Ghotmeh leads her practice Lina Ghotmeh — Architecture in Paris, France, where she develops projects at the intersection of architecture, art, and design, on a global scale. Considerate of social conditions, environments and materials, her works take an in-depth 360° approach, including thorough research on location history, typology of the place, materials, resources, and users’ habits.
Inspired by nature and echoing the grounds and canopies of the trees and its surroundings, the 2023 Serpentine Pavilion will be titled "À table", inspired by the French call to sit together at a table, alluding to a sense of unity with the form of its structure and an organic design of a table as well as seating formation inviting human interactions.
Inspired by nature and echoing the grounds and canopies of the trees and its surroundings, the 2023 Serpentine Pavilion will be titled "À table", inspired by the French call to sit together at a table, alluding to a sense of unity with the form of its structure and an organic design of a table as well as seating formation inviting human interactions.
“À table is an invitation to dwell together, in the same space and around the same table. It is an encouragement to enter into a dialogue, to convene and to think about how we could reinstate and re-establish our relationship to nature and the Earth.
The Earth that embraces us is our first source of sustenance; without it, we living beings, could not survive. Rethinking what and how much we eat – how we ‘consume’ and how we weave our relationships to one another and the living world – moves us towards a more sustainable, eco-systemic communion with the Earth. Our ‘cuisine’ grounds us home; it reminds us how linked we are to the climates in which we grew up. As a Mediterranean woman, born and raised in Beirut, and living in Paris, I feel a deep belonging to our ground, to what it contains, and to what it embraces: from the buried yet weathering archaeologies of past civilisations to the embedded living world that spurs green life to sprout from every crack in the streets.
In my practice as an architect, I excavate to design (and learn) from the traces of the past and I listen to the voices of my ancestors as well as those of our living world. These voices vividly resonate with future structures as ways to influence and challenge tomorrow’s architecture.
In today’s changing times, this Pavilion offers a celebratory space. It is endowed with a table, around which we will sit together in a modest, low structure and in an atmosphere reminiscent of Toguna huts of the Dogon people in Mali, West Africa, designed to bring all members of a community together in discussion. Here we can eat, work, play, meet, talk, rethink, and decide.
Built with bio-sourced and low-carbon materials, the structure appears like a skeleton. Sustainably sourced timber ribs are arranged to support a suspended pleated roof. Echoing the structures of tree leaves, the Pavilion embraces the nature of the park in which it emerges. Reminding us of the many lives blossoming beneath our feet, the concave lines of its perimeter are drawn from the forms in the stems and canopies of adjacent trees.
While rooted in its place and welcoming the space of the park with its open gallery-like envelope, the Pavilion grows as an adaptable system. It can be disassembled and reassembled, allowing it to live beyond its Serpentine site while holding the memory of its original ground.”
The Earth that embraces us is our first source of sustenance; without it, we living beings, could not survive. Rethinking what and how much we eat – how we ‘consume’ and how we weave our relationships to one another and the living world – moves us towards a more sustainable, eco-systemic communion with the Earth. Our ‘cuisine’ grounds us home; it reminds us how linked we are to the climates in which we grew up. As a Mediterranean woman, born and raised in Beirut, and living in Paris, I feel a deep belonging to our ground, to what it contains, and to what it embraces: from the buried yet weathering archaeologies of past civilisations to the embedded living world that spurs green life to sprout from every crack in the streets.
In my practice as an architect, I excavate to design (and learn) from the traces of the past and I listen to the voices of my ancestors as well as those of our living world. These voices vividly resonate with future structures as ways to influence and challenge tomorrow’s architecture.
In today’s changing times, this Pavilion offers a celebratory space. It is endowed with a table, around which we will sit together in a modest, low structure and in an atmosphere reminiscent of Toguna huts of the Dogon people in Mali, West Africa, designed to bring all members of a community together in discussion. Here we can eat, work, play, meet, talk, rethink, and decide.
Built with bio-sourced and low-carbon materials, the structure appears like a skeleton. Sustainably sourced timber ribs are arranged to support a suspended pleated roof. Echoing the structures of tree leaves, the Pavilion embraces the nature of the park in which it emerges. Reminding us of the many lives blossoming beneath our feet, the concave lines of its perimeter are drawn from the forms in the stems and canopies of adjacent trees.
While rooted in its place and welcoming the space of the park with its open gallery-like envelope, the Pavilion grows as an adaptable system. It can be disassembled and reassembled, allowing it to live beyond its Serpentine site while holding the memory of its original ground.”
Lina Ghotmeh, Architect.
Placing nature, the organic and sustainability at its core, Ghotmeh’s Pavilion will be designed to minimise its carbon footprint and environmental impact, in line with Serpentine’s sustainability policy. The predominantly timber structure will be lightweight and fully demountable, with a focus on sustainably sourced materials and the reusability of the structure after its time installed at Serpentine.
Throughout the Summer, the Serpentine Pavilion 2023 will become a platform for Serpentine’s programme which will feature Park Nights, the interdisciplinary platform for live encounters in music, poetry, spoken words, and dance, running alongside Serpentine’s Education and Civic activations. This year’s Pavilion selection was made by Serpentine Artistic Director Hans Ulrich Obrist, CEO Bettina Korek, Director of Construction and Special Projects Julie Burnell, Director of Curatorial Affairs and Public Practice Yesomi Umolu, and Curator at Large Natalia Grabowska together with advisors Sir David Adjaye OM OBE and David Glover. In 2022, Sir Adjaye was appointed to the Order of Merit, selected by Her Majesty the Queen, in recognition of distinguished service in the armed forces, science, art, literature, or for the promotion of culture.
Serpentine would also like to acknowledge the work and dedication of the late architect Richard Rogers to this yearly commission. Rogers was an integral part of the Serpentine Pavilion team and served as an Advisor since 2017.
The Pavilion is supported by Goldman Sachs with additional support by Saint-Gobain.
