Architecture studio OMA has won the competition to revitalize the historic Selman Stërmasi Stadium and its surrounding area in central Tirana, Albania. The design expands the existing football park and makes it a catalyst for closer connections between different neighbourhoods in the city.

The project reconfigures the stadium, built in 1956, as an integral element of an urban plan connecting the Blloku and Komuna e Parisit neighbourhoods. The stratified composition of this mixed-use development, with new buildings and large open spaces, evokes, according to the architects, Albania's mountainous landscape.

OMA’s design was selected among competition entries by Foster + Partners, FAR frohn&rojas, OFFICE Kersten Geers David Van Severen, and Zaha Hadid Architects.

OMA’s project, led by David Gianotten, comprises the stadium itself, a triangular plaza at its entrance, and new mixed-use spaces including apartments of various sizes, a hotel, offices, retail and F&B. The stadium’s seating capacity is increased from 9,500 to 15,000 and a new arena bowl introduces unobstructed stands and clear lines of sight for spectators, and reduces the distance between the stands and the pitch.

“Football is a cornerstone of urban culture and national identity across Europe and around the world, and we feel it especially intensely here in Tirana.”

Architect David Gianotten, OMA Managing Partner.

The stadium and adjacent buildings frame the open spaces, which are adaptable to match days and everyday life. The triangular plaza can function as a fan zone or a space for spontaneous activities. The new block’s design refers to the Stadium of Amantia, adapting the reference to this Illyrian structure from the third century BCE to a contemporary urban setting. The ancient stadium, built in what is today southern Albania, was characterized by stacked stone slabs and a pitch carved out of its mountainous site. In the new Selman Stërmasi Stadium block, the buildings are clad in natural stone and arranged to form peaks and terraces.

New Selman Stërmasi Stadium by OMA. Rendering courtesy of OMA.

New Selman Stërmasi Stadium by OMA. Rendering courtesy of OMA.

Project description by OMA

OMA’s redesign of the Selman Stërmasi Stadium in Tirana expands the existing football park and inserts it into a new urban block. This transformation enables the stadium to become a catalyst for closer connections between different neighborhoods in the Albanian capital, emphasizing the role of football as common ground for urban culture.

The scheme comprises the stadium itself, which was built in 1956, a triangular plaza at its entrance, and new mixed-use spaces including apartments of various sizes, a hotel, offices, retail and F&B. It connects the upmarket neighborhood of Blloku with Komuna e Parisit, a rapidly developing residential and commercial district. The stadium’s seating capacity is increased from 9,500 to 15,000, and a new arena bowl introduces unobstructed stands and clear lines of sight for spectators while also reducing the distance between the stands and the pitch.

New Selman Stërmasi Stadium by OMA. Rendering courtesy of OMA.
New Selman Stërmasi Stadium by OMA. Rendering courtesy of OMA.

The stadium and adjacent buildings frame the open spaces, which are adaptable to match days and everyday life. The triangular plaza can function as a fan zone or a space for spontaneous activities. Facilities including a playground and multipurpose athletic courts dot the otherwise unprogrammed space to allow for social activities for football fans and neighbors throughout the year.

The new block’s design alludes to the Stadium of Amantia, adapting a reference to this Illyrian structure from the third century BCE to a contemporary urban setting. The ancient stadium, built in what is today southern Albania, was characterized by stacked stone slabs and a pitch carved out of its mountainous site. In the new Selman Stërmasi Stadium block, the buildings are clad in natural stone and arranged to form peaks and terraces, creating an urban mountain range around the pitch. A high-rise residential tower on the triangular plaza, visible from Bulevardi Dëshmorët e Kombit, serves as both a landmark and a modern menhir. The result invokes both classical antiquity and geological time for a new national project in a changing city.

More information

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Architects
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OMA. Partner.- David Gianotten. Associate-in-charge.- Kees van Casteren.

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Project team
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Ana Otelea, Antonie van Vliet, Gerrit Knappers, Jorge Cerdo Schumann, Najla Alayoubbi.

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Collaborators
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Landscape architect.- LOLA Landscape Architects.
Structures, sustainability, cost consultancy.- Royal Haskoning DHV.
Art.- Petrit Halilaj.

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Cliente
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Albania Investment Construction, Diagonal Projektim & Zbatim.

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Area/Dimensions
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Site.- 6 ha. (60,000 sqm.).
GFA.- 120,000 sqm. (excluding basement).
15.000-seat Stadium.- 15,700 sqm.
Residential.- 30,800 sqm.
Retail.- 29,700 sqm.
Offices.- 16,700 sqm. 
Hotel.- 11,900 sqm.
F&B.- 7,900 sqm.
Conference.- 4,800 sqm.
Spa.- 2,500 sqm.

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Dates
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2025.

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Location
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Tirana, Albania.

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Rendering
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Stefania Trozzi, Diego Iacono.

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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. 

OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Simone Veil Bridge in Bordeaux (2024), LANTERN in Detroit (2024), Mangalem 21 in Tirana (2023), Aviva Studios – Factory International in Manchester (2023), Apollolaan 171 in Amsterdam (2023), Buffalo AKG Art Museum in Buffalo (2023), Toranomon Hills Station Tower in Tokyo (2023), Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. 

AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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David Gianotten (The Netherlands, 1974) is the Managing Partner – Architect of OMA globally, responsible for the overall organizational and financial management, business strategy, and growth of the company in all markets, in addition to his own architectural portfolio.

As Partner-in-Charge, David currently oversees the design and construction of various projects including the Taipei Performing Arts Centre; the Prince Plaza Building in Shenzhen; the KataOMA resort in Bali; the New Museum for Western Australia in Perth; the masterplan of Rotterdam’s Feyenoord City and the design of the new 63,000 seat Stadium Feijenoord; and Amsterdam’s Bajes Kwartier, a conversion of a large 1960s prison complex into a new neighborhood with 1,350 apartments.

David led the design and realization of the MPavilion 2017 in Melbourne and the Shenzhen Stock Exchange headquarters. He was also responsible for the end stages of the CCTV headquarters in Beijing. David’s work has been published worldwide and several of his projects have received international awards, including the 2017 Melbourne Design Awards and the CTBUH Awards in 2013. David gives lectures around the world mainly related to his projects and on topics such as the future development of the architectural profession, the role of context within projects, and speed and risk in architecture.

David joined OMA in 2008, launched OMA's Hong Kong office in 2009, and became partner in 2010. He became OMA’s global Managing Partner – Architect in 2015 upon his return to the Netherlands after having led OMA’s portfolio in Asia for seven years. Before joining OMA, he was Principal Architect at SeARCH in the Netherlands.

David studied Architecture and Architectural Engineering at the Eindhoven University of Technology, where he has also served as a professor in the Architectural Urban Design and Engineering department since 2016. Additionally, he serves on the board of the Netherlands Asia Honors Summer School.

 
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Published on: April 8, 2025
Cite: "OMA wins the competition to design the New Selman Stërmasi Stadium" METALOCUS. Accessed
<http://www.metalocus.es/en/news/oma-wins-competition-design-new-selman-stermasi-stadium> ISSN 1139-6415
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