Diller Scofidio + Renfro (DS+R) and Woods Bagot have released updated concept design renderings after feedback from the Centre’s Aboriginal Records Group (ARG). Earlier this year, in February, the architects unveiled the first progress of the project, having won it in an international competition in 2018, on a plot that is part of the Lot Fourteen, an innovation district that stands in the old site of the Royal Adelaide Hospital.

The project tries to be respectful with the place where it will rise, which for millennia, the land was the domain of the Kaurna people, a fact that is showed by the development’s website: “Lot Fourteen is located on the traditional lands of the Kaurna people. We acknowledge the cultural authority of the Kaurna people, and respect their enduring spiritual relationship with and responsibility for their Country. We also extend acknowledgment and respect to all other First Nations people and communities of Australia.”
Grounded on Kaurna land, the design narrative of the 11,500 square metre building in Adelaide, Australia, is based on the deep Aboriginal connection to country, place and kin, with connected layers being the foundation of the design.

The main changes, by team lead by Diller Scofidio + Renfro (DS+R) and Woods Bagot, reinforce the project’s commitment to evincing a strong connection to the earth. The columns were redesigned so that they “appear to grow from out of the ground.” A new more porous indoor-outdoor space at the ground floor lets the landscape of the neighboring Adelaide Botanic Garden deep into the building. A round amphitheater carved into the soil connects the interior to the site through large windows and an outdoor gallery.
 
“Through deeper and wider engagement via the Aboriginal Reference Group, our design speaks to and embraces Aboriginal shared values and references forms found in Aboriginal art and cultures. Wholly connected to the landscape, the design embeds the lower ground level into the site and includes an outdoor gallery cantilevered over the terraced landscape.”
DS+R partner Charles Renfro in a statement.

The building envelope was also updated to strengthen its reference to aboriginal culture. A metal skin, pleated at ground level, rises with the columns and curves to form the facade. In places, the metal skin peels back to reveal windows that will offer views from the upper-floor galleries.

The architects and developers sought to place at the center of the project the Adelaide’s Aboriginal population made up of a conglomerate of different small groups known as Nunga that includes the Kaurna, a people whose pay special attention to earth stewardship and its spiritual connections.

Construction is slated to begin in the fall or winter with a completion date expected for early 2025.

More information

Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Woods Bagot is a People Architecture company. They place human experience at the centre of their design process in order to deliver engaging, future-oriented projects that respond to the way people actually use space. They do this as a global design and consulting studio with a team of over 850 experts working across 17 studios in Australia, Asia, Europe, the Middle East and North America.

Their Global Studio model allows them to work collaboratively across time zones and borders, using the latest technology to share design intelligence and strengthen their knowledge base around the world.
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Published on: August 11, 2021
Cite: "New redendrings, Center for Aboriginal Art and Cultures by Diller Scofidio + Renfro and Woods Bagot " METALOCUS. Accessed
<http://www.metalocus.es/en/news/new-redendrings-center-aboriginal-art-and-cultures-diller-scofidio-renfro-and-woods-bagot> ISSN 1139-6415
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