency Manuelle Gautrand Architecture. She mainly designs buildings in areas as diverse as cultural facilities, office buildings, housing, commercial and leisure facilities, etc. In 2007 Manuelle Gautrand made the “C42” Citroen Flagship Showroom on the Champs-Elysées Avenue in Paris which gained attention and widespread acclaim in the international arena and from a large audience.
Among the distinctions she has received, stand out the Chevalier de la Légion d’Honneur in April 2010, the Chevalier dans l’ordre des Arts et des Lettres, December 2007 and, year’s 2007 Awarded of The European Prize for Architecture for her body of works that celebrate boldness and non-conformity in a world torn by extreme modernity and a reactionary return to the past.
She is the principal architect and director of the agency Manuelle Gautrand Architecture. She mainly designs buildings in areas as diverse as cultural facilities, office buildings, housing, commercial and leisure facilities, etc. In 2007 Manuelle Gautrand made the “C42” Citroen Flagship Showroom on the Champs-Elysées Avenue in Paris which gained attention and widespread acclaim in the international arena and from a large audience.
Among the distinctions she has received, stand out the Chevalier de la Légion d’Honneur in April 2010, the Chevalier dans l’ordre des Arts et des Lettres, December 2007 and, year’s 2007 Awarded of The European Prize for Architecture for her body of works that celebrate boldness and non-conformity in a world torn by extreme modernity and a reactionary return to the past.
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Denise Scott Brown
Denise Scott Brown, (born as Denise Lakofski) (Nkana, Rhodesia, October 3rd 1931) is a postmodern architect, urbanist, writer and teacher. Expert in urban and educational planning at universities such as Berkeley, Yale and Harvard, she wrote in 1972 in collaboration with Robert Venturi and Steven Izenour Learning from Las Vegas: the forgotten symbolism of architectural form, one of the most influential books in architecture in the second half of the twentieth century. It is considered the most famous woman architect of the second half of the twentieth century. She married Robert Venturi in 1967 and they have worked together since 1969, but in 1991 she was excluded from the Pritzker Prize prompting protests and debates about the difficulties of women architects to be recognized in their profession. Finally, they were awarded jointly with the AIA Gold Medal 2016 becoming the second woman in history to win the most prestigious award in the world of architecture and the first living woman to receive this galardón. She is a member of the architectural Studio Venturi, Scott Brown and Associates of Philadelphia (USA), which in 2012, following the retirement of Venturi, became VSBA Architects & Planners.
Rodolfo Cortegana, Patricia Llosa. Llosa Cortegana Arquitectos
Llosa cortegana Arquitectos. Despite having studied at the same university, Patricia Llosa and Rodolfo Cortegana did not get to know each other until 2001 when they were called to take part in the same competition. They later co-participated in some others, as a result of the harmony that they found in their design methodology from the first moment, as well as being invited to teach in the same design workshop at the Faculty of Architecture of the Catholic University. As a consequence of such experiences, they partnered to found their own practice in 2005, under the name 'Llosa cortegana Architects'.
Patricia Llosa is an architect from Ricardo Palma University. She did the Master 'Architecture, Criticism and Projects' at the Polytechnic University of Catalonia, Spain (1999). She has participated in various courses, conferences and workshops on teaching and creating projects.
Rodolfo Cortegana is an architect from Ricardo Palma University, where he received the award for the best thesis supported by the Museum of Contemporary Art. He did a master's in Museology at the University of Ricardo Palma. He also conducted research on Public space and its interaction with the Climate', receiving a grant from the Belgian government.
Patricia Llosa is an architect from Ricardo Palma University. She did the Master 'Architecture, Criticism and Projects' at the Polytechnic University of Catalonia, Spain (1999). She has participated in various courses, conferences and workshops on teaching and creating projects.
Rodolfo Cortegana is an architect from Ricardo Palma University, where he received the award for the best thesis supported by the Museum of Contemporary Art. He did a master's in Museology at the University of Ricardo Palma. He also conducted research on Public space and its interaction with the Climate', receiving a grant from the Belgian government.
Jane Drew
Jane Drew (b. Thornton Heath, England, March 24,1911 - d. Barnard Castle, Durham, July 27, 1996) is an English modernist architecture an town planner, qualified at the Architectural Association School of Architecture in London.
