Adjaye Associates featured renderings of The Africa Institute, a complex defined by large courtyards sit between five high-rise blocks, a project sit in the Al Mankah neighbourhood, in downtown Sharjah, United Arab Emirates.

The complex will be the first center of its kind dedicated to the advanced study, documentation and research of Africa and the African diaspora in the Arab world. Slated for completion in 2024.
"I envision the new campus as a springboard, connecting and embodying the incredible history of Africa, the African diaspora, and the Arab world."
David Adjaye
 
Adjaye Associates' design comprises a red-hued complex of five monolithic high-rise blocks will be elevated on 31,882-square-metre campus. Four of them new and the fifth and southernmost block will incorporate the existing home of The Africa Institute, Africa Hall, which is set to be renovated as part of the project.

The volumes varying between four and seven storeys, and are assembled parallel each other, forming a group of enclosed spaces and central openings. The structure's design and typology are inspired the Gulf, Timbuktu, and Hausa architecture where solid façades engulf a patio (internal courtyard) and the ground floor is a transition space between the city and the institution.
 

Project description by Adjaye Associates

Sited at the corner of the Post Office Roundabout in the Al Mankah neighbourhood of Sharjah, The Africa Institute is conceived as a citadel, centred within the urban landscape and extending through an open yet connected series of five hi-rise buildings that will come to define Sharjah’s skyline.

Within its urban context, this arrangement is understood as a single institution which mediates between the different scales of the adjacent urban grain. Once inside, a shared internal courtyard punctuates the space and provides clear programmatic distinction. Taking its cues from the Gulf, Timbuktu, and Hausa architecture where trabeated solid masonry façades often shelter an internal courtyard, the ground floor is defined by the court which negotiates the transition between the city and The Africa Institute.

The project contemplates how one lives and learns, stimulated by this region where the language of the courtyard becomes a central form in which climate and construct cohabitate. There are four clearly identifiable volumes floating above the ground floor which span the short side of the court and house the main elements of the Africa Institute such as the Teaching, Learning and Administration. The Africa Hall— the fifth floating volume—closes the courtyard to the South and welcomes visitors from under a generous overhang, further evoking a regional language which requires the articulation of shade. The introduction of large overhangs efficiently reduces solar heat gains and contributes to the overall building performance without the employment of large, technical infrastructure.

Underground a unified basement combines plant and storage requirements with public programmes such as a Lecture Theatre. Supported by plinths and connected by a network of patios and support spaces, the interior spatial organization of the complex cultivates an interconnected atmosphere for intellectual exchange with unobstructed site lines across and in between the individual building blocks.

The exterior identity of this low carbon concrete structure is defined by four unobstructed, primarily solid facades which are designed to limit direct sunlight exposure. The heat absorbed from the structural walls is released at night when temperatures within the desert drop. The court-facing facades are punctuated by small square openings; where wide horizontal openings reflect the communal programme of classrooms, function areas and the library. Each of the court facades repeats the same elements in a different order creating a series of differing elevations which reflect the distinct character of the five volumes whilst maintaining the integrity of the ensemble.

Through the extension of the courtyard typology infused with an extended public realm–the space expands within the city as a newly centralized space of learning. A site of intellectual exchange between the Arab World and Africa, the Africa institute presents an architecture that redefines the ways in which the public, the regional landscape and the landscape of academic excellence, exist in conversation and support of one another.

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Collaborators
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Architect of record.- WSP.
Electrical engineer.- WSP.
Lighting consultants.- Studio Fractal.
Mechanical engineer.- WSP.
Structural engineer.- WSP.
Theatre consultants.- Charcoalblue.
Cost consultant.- Houston and Partners
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Client
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Sharjah Art Foundation.
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Area
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31,882 sqm.
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Dates
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Slated for completion in 2024.
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David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.

Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.

Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.

Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.

In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.

Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.

The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".

http://www.adjaye.com

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Published on: August 15, 2021
Cite: "The value of the patios. The Africa Institute by Adjaye Associates" METALOCUS. Accessed
<http://www.metalocus.es/en/news/value-patios-africa-institute-adjaye-associates> ISSN 1139-6415
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