The exhibition, at galería Ivorypress, Madrid, guides us through the career of this American artist and architectural designer of Chinese heritage, with works and projects produced in the past decade as well as sketchbooks and preliminary studies. In her work, Lin approaches landscapes from an environmentally conscious perspective, outlining a critical reflection on the negative consequences of humankind’s carbon footprint.
William Fox, one of the authors of the texts for the show’s catalogue, says ‘Maya Lin has long had a serious knack for dragging us into geomorphology with great sensuous pleasure’. In her works the artist has ‘amassed tens of thousands of individual pieces of wood into large topographies, cast the courses of major rivers in shimmering bathymetries of recycled silver and sculpted the successive disappearance of lake waters with tabletop terraces of marble’. This personal interpretation of landscape and orography is evident in some of the works that will be on show at Ivorypress, such as Greenwich Mean Time , 2013; Wire Landscape (Everest) , 2012 and Blue Lake Pass , 2006.
William Fox, one of the authors of the texts for the show’s catalogue, says ‘Maya Lin has long had a serious knack for dragging us into geomorphology with great sensuous pleasure’. In her works the artist has ‘amassed tens of thousands of individual pieces of wood into large topographies, cast the courses of major rivers in shimmering bathymetries of recycled silver and sculpted the successive disappearance of lake waters with tabletop terraces of marble’. This personal interpretation of landscape and orography is evident in some of the works that will be on show at Ivorypress, such as Greenwich Mean Time , 2013; Wire Landscape (Everest) , 2012 and Blue Lake Pass , 2006.
Furthermore, some of the works have been produced specifically for the exhibition. This is the case of Glaciers , 2014, which are made of Macael marble and the two Pyrenees tables, 2014, made of wood and the other one of marble. Together they emulate the Pyrenean mountain chain.
Another of the works that will be exhibited at Ivorypress is Pin River Tagus Watershed , from her series The Pin River , in which Lin uses hundreds of thousands of pins to create shapes in the space. ‘These large yet delicate pieces represent water in a multiplicity of states—rivers and lakes, but also the storm surge of a hurricane’, Fox describes. ‘The pins assemble into even more complex representations of hydrology, their permeable boundaries allowing us to imagine how the meeting of ground and water changes shape in response to local and global conditions.’
When.- 16 September to 1 November 2014. Opening with the presence of the artist: 16 September at 7:30 p.m.
Where.- Ivorypress Press. C/ Comandante Zorita 46-48. 28020 Madrid. Spain.
Where.- Ivorypress Press. C/ Comandante Zorita 46-48. 28020 Madrid. Spain.