She created a studio with James Thomas Alliston, named as Alliston & Drew, working in housing in Winchester. She become one of the founders and promoters of MARS Group (association of architects, artists and industrialist to disseminate the ideas and practices of Modern Movement).
Le Corbusier, Maxwell Fry and Drew were commissioned to design the city of Chandigargh, in India. In war time between 1939 and 1944, Drew has her first office, with the idea of employing only female architects. After the II World War in 1950, she cofounded with Maxwell Fry, a studio as Fry, Drew and Partners, focusing on the development of housing architecture.
She was the first woman to be part of the Council of Royal Institute of Britain Architects (RIBA). In 1996 she was named Lady of the British Empire. Since 1998, the Jane Drew Prize has been named as a tribute, awarded annually by the Architects Journal.
She created a studio with James Thomas Alliston, named as Alliston & Drew, working in housing in Winchester. She become one of the founders and promoters of MARS Group (association of architects, artists and industrialist to disseminate the ideas and practices of Modern Movement).
Le Corbusier, Maxwell Fry and Drew were commissioned to design the city of Chandigargh, in India. In war time between 1939 and 1944, Drew has her first office, with the idea of employing only female architects. After the II World War in 1950, she cofounded with Maxwell Fry, a studio as Fry, Drew and Partners, focusing on the development of housing architecture.
She was the first woman to be part of the Council of Royal Institute of Britain Architects (RIBA). In 1996 she was named Lady of the British Empire. Since 1998, the Jane Drew Prize has been named as a tribute, awarded annually by the Architects Journal.
Selldorf Architects - Annabelle Selldorf Selldorf Architects
Selldorf Architects. 65-person architectural design practice founded in New York in 1988 by Annabelle Selldorf, Selldorf Architects creates public and private spaces that manifest a clear and modern sensibility of enduring impact. The firm has particular expertise creating architecture that enhances the experience of art, having worked internationally on numerous museums, galleries, art foundations, and other cultural projects.
Past projects include the Neue Galerie in New York, which, like the Frick, was originally designed in 1914 by Carrère and Hastings; the Clark Art Institute, Williamstown, MA; LUMA Arles, a new center for contemporary art in Southern France; and galleries for David Zwirner and Hauser & Wirth, amongst others. Current projects include the expansion of the Museum of Contemporary Art in San Diego and the Swiss Institute in New York, which will open in June 2018.
Lina BO BARDI
Achillina Bo was born on December 5, 1914 in Rome, Italy. Lina was the oldest child of Enrico and Giovana Bo, who later had another daughter named Graziella. In 1939, she graduated from the Rome College of Architecture at the age of 25 with her final piece, "The Maternity and Infancy Care Centre". She then moved to Milan to begin working with architect Carlo Pagani in the Studio Bo e Pagani, No 12, Via Gesù. Bo Bardi collaborated (until 1943) with architect and designer Giò Ponti on the magazine Lo Stile – nella casa e nell’arredamento. In 1942, at the age of 28, she opened her own architectural studio on Via Gesù, but the lack of work during wartime soon led Bardi to take up illustration for newspapers and magazines such as Stile, Grazia, Belleza, Tempo, Vetrina and Illustrazione Italiana. Her office was destroyed by an aerial bombing in 1943. From 1944-5 Bardi was the Deputy Director of Domus magazine.
The event prompted her deeper involvement in the Italian Communist Party. In 1945, Domus commissioned Bo Bardi to travel around Italy with Carlo Pagani and photographer Federico Patellani to document and evaluate the situation of the destroyed country. Bo Bardi, Pagani and Bruno Zevi established the weekly magazine A – Attualità, Architettura, Abitazione, Arte in Milan (A Cultura della Vita).[4] She also collaborated on the daily newspaper Milano Sera, directed by Elio Vittorini. Bo Bardi took part in the First National Meeting for Reconstruction in Milan, alerting people to the indifference of public opinion on the subject, which for her covered both the physical and moral reconstruction of the country.
In 1946, Bo Bardi moved to Rome and married the art critic and journalist Pietro Maria Bardi.
