The British Museum in London revealed on 19 December the concepts of the five architectural teams shortlisted to undertake the project to renovate more than a third of its gallery and ancillary spaces at one of the world's most important and visited museums.

The shortlist was announced in August, and includes multidisciplinary architect-led proposals headed by 6a architects, David Chipperfield Architects, OMA, Lina Ghotmeh and a collaboration between Eric Parry Architects and Jamie Fobert Architects.

As part of the second stage of the competition selection process, models and images were submitted for each proposal for the redevelopment of the western area of ​​the museum. This will be the Museum’s largest building project since the 1820s, when work began on the original space.

Each team’s project approach is now on display in the Round Reading Room in the Museum’s Great Court. The aim is to improve storage space for the collections and create new amenities that enhance the visitor experience, making the collection as accessible as possible to all audiences.

“The British Museum has embarked upon the largest redevelopment in its near 300-year history, and the success of such an ambitious project is dependent upon the support of our neighbours and the wider public.

The new exhibition in the spectacular setting of the Round Reading Room provides a fascinating insight into the working processes of some of the most esteemed architecture practices in the world. Each has brought its talent to bear on the hypothetical design challenge set by the British Museum team which looks at both the architectural fabric of the Museum as well as collection displays as part of our selection process for the Western Range project.”

Alex Surguladze, Head of Design Management at the British Museum.

Renovación de «The Western Range» del Museo Británico por 6a architects. Visualización cortesía por The British Museum.
British Museum's Western Range renovation by 6a architects. Rendering courtesy by The British Museum.

To do so, the 6a architects team envisions the future British Museum looking back at its history, as an ecosystem of objects and collections, people and places, nature and culture, where the original courtyards of the 1838 design introduce biodiversity into the heart of the Museum. In addition, it generates an impressive gallery thanks to the opening of the brick vaults, thus increasing the available exhibition surface.

On the other hand, David Chipperfield Architects envisions the future museum as a creative and productive place where multiple voices, intertwined and contested histories are embraced. Through a series of interconnected strategies, the project is based on creating two new public rooms, giving rise to exchange spaces where all the voices of the museum contribute and participate in its future.

British Museum's Western Range renovation by David Chipperfield Architects. Rendering courtesy by The British Museum.
British Museum's Western Range renovation by David Chipperfield Architects. Rendering courtesy by The British Museum.

Eric Parry Architects and Jamie Fobert Architects, are betting on a museum of large open spaces, where the vaults of the basement reach up to the galleries above and gain prominence in the main space, creating a new hierarchy of scale. A new volume where the exhibition does not follow a linear path and allows visitors to tell their own stories, get involved and reflect.

Lina Ghotmeh Architecture team proposes to transform the museum into a living space that gives rise to dialogue where historical narratives are intertwined with contemporary perspective. The project invites visitors to participate in universal connections through tactile encounters and immersive narration, seeking to awaken curiosity in the visitor, understanding and cultural exchange.

British Museum's Western Range renovation by Lina Ghotmeh Architecture. Photograph courtesy by The British Museum.
British Museum's Western Range renovation by Lina Ghotmeh Architecture. Photograph courtesy by The British Museum.

Meanwhile, OMA's proposal aims to achieve the maximum possible impact with minimal intervention. To do so, it transforms two currently underused courtyards, with the aim of modernizing the functionality and expanding the potential of the entire British Museum as a sophisticated curatorial instrument that covers an arc from antiquity to the digital.

This project is part of the Museum’s long-term masterplan, a major programme of projects that aim to renew and transform the iconic British Museum, ensuring that its extraordinary collection is housed in buildings and galleries fit for the 21st century. 

The winner of the competition is expected to be announced in February 2025, with the new buildings expected to be ready by spring 2026.

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Project team
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6a architects.- Gitta schwendtner, Purcell, Arup, Studio ZNA, Kellenberger-White, LSA, David Bonnett Associates, AIS.
David Chipperfield Architects.- Plan A, Adamson Associates, Atelier Bruckner, Lobe Lloyd, Julian Harrap Architects, Atelier Ten, Arup, Reusefully, Alan Baxter Associates, AEA Consulting.
Eric Parry Architects and Jamie Fobert Architects.- Purcell, Max Fordham, Price & Myers, Buro Happold, Studio ZNA, David Bonnett Associates, Space Syntax, Mima.
Lina Ghotmeh - Architecture.- Ali Cherri, Plan A, Purcell, Holmes Studio and Arup.
OMA.- dUCKS Sceno, Cookies, Salvatore Settis, Purcell, Arup, EQ2 Lighting, Studio ZNA, Benoy.

