The study Atelier 37.2 has designed a sculptural installation in the mountains of the Auvergne region.

"The Nature in the volcanic region of Auvergne has something definitely sacred. It seems to be invisibly linked with the idea of art. Our approach, as artists, is to search this specific nature in order to let the fear, the mystery, the metaphysical and spiritual questioning appears from the volcanic memory".

A gigantic skeleton has arisen from these excavations of the Puy de Serveix ‘summit. It draws a backbone along the peak of the mountain. Though it recalls the shape of a mammoth, its dimension – more than a 100 meters long – exceeds the biggest dinosaur’s skeleton ever discovered (25 meters long). It belongs to an unknown specie. This discovery is a poetic and phantasmagorical interpretation of this specific natural environment.

This monumental sculpture draws a narrative correspondence between Nature and Art. The idea is to set up an enigma within the landscape creating a deep impact upon the spectators’ imagination. He will be driven to search the depth and the mystery of our origins.

This artwork has been designed according to the scale of the magnificent landscape. It has to be observed from a certain distance and tend to disappear when ones comes to close. A viewpoint indicator – 300 meters from the summit – goes with this sculpture.

Despite its monumental dimensions, this work is extremely simple and does not include any technical prowess. The whole plant is built of wood assembled differently depending on the needs of different parts of the instalation:

- elements named A and C (the vertebrae of the tail and head) consist of blades of two meters long, planted in the ground like fence posts pastures.
- elements named B (ribs) consist of blades of 2 to 4 meters long, assembled together, and strongly fixed over the slopes of the pastures.
- element D (defense) consists of several elements in wood frame, assembled and painted in ivory-white. Two types of fasteners have been planned: one on the ground at the base of the defense, and a tie rod at the top. In the middle the defense rests on the ground and adapts to the slope according to the site and the specific location.

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ATELIER 37.2 is the result of an encounter between Italian architect, Francesca Bonesio and French photographer / art director, Nicolas Guiraud. It is a micro-architecture studio whose production and resarch are centred on the relational and narrative potential of space. 37.2 develops: Small-scale architecture projects for any kind of scene (private, public, individual, collective, social, spiritual) and spatial installations more specifically designed for artistic and cultural institutions as well as for the public space.

Francesca Bonesio was born in 1976 in Torino, Italy. She has an M.A. in Architecture (2001) and a P.h.D. (2007) in Architectural Restoration from the Politecnico of Turin, where she teaches as studio assistant on the faculty of architecture. Between 2001 and 2008, she worked for different architectural studios in Turin and in Paris.

Nicolas Guiraud was born in 1970 in Bayonne, France. He graduated with a degree in Economics and Philosophy. He worked with Magnum Photos between 1995 and 2007, where he becomed Creative Director in 2000. He founded two reviews for Magnum Photos : "M" and "Fashion magazine". Since 2001 he combines Photography (Documentary and Fine art) and Art Direction. He has exhibited his photographic work at the Arles Photos Festival, the Palais de Tokyo and Colette. He published "50 0fficial Portraits", a book about homeless people shot in studio in Paris.

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Published on: July 2, 2012
Cite: "Arteologie by Atelier 37.2." METALOCUS. Accessed
<http://www.metalocus.es/en/news/arteologie-atelier-372> ISSN 1139-6415
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