The architecture studio OMA / Ellen van Loon has developed its first public project in the United Kingdom, a new multipurpose cultural venue to host the Manchester International Festival (MIF). This is the rehabilitation of an old industrial building located along the River Irwell in the center of Manchester, England.

The project belongs to the urban rehabilitation plan for the city's St. John neighborhood. The site is part of the Castlefield Conservation Area, which encompasses the Museum of Science and Industry, located on a globally significant industrial heritage site that includes the world's oldest passenger railway and the world's first railway freight depot.
The design idea of OMA's Aviva Studios is flexibility, offering the possibility of simultaneously representing performances of various scales and different typologies, such as plays, concerts, or exhibitions, breaking with the impediments of the traditional and adapting to the experimentation of new ways of expression.

The project focuses on large, open, and flexible spaces that will be continually adapted and reconfigured. Key elements are planned, such as the performance space called “Warehouse”, with a theater grid that covers the entire area (33 meters wide, 64 meters long, and 21 meters high, the most flexible performance space ) that allows its use as a single space or divisible into two through panels that move manually. Even the “Hall”, a 1600-seat auditorium located next to the “Warehouse”, can open towards it and jointly offer a larger space for ballet, theatre, music, and cross-arts performances.

The project dialogues with the industrial and cultural history of Manchester, which is referenced in the project through corrugated metal and exposed concrete. The building rises above Water Street and incorporates the 19th-century arches of the Pineapple Railroad. Typically, venues this size are relegated to the outskirts due to noise issues. However, by enclosing the structure with double layers of concrete and employing advanced acoustic techniques, the greatest acoustic insulation was achieved, allowing the building to be part of the city.


Aviva Studios by OMA. Photography by Marco Cappelletti.


Aviva Studios by OMA. Photography by Marco Cappelletti.

The materials used by the architects, such as exposed concrete and metal connections, reflect the industrial environment in which the building is located and provide a reinterpretation of industrial aesthetics, inspired by the traditional styles of factory facades.
 
Ellen van Loon, architect of the building, envisions this structure as a versatile stage for cultural expression. "I've worked on numerous theaters and performance spaces, but none compare to this one in terms of what it offers to performers. This venue serves as a platform, unlocking the full potential of the performing arts. All too often, abandoned post-industrial buildings and neighborhoods are erased from the map, and with them the creative scenes that once thrived within them. This building reinstates what was lost."
 


Aviva Studios by OMA. Photography by Marco Cappelletti.

Project description by Ellen van Loon / OMA

Since it was launched in 2007, the Manchester International Festival has taken place in existing buildings both large and small throughout the city. But spaces with the qualities needed by the art pieces commissioned by the Festival are fewer and fewer, disappearing amid Manchester’s fast-paced redevelopment into England’s new economic hub. In 2015 Manchester City Council launched an architecture competition for a new kind of art venue for the Manchester International Festival (MIF), capable of hosting both art performances and exhibitions, separately or simultaneously.

MIF’s new home embraces Manchester’s industrial and creative past. Its facades of concrete and corrugated metal stand out amidst the refurbished brick warehouses and newly built glass-facing flats, offices, and television studios, which make up the new St. John’s neighborhood. The building hovers over Water Street and the arches of the 19th-century Pineapple railway line, now part of its foyer, opening up a much-needed swathe of public space towards River Irwell, forgotten between greedy new developments.


Aviva Studios by OMA. Photography by Marco Cappelletti.


Aviva Studios by OMA. Photography by Marco Cappelletti.

The Factory is not one building but two. Its main event space, the Warehouse, is one large, 21-meter tall, flexible container, left bare to be adapted by its users as they see fit. It can be used as a single space or subdivided into two, with full-height moveable partitions that provide acoustic insulation. Productions of different scales can take place inside, from intimate performances to concerts with 5,000 people standing. The ceiling is a technical grid, with lighting, equipment, and rigging, that supports concerts and exhibitions alike.

The Warehouse is complemented by the Hall, a 1,603-seat auditorium with a flexible stage, able to accommodate opera, ballet, theater, music, and cross-art performances. The Warehouse and Hall can work in tandem, allowing the stage to extend to a depth of 45 meters.