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Client
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The British Museum.

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Area
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15,000 sqm.

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Dates
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Stage 1
Competition launch.- May 8, 2024.
Deadline for any queries about this competition.- June 7, 2024.
Deadline for receipt of Stage 1 submissions.- June 21, 2024.
Mid-August Announcement of the shortlisted teams.

Stage 2
Stage 2 will start in September 2024, it is expected that the competition winner will be announced in February 2025.

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Location
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London, United Kingdom.

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6a architects. Architecture practice founded by Stephanie Macdonald and Tom Emerson in 2001 based in London, United Kingdom. Illustrate in their projects a sophisticated experience of space, light and material, also using locations throughout their history. Their work is surprising through its sovereign sense of lightness and originality, without disowning any of its sobriety.

Stephanie Macdonald, studied Fine Arts at the Portsmouth School of Art. Following a scholarship in Japan, he studied architecture at the Mackintosh School of Architecture, the Royal College of Art and the University of North London. His experience before moving to private professional practice includes working with Tom Dixon and collaborations with Glasgow artists. He has lectured to the new creative industries in Berlin representing the ICA and the British Council.

Tom Emerson studied architecture at the University of Bath, the Royal College of Art and the University of Cambridge. He combines his professional practice with teaching at the Architectural Association in London. He has published articles on architecture, literature and art, and has taught at several architecture and art schools, including the Chelsea School of Art at the University of Cambridge, the ICA and the Royal College of Art.

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David Chipperfield was born in London in 1953 and studied architecture at the Kingston School of Art and the Architectural Association School of Architecture in London before working at the practices of Douglas Stephen, Richard Rogers and Norman Foster.

In 1985 he founded David Chipperfield Architects, which today has over 300 staff at its offices in London, Berlin, Milan and Shanghai.

David Chipperfield has taught and held conferences in Europe and the United States and has received honorary degrees from the universities of Kingston and Kent.

He is a member of the Royal Institute of British Architects (RIBA) and an honorary fellow of both the American Institute of Architects (AIA) and the Bund Deutscher Architekten (BDA). In 2009 he was awarded the Order of Merit of the Federal Republic of Germany and in 2010 he received a knighthood for services to architecture in the UK and Germany. In 2011 he received the RIBA Royal Gold Medal for Architecture and in 2013 the Praemium Imperiale from the Japan Art Association, while in 2021 he was appointed a member of the Order of the Companions of Honour in recognition of a lifetime’s work.

In 2012 he curated the 13th International Architecture Exhibition of the Venice Biennale.

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Jamie Fobert Architects. Architecture studio founded in 1996 by Jamie Fobert based in Shoreditch, London, United Kingdom.

Their clients are diverse: from individual homeowners to large cultural organisations and international retailers. They demonstrate a consistent approach to resolving client ambitions and the complexities of the environment in a tactile architecture: of volume, material and light.

Their project approach is led by functionality, usability and the exchanges that architecture can foster. Their spaces are made to endure, innovative shapes that seek to achieve long-term social, economic and environmental benefits.

Their early projects included domestic spaces for artists such as Antony Gormley and Christopher Le Brun. They later worked on exhibition design for major galleries including “The Upright Figure” at Tate Moderns Turbine Hall, gaining the opportunity to design galleries for clients such as Frieze Art Fair, Pace and the Garage Museum of Contemporary Art in Moscow. Through this work they have gained a clear understanding of artistic practice and installation, reflected in major art projects such as Tate St Ives in Cornwall, Kettles Yard in Cambridge, the National Portrait Gallery in London and the Royal Observatory Greenwich.

In 2019 they won the BD Architect of the Year Gold Award, in recognition of their work on public buildings, and some of their projects have been twice shortlisted for the RIBA Stirling Prize: Tate St Ives in 2018 and the National Portrait Gallery in 2024.