In Brazil, Bo Bardi expanded his ideas influenced by a recent and overflowing culture different from the European situation. Along with her husband, they decided to live in Rio de Janeiro, delighted with the nature of the city and its modernist buildings, like the current Gustavo Capanema Palace, known as the Ministry of Education and Culture, designed by Le Corbusier, Oscar Niemeyer, Lucio Costa, Roberto Burle Marx and a group of young Brazilian architects. Pietro Bardi was commissioned by a museum from Sao Paulo city where they established their permanent residence.
There they began a collection of Brazilian popular art (its main influence) and his work took on the dimension of the dialogue between the modern and the Popular. Bo Bardi spoke of a space to be built by living people, an unfinished space that would be completed by the popular and everyday use.
The event prompted her deeper involvement in the Italian Communist Party. In 1945, Domus commissioned Bo Bardi to travel around Italy with Carlo Pagani and photographer Federico Patellani to document and evaluate the situation of the destroyed country. Bo Bardi, Pagani and Bruno Zevi established the weekly magazine A – Attualità, Architettura, Abitazione, Arte in Milan (A Cultura della Vita).[4] She also collaborated on the daily newspaper Milano Sera, directed by Elio Vittorini. Bo Bardi took part in the First National Meeting for Reconstruction in Milan, alerting people to the indifference of public opinion on the subject, which for her covered both the physical and moral reconstruction of the country.
In 1946, Bo Bardi moved to Rome and married the art critic and journalist Pietro Maria Bardi.
In Brazil, Bo Bardi expanded his ideas influenced by a recent and overflowing culture different from the European situation. Along with her husband, they decided to live in Rio de Janeiro, delighted with the nature of the city and its modernist buildings, like the current Gustavo Capanema Palace, known as the Ministry of Education and Culture, designed by Le Corbusier, Oscar Niemeyer, Lucio Costa, Roberto Burle Marx and a group of young Brazilian architects. Pietro Bardi was commissioned by a museum from Sao Paulo city where they established their permanent residence.
There they began a collection of Brazilian popular art (its main influence) and his work took on the dimension of the dialogue between the modern and the Popular. Bo Bardi spoke of a space to be built by living people, an unfinished space that would be completed by the popular and everyday use.
LU WENYU
LU Wenyu. WANG Shu and LU Wenyu founded the Amateur Architecture Studio in 1998. This Hangzhou-based practice has grown during the past eight years into a famous name in China. The Amateur Architecture Studio’s best-known projects are the Wenzheng Library in Suzhou University, the Harbor Art Museum in Ningbo and the Xiangshan Campus of the China Academy of Art in Hangzhou.
The Amateur Architecture Studio was engaged in experimental research projects, for example Sanhe House in the China International Practical Exhibition of Architecture in Nanjing, the Ceramic Tea House in Jinhua Architecture Park in Jinghua. The projects have been shown in international exhibitions from 2001 including “TU MU-Young Architecture of China” in AEDES Gallery, Berlin (Germany), Shanghai Biennale 2002 at the Shanghai Art Museum in Shanghai, (China), Alors, La Chine?, Centre Pompidou in Paris (France), Synthi-Scapes: Chinese Pavilion of the 50th Venice Biennale in the Guangdong Museum of Art, Guangzhou (China) and in the Art Museum of the Central Academy, Beijing (China). The projects have been published in China and abroad.
Cecilia Puga
Cecilia Puga Larrain was born in Santiago, Chile on October 2, 1961. Puga graduated as an architect from the Pontifical Catholic University of Chile in 1990. Later she studied History and Restoration of Monuments Architectural at the Universitá della Sapienza in Rome.
As an architect, she has been awarded in competitions such as the Mapocho Station Cultural Center (1992, 3rd prize) together with D. Prieto, S. Álvarez and D. Rodríguez; in the new Auditorium and Library of the Faculty of Architecture, Design and Urban Studies of the Pontifical Catholic University of Chile (1995, 1st prize), together with T. Fernández and S. Radic and in the Consistorial building for the Illustrious Municipality of Vitacura (2000, 1st mention) together with S.Radic, G. Puga and R. Serpell.
Between 1990 and 1993 she was editor of the CA Magazine of the College of Architects of Chile and was Director of the School of Architecture of the Universidad Nacional Andrés Bello. She has been a professor at the Pontificia Universidad Católica de Chile and the Universidad Nacional Andrés Bello in Santiago; In 2007, she was a visiting professor at the University of Texas School of Architecture in Austin, USA.
