On the occasion of the centenary of the architect Ramón Vázquez Molezún, the COAM (Official Association of Architects of Madrid) and the COAM Architecture Foundation have organized an exhibition to review the life and work of this fundamental reference architect for Spanish architecture in the second half the last century.

The exhibition has been made possible thanks to documents collected since 2014 by COAM and its foundation and personal material donated by his family.

The exhibition includes his professional career in architecture, for decades forming the most modern professional couple in Spanish architecture with José Antonio Corrales, but also his interest and practice in other artistic fields such as painting, engraving and object design, among others.
Ramón Vázquez Molezún's architecture was characterized by not obeying theoretical discourses or closed stylistic lines, but by its more open, artistic and craft nature, among which it is important to highlight: his qualities and pictorial concerns, his ability as a draftsman and the great influence always present in his works of geometry.

The architect not only implemented these influences in his works, but also his experiences and his personal relationships, generating a complex hybridized world of interferences that enriched all of his work. Throughout his life he would never stop innovating, investigating, dreaming and wanting to discover new scenarios and landscapes in a risky and innovative way.

The exhibition, which is made up of and divided into 5 sections, aims to guide the visitor through a set made up of his photographs, paintings or plans that form a whole and allow us to get closer to his way of thinking and better understand his life, his personality and his incredible career path as an architect.


Centro de Segunda Enseñanza, Herrera de Pisuerga, Palencia, 1954, José Antonio Corrales and Ramón Vázquez Molezún.


Vivienda Refugio La Roiba, Bueu, Pontevedra, 1967, Ramón Vázquez Molezún.


Banco Pastor Building, Madrid, 1972, José Antonio Corrales, Rafael Olalquiaga, Gerardo Salvador Molezún and Ramón Vázquez Molezún. Photograph by Luis Asín.
 

Description of project by María Molezún and Pablo Olalquiaga (curators)

Molezún spent his whole life pursuing and searching for new scenarios that would allow him to continue learning and advancing, fearlessly, courageously, and with an insatiable desire to discover.

The story presented here is a biography told in drawings, photographs, and plans, combining the personal, the artistic, and the architectural as parts of an inseparable unity. The viewer is invited to visualize the exhibition through a graphic journey, a succession of five chapters, called "landscapes", which allude to the different contexts and nuances that have been decisive in his life and that have characterized his architecture:

1. His Galician and Atlantic origins determine his personality and are expressed in his work, the sea and the marine, the galleries of A Coruña, nature, Galician materials, and light are glimpsed in his artistic, pictorial, and architectural production. In Madrid and Rome, he lived an intense academic experience, full of travels and experiences. In Italy he got to know classical architecture as well as the modernity of Gio Ponti, he shared and learned from other artists. Through his travels through Europe and the United States, he discovered the architectural avant-garde, an apprenticeship that would mark his life and would continue through his travels, his collaborations and friendships, and the evolution of his own architectural creation.

2. Molezún's first projects, developed between Rome and Madrid, radiate freedom and great expressiveness. All of them contain the germ of his later work and are the basis of his maturity. His first works and collaborations, especially with José Antonio Corrales, mark a milestone in his professional career, achieving success and international prestige.

3. At the end of the 1950s, the city underwent a transformation and new opportunities arose for intervention in the territory. Molezún researches and intervenes in the construction of the Poblados Dirigidos in Madrid, and takes part in the numerous urban competitions held in the 1960s and later in the first tourist developments on the coast, where landscape integration is paramount. Urban landscapes with singular institutional architectures and peripheral landscapes with industrial and office buildings.

4. Molezún was an architect of ingenuity, but above all of the craft.  He exercised it with mastery from the gestation process, with a careful elaboration and mastery of the construction technique, and giving special importance to the context, orientation, and geometry. His projects and designs are recovered, where his modes of operation are revealed, from his first sketches and diagrams to the elaboration of the construction plan, with the same intensity in the compositional resolution of an elevation as in the finishing touches of construction detail.

5. The epilogue of this biographical account culminates with the exhibition of his most personal works: his family refuge in La Riba where he displays all his architectural skills. Freedom and respect. Dialogue and heterodoxy. Functionality and style. Comfort and experimentation. Without complexes, without prejudices. Like its architecture.

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Architect
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Curators
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María Molezún and Pablo Olalquiaga.
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Dates
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30.09.2022 - 15.01.2023.
Opening 05.09.2022
Between September 30 and October 16 and in a second stage from November 15 to January 15.
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Location
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COAM, Colegio Oficial de Arquitectos de Madrid (Bandeja 1 y 2.- planta acceso), C. de Hortaleza, 63, 28004 Madrid, Spain.
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Ramón Vázquez Molezún. He was born on September 2, 1922, in Coruña, at the age of 19 he moved to Madrid to study architecture, graduating from the ETSAM in 1948. He obtained the Grand Prix of Rome in 1949 and is a pensioner of Architecture at the Academy of Spain in Rome, where it remains until 1953.