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Eric Parry Architects. Architecture practice founded in 1983 by Eric Parry based in London, United Kingdom, adding a new studio in Singapore in 2013. Since its inception, dozens of talented people from diverse cultural backgrounds have joined the practice, accumulating a wide, rich and varied range of skills, cultures and experience.

Their expertise spans a broad range of architectural scales and schemes, from planning and architecture, to interiors and fit-out; reaching from landscape design schemes to bespoke furniture, ironwork, carpets and textiles.

Eric Parry Architects designs high quality, sustainable and people-focused buildings that enhance their surroundings. Listening carefully to the ambitions and needs of their clients, collaborating to meet all the particular challenges of each project with our most creative and imaginative responses. Architecture must engage with its context and interact with its surroundings to create enjoyment and well-being for its inhabitants.

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Lina Ghotmeh. Born in Beirut in 1980, she grew up in this millenary and cosmopolitan city marked by the stigmata of war. If she wanted to become an archaeologist, her studies at the Department of Architecture at the American University of Beirut, led her to question the traces, the memory, the space and the landscape differently by developing her projects with a profoundly sustainable approach. to the approach, according to its terms, of an "Archeology of the future". After graduating with the Azar and Areen awards, Lina continues her training at the Special School of Architecture in Paris where she becomes an associate professor between 2008 and 2015.

It is in London that she collaborates with Ateliers Jean Nouvel and Foster & Partners and that she wins, in 2005, the international competition of the National Estonian Museum. At this event, she co-founded the agency D.G.T Architects in Paris and leads, then with its partners Dorell and Tane, this great National Museum to its realization. Hailed unanimously by the international press and prestigiously awarded (Grand Prix Afex 2016, nominated for the Van der Rohe Award 2017), the museum has become emblematic of avant-garde architecture combining relevance and beauty of the gesture.

The approach of Lina Ghotmeh, imbued with extreme sensitivity, testifies in each of his proposals of his visionary vision and his libertarian spirit like the projects noticed: Really Masséna (winner of Réinventons Paris) or the complex of the El Khoury Stone Garden Foundation in Beirut.

With its multicultural experiences and strong involvement in the issues of his time, the architect is regularly invited to speak at conferences, juries or workshops in France and abroad. She is distinguished by several prizes including the Ajap prize in 2008, the Dejean prize from the 2016 Academy of Architecture.

By Christine Blanchet, Journalist, Art Historian
Photograph © Hannah Assouline
 
Lina Ghotmeh leads her practice Lina Ghotmeh — Architecture, an international firm of architects, designers, and researchers based in Paris. She carries her works worldwide at the crossroads of Art, Architecture & Design. Echoing her lived experience of Beirut – a palimpsest of unrest – her designs are orchestrated as an "Archeology of the Future" where every project emerges in complete symbiosis with nature following a thorough historical and materially sensitive research investigation.

Ghotmeh’s projects include the Estonian National Museum (Grand Prix Afex 2016 & Mies Van Der Rohe Nominee); ‘Stone Garden’, crafted tower and gallery spaces in Beirut (Dezeen 2021 Architecture of the Year Award), Lebanon; ‘Réalimenter Masséna’ wooden tower dedicated to sustainable food culture in Paris (laureate of Paris’ call for innovative projects), France; Ateliers Hermès in Normandy, first passive low carbon workshops building, in  France; Wonderlab exhibition in Tokyo and Beijing & Les Grands Verres for the Palais de Tokyo, Paris, France.

She is a 2021 Louis I Khan visiting professor at Yale School of Architecture in the United States and Gehry Chair 2021–22 at the University of Toronto, Canada. She co-presides the Scientific Network for Architecture in extreme climates and was a member of the Aga Khan Award for Architecture 2022 Jury. Among Prizes, she was awarded in 2021 the 2020 Schelling Architecture Prize, the 2020 Tamayouz ‘Woman of Outstanding Achievement’, the French Fine Arts Academy Cardin Award 2019, the Architecture Academy Dejean Prize 2016 and the French Ministry of Culture Award in 2008.
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Published on: January 7, 2025
Cite: "Shortlisted projects announced for British Museum's Western Range renovation" METALOCUS. Accessed
<http://www.metalocus.es/en/news/shortlisted-projects-announced-british-museums-western-range-renovation> ISSN 1139-6415
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