As an architect, she has been awarded in competitions such as the Mapocho Station Cultural Center (1992, 3rd prize) together with D. Prieto, S. Álvarez and D. Rodríguez; in the new Auditorium and Library of the Faculty of Architecture, Design and Urban Studies of the Pontifical Catholic University of Chile (1995, 1st prize), together with T. Fernández and S. Radic and in the Consistorial building for the Illustrious Municipality of Vitacura (2000, 1st mention) together with S.Radic, G. Puga and R. Serpell.
Between 1990 and 1993 she was editor of the CA Magazine of the College of Architects of Chile and was Director of the School of Architecture of the Universidad Nacional Andrés Bello. She has been a professor at the Pontificia Universidad Católica de Chile and the Universidad Nacional Andrés Bello in Santiago; In 2007, she was a visiting professor at the University of Texas School of Architecture in Austin, USA.
Magui Peredo, Salvador Macías. Estudio Macías Peredo
Estudio Macias Peredo has given several lectures on his practice at various universities and forums in Mexico and in the city of New York, in the University of Tokyo in Japan and in the University of New Mexico in Albuquerque.
They have received two silver medals for the Academy of Architecture of Jalisco and several citations for his work built. Obtained the second place in the competition of the Mexico Pavilion in the Shanghai Expo 2010 and first place in the Eco Pavilion 2013 in Mexico City.
Awarded by The Architectural League of New York with the Emerging Voices award 2014. They have recently exhibited his work in LIGA, Space of Architecture 2015.
Magui Peredo (1979). She holds a degree in architecture by ITESO (Instituto Tecnologico de Estudios Superiores de Occidente) and a master degree in Theory and History of Architecture by the UPC (Universitat Politècnica de Catalunya) in Barcelona.
Prior founding Macías Peredo, she has worked in various national and international studios. She has been invited lecturer and critic at various universities in the country and has presented her research on Mathias Goeritz at various national forums.
Since 2010 she holds a teaching position at ITESO, university based in the city of Guadalajara. She is co-founder and director at Estudio Macías Peredo.
Salvador Macías (1977). He holds an honour degree in architecture by ITESO (Instituto Tecnologico de Estudios Superiores de Occidente) and a master degree in Theory and Practice of the Architecture Project by the UPC (Universitat Politècnica de Catalunya) in Barcelona.
His work has been exhibited at institutions such as Palacio de Bellas Artes in Mexico City and the Instituto Cultural Cabañas in Guadalajara. He has been a collaborator of the project Torre CUBE 2 of Carme Pinós studio from Barcelona. He also has been one of the lecturers at the 53rd Congress of Americanists held in Mexico City in 2009, with the theme ‘Josef Albers, Approaches to Mexican Architecture’, research work published by UNAM in 2010.
Since 2010 he holds a teaching position at ITESO. He is currently member of the Luis Barragán Architecture Foundation and co-founder and director at Estudio Macías Peredo.
They have received two silver medals for the Academy of Architecture of Jalisco and several citations for his work built. Obtained the second place in the competition of the Mexico Pavilion in the Shanghai Expo 2010 and first place in the Eco Pavilion 2013 in Mexico City.
Awarded by The Architectural League of New York with the Emerging Voices award 2014. They have recently exhibited his work in LIGA, Space of Architecture 2015.
Magui Peredo (1979). She holds a degree in architecture by ITESO (Instituto Tecnologico de Estudios Superiores de Occidente) and a master degree in Theory and History of Architecture by the UPC (Universitat Politècnica de Catalunya) in Barcelona.
Prior founding Macías Peredo, she has worked in various national and international studios. She has been invited lecturer and critic at various universities in the country and has presented her research on Mathias Goeritz at various national forums.
Since 2010 she holds a teaching position at ITESO, university based in the city of Guadalajara. She is co-founder and director at Estudio Macías Peredo.
Salvador Macías (1977). He holds an honour degree in architecture by ITESO (Instituto Tecnologico de Estudios Superiores de Occidente) and a master degree in Theory and Practice of the Architecture Project by the UPC (Universitat Politècnica de Catalunya) in Barcelona.