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Architects
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Design team
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Ellen van Loon, Rem Koolhaas, Carol Patterson, Gary Owen, Jonathan Telkamp, Tanner Merkeley, Jacopo Bellina, Paloma Bule, Anita Ernődi, Marc-Achille Filhol, Benedetta Gatti, Aris Gkitzias, Michalis Hadjistyllis, Jason Houssein, Lisa Huang, Aleksandr Joksimovic, Hans Larsson, Thijs van der Lely, Emma Lubbers, Dirk van der Meij, Tanner Merkeley, Felix Morczinek, Tom Paling, Maria Aller Rey, Mario Rodriguez, Helena Rong, Won Ryu, Saskia Simon, Lukasz Skalec, Wael Sleiman, Iason Stathatos, Koen Stockbroekx, Shinji Takagi, Nicola Vitale, Frederike Werner, Tom Xia, Yushang Zhang.
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Collaborators
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Quantity Surveyor.- Allies and Morrison, Ryder Architecture.
Construction Partners.- Laing O’Rourke.
Structure and Civil Engineers.- Buro Happold, BDP.
Acoustic Engineer.- Level Acoustics Fire Engineer: WSP Stage Engineering: Charcoal Blue Vertical. Transportation.- Pearson Consult Landscape Design: Planit.IE IT: Strata Transport Planning: Vectos. Services Engineer.- Buro Happold.
FF&E.- Ben Kelly and Brinkworth.
Graphic Design.- Peter Saville and NORTH Design.
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Client
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Manchester City Council, Factory International (Manchester International Festival).
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Area
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Site.- 1.80he.
Gross Internal Area.- 13,350 sqm.
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Dates
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Competition.- November 2015.
Ground-breaking.- 8 July 2017.
Deborah Warner’s installation Arcadia / Manchester International Festival.- July 2021.
The venue welcomes its first visitors.- June 2023.
Official opening production for Aviva Studios.- October 2023.
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Location
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Aviva Studios, Water St, Manchester M3 4JQ, United Kingdom.
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Budget
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£99.05m (€113.86 m)from HM Government and £7m (€8.05m) National Lottery funding from Arts Council England.
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Photography
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Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.

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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Ellen van Loon (Rotterdam, 1963) joined OMA in 1998 and became Partner in 2002. She has led award-winning building projects that combine sophisticated design with precise execution. Recently completed projects led by Ellen include the shop-in-shops for Jacquemus at Galeries Lafayette and Selfridges (2022), the temporary showroom in Doha and store on Avenue de Montaigne in Paris for Tiffany & Co. (2022-23), Monumental Wonders exhibition for SolidNature in Milan (2022). Bvlgari Fine Jewelry Show (2021), Brighton College (2020), BLOX / DAC in Copenhagen (2018), Rijnstraat 8 in The Hague (2017), and Lab City CentraleSupélec (2017). Other projects in her portfolio include Fondation Galeries Lafayette (2018) in Paris; Qatar National Library (2017); Amsterdam’s G-Star Raw Headquarters (2014); De Rotterdam, the largest building in the Netherlands (2013); CCTV Headquarters in Beijing (2012); New Court Rothschild Bank in London (2011); Maggie’s Centre in Glasgow (2011); Casa da Musica in Porto (2005) – winner of the 2007 RIBA Award; and the Dutch Embassy in Berlin (2003) – winner of the European Union Mies van der Rohe Award in 2005. Ellen is currently working on The Factory Manchester – a large performing arts venue for the city; the renovation of Kaufhaus des Westens (KaDeWe) Berlin – Europe’s biggest department store – and the design of Lamarr, a new department store in Vienna; and the Palais de Justice de Lille.

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Published on: October 19, 2023
Cite: "An extraordinary setting for the Manchester International Festival. Aviva Studios by OMA" METALOCUS. Accessed
<http://www.metalocus.es/en/news/extraordinary-setting-manchester-international-festival-aviva-studios-oma> ISSN 1139-6415
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