In 1954 he received the National Prize for Architecture and began his collaboration with José Antonio Corrales, building the Secondary Education Center in Herrera de Pisuerga, Palencia. His success in the Competition for the Spanish Pavilion at the Universal Exhibition in Brussels in 1958, drives this union that will be consolidated throughout his professional career. In 1957 he married Janine Martínez-Anido. Already installed in Madrid, on Bretón de los Herreros street, where several friends and colleagues meet, De la Sota, Corrales, García de Paredes, Carvajal and Carlos de Miguel, the collaborations are reinforced until they become their usual way of working.

In 1958 he joined the Construction Department of the National Institute of Industry (I.N.I.) and made a study trip to North America selected by the International Congress of Archives (I.C.A.)

The decades of the 60s and 70s are the most prolific, both at a productive and symbolic level, he participates in numerous competitions and carries out the most relevant works, most of them in the company of Corrales, such as the Reader's Digest building (1963) and Profidén in Madrid (1964), Casa Huarte in Puerta de Hierro in 1966, the Bankunión buildings in 1970 and Banco Pastor in 1972, among others.

In the field of land use planning, he intervenes in the directed and absorption settlements in Madrid, Fuencarral, Almendrales, and San Blas and in the General Urban Planning Plan of La Coruña, with José Antonio Corrales and José María Pagola. In addition to the contests, Actur de Lacua, Huerta del Rey, and Alameda de Málaga, he participated together with José Antonio Corrales in the first tourist promotions in La Manga del Mar Menor initiated through the Huarte Group.

Starting in 1978, with the First Prize in the Competition for the Port of Sotogrande, Cádiz, together with Rafael Olalquiaga, his activity will focus on various projects in the south. He continues his collaboration with Corrales, more sporadically, in competitions and institutional buildings for the Bank of Spain, in Madrid and Badajoz, and maintains the connection with his hometown, La Coruña, where he carries out some residential buildings of interest, such as the houses of official protection in Palloza with Olalquiaga and Salvador Molezún, or the residential complex in Oleiros in 1976 also in collaboration with Gerardo Salvador Molezún. The project for the headquarters of the Barrié de La Maza foundation, begun in 1978, would last until the 1990s, being completed by his collaborators after his death.

Molezún develops in parallel and, generally alone, numerous single-family homes, expanding experimentation with different materials and rigging, large roofs and chimneys, fueling the influence of Wright and Aalto.

The most personal and representative example of his individual work is, without a doubt, the La Roiba refuge house, in the Pontevedra estuary, built between 1967 and 1969, a work that adapts to the place and transforms over time, where its office and reflects his character.

Together with José Antonio Corrales, he made his last collaboration with the competition for the Spanish Pavilion at Expo 92 in Seville and later received the 1992 Gold Medal for Architecture in honour of his joint professional career.
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José Antonio Corrales and Ramón Vázquez Molezún worked together since 1952 in numerous projects such as the Spanish Pavilion at the Universal Exhibition in Brussels in 1958. They were one of the most important and fruitful Architecture teams in Spain during the second half of the 20th century thanks to their powerful, rigorous and very expressive architecture. They received 1st Prize for the Spanish Pavilion at the Universal Exhibition in Brussels in 1958, with which they achieved international success, and the Architecture Gold Medal (CSCAE) in 1992, among other many prizes.

Their work was extensive and included projects such as the Public Library for the city of Tehran, Iran's capital, which was never built due to the fall of the Shah Reza Pahlavi in ​​1979. The Spanish Pavilion at the International Exhibition of Brussels in 1958, a proposal based on attached hexagons which was later rebuilt in the grounds of Casa de Campo in Madrid. Another of their main works was the Elviña urbanization in La Coruña. This urbanization was very avant-garde at the time, but is now deteriorated after several actions that have disintegrated some of its tectonic components. The colonization town Llanos del Sotillo in Andujar (Jaen). House in Miraflores de la Sierra and Casa Huarte (Madrid). House for writer Camilo José Cela (Palma de Mallorca). Hotel in Sotogrande (Cadiz).

José Antonio Corrales Gutiérrez was born in Madrid in 1921. At age 27, in 1948, he graduated in Architecture from the School of Architecture of Madrid. That same year he won the National Architecture Prize. In 1961 he became professor at the Superior Technical School of Architecture of Madrid. Later on, after some time away from teaching, he went back in 1981 to the School of Architecture of Madrid. He was Academic by the Real Academia de Bellas Artes de San Fernando, and received the Antonio Camuñas Award in 2004. In 2001 he received the National Architecture Award for his life achievements. He died in Madrid in 2010.

Ramón Vázquez Molezún was born in A Coruña in 1922. He graduated as an Architect from the School of Madrid in 1948. Between 1949 and 1952 he studied in Rome with a grant from the Academy of Spain. Over the next two years he received several awards, including the National Architecture Prize in 1954. In 1952 he started a fruitful working relationship with architect José Antonio Corrales, which would last until his death in 1993 in Madrid.

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Published on: September 30, 2022
Cite: "Paisajes, exhibition on Ramón Vázquez Molezún at COAM" METALOCUS. Accessed
<http://www.metalocus.es/en/news/paisajes-exhibition-ramon-vazquez-molezun-coam> ISSN 1139-6415
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