The Adelaide Contemporary competition, for a new art space on Adelaide’s North Terrace, has selected the proposal designed by Diller Scofidio + Renfro and Woods Bagot, because reconciled the brief for a dynamic people-friendly new place with a skilfully-organised gallery, while also incorporating a performance lab, a dramatic ‘Super Lobby’, floating top-floor sky galleries and a suspended rooftop garden. The garden, inspired by ‘Minkunthi’, the Kaurna word ‘to relax’, would display the planting of a pre-colonised South Australian landscape, linking the idea of the contemporary to Kaurna ecological and cultural history.
The building was described by the team in their presentation as a charismatic soft beacon on North Terrace that would reflect the sky by day and, at night, glow with galleries – allowing visitors to glimpse the art collection as they passed the building outside formal opening hours and, in this sense, ‘giving the art back to the city’.
The nine-strong international jury, chaired by Michael Lynch AO CBE, found the concept design to be resonant to Adelaide, and its famous festival culture, promising to create spectacle and attract new audiences with dynamic, multipurpose spaces while also displaying a sound understanding of current art practice and offering a flexible but distinctive gallery configuration on a nine-square model.
The decision follows a seven-month global search for an outstanding team to design a new cultural destination on part of the former Royal Adelaide Hospital (oRAH) site. The competition attracted submissions from 107 teams made up of circa 525 individual firms from five continents.
The new gallery and public sculpture park is envisaged as one of the most significant new arts initiatives of 21st-century Australia, providing a national focal point for Aboriginal and Torres Strait Islander art and cultures as well as new spaces for major exhibitions, and the opportunity to unlock the hidden treasures of South Australia’s State collections.
The runner-up teams were (in alphabetical order): Adjaye Associates (London, UK) and BVN (Sydney, Australia); BIG – Bjarke Ingels Group (Copenhagen, Denmark) and JPE Design Studio (Adelaide, Australia); David Chipperfield Architects (London, UK) and SJB Architects (Sydney, Australia); HASSELL (Melbourne, Australia) and SO-IL (New York, USA); and Khai Liew (Adelaide, Australia); Office of Ryue Nishizawa (Tokyo, Japan) and Durbach Block Jaggers (Sydney, Australia).
The building was described by the team in their presentation as a charismatic soft beacon on North Terrace that would reflect the sky by day and, at night, glow with galleries – allowing visitors to glimpse the art collection as they passed the building outside formal opening hours and, in this sense, ‘giving the art back to the city’.
The nine-strong international jury, chaired by Michael Lynch AO CBE, found the concept design to be resonant to Adelaide, and its famous festival culture, promising to create spectacle and attract new audiences with dynamic, multipurpose spaces while also displaying a sound understanding of current art practice and offering a flexible but distinctive gallery configuration on a nine-square model.
The decision follows a seven-month global search for an outstanding team to design a new cultural destination on part of the former Royal Adelaide Hospital (oRAH) site. The competition attracted submissions from 107 teams made up of circa 525 individual firms from five continents.
The new gallery and public sculpture park is envisaged as one of the most significant new arts initiatives of 21st-century Australia, providing a national focal point for Aboriginal and Torres Strait Islander art and cultures as well as new spaces for major exhibitions, and the opportunity to unlock the hidden treasures of South Australia’s State collections.
The runner-up teams were (in alphabetical order): Adjaye Associates (London, UK) and BVN (Sydney, Australia); BIG – Bjarke Ingels Group (Copenhagen, Denmark) and JPE Design Studio (Adelaide, Australia); David Chipperfield Architects (London, UK) and SJB Architects (Sydney, Australia); HASSELL (Melbourne, Australia) and SO-IL (New York, USA); and Khai Liew (Adelaide, Australia); Office of Ryue Nishizawa (Tokyo, Japan) and Durbach Block Jaggers (Sydney, Australia).
