In this video architect Liz Diller talks about the New York park ‘The High Line’, a project that she has been part of from the beginning, and which proves “the hypothesis that a really strong public amenity can actually change the economics of a whole area.”

“The high line, if it’s about anything, it’s about nothing, about doing nothing. You can walk and sit, but you can’t be productive.” Experience New York City from plus 30 feet, in this interview with architect Liz Diller about the ‘The High Line’.

Part of the beauty of the park is that it came out of sheer naivety, adds Diller: “It’s good to have a little bit of knowledge and not too much.” The High Line project couldn’t have happened without the right people, the right time and the right administration.

Liz Diller is one of the three partners of Diller Scofidio + Renfro, an interdisciplinary design studio based in New York City. Diller is a Professor of Architecture at Princeton University and a former graduate from the Cooper Union School of Architecture.

The High Line is a 1-mile (1.6 km) park in New York City built on a section of the elevated former railroad spur running along the lower west side of Manhattan. The design of The High Line park is a collaboration between James Corner Field Operations, Diller Scofidio + Renfro, and planting designer Piet Oudolf. The first part opened to the public in 2009.

The High Line railroad opened in 1934. Designed to go through the center of blocks, rather than over the avenue, it allowed trains to roll right inside buildings and connect directly to factories and warehouses. The last delivery, of three carloads of frozen turkeys, was made in 1980.

In 1999, the non-profit Friends of the High Line was formed by two residents of the local neighborhood, who advocated for the Line's preservation and reuse as public open space, an elevated park or greenway, similar to the Promenade Plantée in Paris (completed in 1993).

In 2001, photographer Joel Sternfeld published the book "Walking the High Line" which documented the dilapidated conditions and the natural flora of the High Line between 2000 and 2001.

CREDITS.

Liz Diller was interviewed by Jesper Bundgaard.
Photography and editing by Per Henriksen.
Music by P.Tiehuis and T.Monk.
Produced by Christian Lund.
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014.
Supported by Nordea-fonden.

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Elizabeth Diller, (Poland,1954), is a partner of Diller Scofidio + Renfro (DS+R). Alongside partner Ricardo Scofidio, Diller’s cross-genre work has been distinguished with TIME’s "100 Most Influential People" list and the first MacArthur Foundation fellowship awarded in the field of architecture.

Elizabeth Diller has also received the Wolf Prize in Architecture. Most recently, she led two cultural works significant to New York: The Shed and the expansion of MoMA. Diller also co-created, -directed and -produced The Mile-Long Opera, an immersive choral work staged on the High Line. Diller is a member of the UN Council on Urban Initiatives and a Professor of Architectural Design at Princeton University.

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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Published on: February 24, 2014
Cite: "Liz Diller: A moment of supreme nothingness" METALOCUS. Accessed
<http://www.metalocus.es/en/news/liz-diller-a-moment-supreme-nothingness> ISSN 1139-6415
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