His work has been exhibited at institutions such as Palacio de Bellas Artes in Mexico City and the Instituto Cultural Cabañas in Guadalajara. He has been a collaborator of the project Torre CUBE 2 of Carme Pinós studio from Barcelona. He also has been one of the lecturers at the 53rd Congress of Americanists held in Mexico City in 2009, with the theme ‘Josef Albers, Approaches to Mexican Architecture’, research work published by UNAM in 2010.
Since 2010 he holds a teaching position at ITESO. He is currently member of the Luis Barragán Architecture Foundation and co-founder and director at Estudio Macías Peredo.
Alexia León Angel
María Alexia León Angel was born in Lima in 1970. She obtained the Degree of Architect from the School of Architecture and Urbanism of the Ricardo Palma University in Lima in 1992. In 1996 she founded her own architecture workshop "Leondelima". In 2012, her architecture studio merged with Lucho Marcial's studio, creating Leonmarcial Arquitectos.
León has been a visiting professor at the Graduate School of Design, Harvard University (2007) where she taught an architecture workshop for advanced programs: GSD1318 Urban Desert Studio. Her most recent literary work is called "Desert-Density" which contains 15 years of research in the field of architecture and urban fabrics in the desert.
Her first project, Casa Mori in Playa Bonita, was chosen as a finalist in the I Biennial of Architecture and Civil Engineering of Madrid. In 2000, she was a finalist in the II Mies van der Rohe Prize for Latin American Architecture. She was selected by the MAK, Center for Art and Architecture, for the UFI Program with the proposal LA-LIMA, Probing the Urban Desert or Testing the Desert, being nominated in the same year to receive the Marcus Prize in architecture.
León has been a visiting professor at the Graduate School of Design, Harvard University (2007) where she taught an architecture workshop for advanced programs: GSD1318 Urban Desert Studio. Her most recent literary work is called "Desert-Density" which contains 15 years of research in the field of architecture and urban fabrics in the desert.
Her first project, Casa Mori in Playa Bonita, was chosen as a finalist in the I Biennial of Architecture and Civil Engineering of Madrid. In 2000, she was a finalist in the II Mies van der Rohe Prize for Latin American Architecture. She was selected by the MAK, Center for Art and Architecture, for the UFI Program with the proposal LA-LIMA, Probing the Urban Desert or Testing the Desert, being nominated in the same year to receive the Marcus Prize in architecture.
Manuelle Gautrand, Marc Blaising MANUELLE GAUTRAND
Manuelle Gautrand was born on July 14, 1961 in Marseille (France). She obtained her graduate diploma in Architecture from the “Ecole Nationale Supérieure d’Architecture de Montpellier” in 1985. She worked for 6 year in different architecture studios in Paris. She founded her office in 1991, first in Lyons and then in Paris. She lives and works in Paris since 1994.
She is the principal architect and director of the agency MANUELLE GAUTRAND ARCHITECTURE. She mainly designs buildings in areas as diverse as cultural facilities (theaters, museums, and cultural centers), office buildings, housing, commercial and leisure facilities, etc… Her clients are public contracting authorities as well as private firms, in France and abroad. In 2007 Manuelle Gautrand’s the “C42″ Citroen Flagship Showroom on the Champs-Elysées Avenue in Paris gained attention and widespread acclaim in the international arena and from a large audience.
Distinction :
• Chevalier de la Légion d’Honneur, April 2010
• Chevalier dans l’ordre des Arts et des Lettres, December 2007
Awards .-
French National Institutions .-
• Member of Ordre des Architectes Français since 1990
• Titular member Académie d’Architecture (France) since 2005
Other activities .-
• Teaching at the Ecole Spéciale d’Architecture de Paris (1999 -2000), the Ecole d’Architecture Paris-Val-de-Seine (2000-2003), at the Technische Universität in Vienne, Austria Vienne (2009) and at the University of Florida School of Architecture in the United States (2010)
• Lectures in architecture schools and public institutions, regular participation in seminars, panel discussions, etc…
• Numerous press articles, publications in architecture books, etc…
• Solo and collective architecture exhibitions
• Works entered into the collections of Centre Pompidou in Paris and of La Cité de l’Architecture et du Patrimoine in Paris
• Several documentary films on her work were broadcasted on ARTE Channel in 2008 and 2009 (“l’Art & la Manière” and “Chic”).
