From Bureau A and Migrant Garden's hand, we bring this reflexive project about hoz much invasive can be the architecture.

Migrant Garden exhibition includes 40 nest birds designed by architects and designers from all around the world. It takes place in the cloister of the ancient Caserma della Neve, converted into the new Faculty of Architecture of Piacenza. The idea stems from the interest of promoting environmental care and non-invasive architecture.

Description of the installation by Bureau A

Architecture is, by definition, invasive. It occupies and takes over what is already there. Building is destroying. Despite Heidegger’s definition, where space and therefore architecture is defined as the art of “spacing”, liberating, it seems that architects have primarily been concentrated on the opposite activity. We have focused our work on enclosures, throwing hermetic objects into the city fabric.

Enclosure was the main preoccupation of zoo manager and revolutionary zoo thinker Carl Hagenbeck. In 1907, he opened a zoo in Stellingen, near Hamburg, based on the principles he had developed: a naturalistic milieu where barriers had been made invisible and animals could be seen in a reenacted natural environment. Living creatures were observed by the visitors in a panoptical display replicating their natural habitat. This new model remained an important reference and is nowadays the most common in zoos around the world. The fate of many animal species, being a mere entertainment for mankind while avoiding any contact, was influenced by this model.

Glass panels held, in architectural modernity, the promise of freedom and democracy through transparency. We now know for a fact that glass can be a pervert enclosure device, forcing transparency, presenting the inside world as a show window, as a Hagenbeck cage. 

Some living spices occupy the ground, the earth on which our buildings and cities sit upon. They exist before the arrival of architecture. They live and create what we call dirt, sometimes event disgust. They reproduce themselves continuously. Here they are caged inside the glass, threatening to invade the world, eventually breaking the transparent enclosure. Our lives sit on the hope that the birds will visit the glass cage, frequently, to perpetuate the cycle of life. 

Migrant Garden

"Migrant Garden" is a non-profit project initiated and supported by the Politecnico di Milano, whose proceeds will be donated to charity projects in support of the environment.

The installation consists of 40 bird nests, designed by 40 selected professionals. The models will be arranged in the Faculty campus garden in Piacenza. The 4 provided conferences planning to invite some Italian and international architects to exhibit their projects at the Faculty of Architecture of Piacenza of the Milan Polytechnic.

Migrant Garden aims to promote an architectural culture attentive to issues of the environment, the landscape and the protection of cultural heritage. Migrant Garden supports the need for dialogue and debate within the Faculty of Architecture. Migrant Garden promotes culture as horizontal value. Migrant Garden highlights the need participation and proactivity by students within italian and international universities.

Text.- Bureau A

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BUREAU A. Founded in 2012 by the association of Leopold Banchini and Daniel Zamarbide. Architects by training BUREAU A is a multidisciplinary platform aiming to blur the boundaries of research and project making on architectural related subjects, whichever their nature and status.

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Leopold Banchini was born in Geneva in 1981 and is an architect graduated from the EPFL (Ecole Polytechinique Fédérale de Lausanne). He is also Master in Architecture from the University of Lausanne (2007) and graduate of the Glasgow School of Art (2004).

Is a visiting professor in the HEAD (Haute Ecole de Design et) in Geneva since 2010 and Assistant Professor at the EPFL since 2009. He has also been Archozoom project designer in 2009.

Has been placed in Lot / ek Architects (New York) between the years 2004/2005, as an assistant project Art Basel (Basel) in 2005, and as a project partner of the collective Atelier Van Lieshout (AVL) that same year in Rotterdam.

He has developed his work as an architect in b720 Arquitectos (Barcelona) during the years 2007 and 2008, and Group8 Architects (Geneva) in 2009.

In addition, since 2008 part of 1to100 Architects, and architectural collective based in Geneva. Its members have been active and decisive parts in projects such as the winning participation of Bahrain at the last Venice Biennale - RECLAIM Golden Lion 2011, exhibitions such as The Gulf - OMA-AMO's participation at the Venice Biennale 2007 and publications such as AMO-Rem Koolhaas's Al Manakh. Parallel to that, they conduce many different operations ranging from architecture, to journalism, until urban design. They have teaching positions at the EPFL and the University of Arts and Design in Geneva.

Its aim is to take position and initiate reflexions upon our contemporary environment.

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BUREAU, is the new project by Daniel Zamarbide. The practice hides under its generic name a variety of research activities. BUREAU makes things as an urge to react to the surrounding physical, cultural and social environment with a critical standpoint and with an immersive attitude. BUREAU is (in 2017) a furniture series, an editorial project, a design team, they are architects.

Daniel Zamarbide obtains his master degree at the Institut d’Architecture de l’Université de Genève (IAUG) in 1999. During his studies he followed the workshops of Christian Marclay, Philippe Parreno and Catherine Queloz at the École Supérieure des Beaux Arts in Geneva.

In the year 2000 he becomes one of the founding members of group8, an architectural practice that has acquired an important national and international recognition.


Daniel Zamarbide has developed through the years a particular interest in the protean aspects of his discipline and nourishes his work and research through other domains like philosophy, applied and visual arts as well as cinema.

As a guest lecturer and jury he has been invited at a diversity of international schools and institutions to present and discuss his work and research.

Since 2003 his interest in research and education has led him to be invited as an assistant in the École Polytechnique Fédérale de Lausanne (EPFL) and as a professor (2000-14) at the Haute École d’Art et de Design (HEAD) in Geneva. In 2014, he integrates the team of ALICE Lab (Dieter Dietz) at the École Polytechnique Fédérale de Lausanne (EPFL) as a guest professor and research director.

In 2012, Daniel leaves group8 to start a new practice with Leopold Banchini, architect. Their practice, BUREAU A has explored during 5 years the possibilities of architectural making in a great variety of formats, opening the practice to work in the fields of art, garden and landscape architecture, exhibition design, temporary architecture and object making.

In 2017, following the dissolution of BUREAU A, Daniel Zamarbide pursues his more personal research interests under the name of BUREAU. This new entity produces architecture in the continuity of BUREAU A and incorporates to his already prolific activities furniture design (with a design brand of the same name) and an editorial project, which launches the first publication in June 2017.

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Published on: September 14, 2015
Cite: "The revenge of the worms by Bureau A" METALOCUS. Accessed
<http://www.metalocus.es/en/news/revenge-worms-bureau-a> ISSN 1139-6415
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