Park Avenue Armory has commissioned artist Ann Hamilton to create a new installation, her first large-scale project in New York City in more than ten years. On view from December 7, 2012, through January 6, 2013, the event of a thread weaves together Hamilton’s exploration of time-based performance, the act of public speaking, and the poetic accumulation of material for which she is best known. Responding to the architecture and social history of the Armory, the participatory installation will feature a field of swings, suspended like pendulums from the drill hall trusses, and incorporate readings, sound, and other live elements that will animate the 55,000-square-foot Wade Thompson Drill Hall.

“The Event of a Thread” draws inspiration from the act of reading aloud and its relation to the varied experiences of speaking, listening, and recording.

Ann Hamilton’s installation “The Event of a Thread” at the Park Avenue Armory, concocts an intricate pulley system that interconnects swings, bells, pulleys, and an enormous white sheet. The largescale swings reminded us of memories as a young child. Many people enjoyed the installation lying down directly below the billowing sheet. Additionally, the graceful arch of the armory was accentuated by the undulating sheet.  Albeit temporary, the sheet became it’s own architectural element in an ethereal, weightless way.  She also manipulates nature by putting pidgeons into cages whilst actors read Aristotle from long, handwritten scrolls.

Over the duration of the exhibition, a succession of attendant readers, two at a time, will read aloud while seated at a table near the drill hall’s entrance. Their live voices will become a constant presence broadcast throughout the installation on a radio bandwidth designed to occupy a single city block, the physical footprint of Park Avenue Armory. Visitors will be provided with radio receivers, enabling them to “carry” the voices as they traverse the installation. On the opposite end of the expansive drill hall, an attendant writer—a quiet presence and visual counterpoint to the readers—will inscribe a response to the radio transmissions, the reading voices, and the room behind them as seen in a mirror reflection.

At the center of the installation, a field of over 40 swings suspended from the hall’s elliptical wrought iron structural trusses will connect via ropes and pulleys to a massive cloth that bisects the space and will be animated by the movement of the swings. The shifting constellations of people gathered and invited to use the swings will create a complex kinetic system and an experience of communal connectivity.

Venue: 643 Park Avenue. New York, NY 10065. USA.
Open Hours: Wednesday, December 5, 2012 – Sunday, January 6, 2013
Tuesdays – Sundays: 12:00pm – 7:00pm. Closed Mondays except December 24 and 31. Closed December 25.

Read more
Read less

More information

Ann Hamilton is a visual artist internationally recognized for the sensory surrounds of her large-scale multi-media installations. Born in Lima, Ohio in 1956, Ann Hamilton received a BFA in textile design from the University of Kansas in 1979 and an MFA in sculpture from the Yale School of Art in 1985. From 1985 to 1991, she taught on the faculty of the University of California at Santa Barbara. In 1992, she established her home and practice in Columbus, Ohio. Since 2001, she has been a Professor of Art at The Ohio State University.

Among her many honors, Hamilton has been the recipient of the Heinz Award, MacArthur Fellowship, United States Artists Fellowship, NEA Visual Arts Fellowship, Louis Comfort Tiffany Foundation Award, Skowhegan Medal for Sculpture and the Guggenheim Memorial Fellowship. She has represented the United States in the 1991 Sao Paulo Bienal, the 1999 Venice Biennale, and has exhibited extensively around the world. Her major museum installations include The Pulitzer Foundation for the Arts, St. Louis; The Guggenheim Museum, New York (2009); Contemporary Art Museum, Kumamoto, Japan (2006); La Maison Rouge Fondation de Antoine Galbert, Paris, France (2005); Historiska Museet, Stockholm, Sweden (2004); MASS MoCA, North Adams, Massachusetts (2003); The Hirshhorn Museum and Sculpture Garden, Washington D.C. (2003, 1991); The Wanas Foundation, Knislinge, Sweden (2002); Akira Ikeda Gallery, Taura, Japan (2001); The Musee d'art Contemporain, Lyon, France (1997); The Stedelijk Van Abbemuseum, Eindhoven, The Netherlands (1996); The Art Institute of Chicago (1995); The Museum of Modern Art, New York (1994); The Tate Gallery, Liverpool (1994); Dia Center for the Arts, New York (1993); The Museum of Contemporary Art, Los Angeles (1988).

Read more
Published on: December 10, 2012
Cite: "The sheer magic of Ann Hamilton" METALOCUS. Accessed
<http://www.metalocus.es/en/news/sheer-magic-ann-hamilton> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...