"Suspended ceilings represent probably the greatest achievement to date in accommodating technology to architecture,” said Reyner Banham on his essay, “On Trial 1: The situation. What architecture of technology?, published in1962.
Taking this idea as a starting point, the firm based in Los Angeles, AN.ONYMOUS aims to respond to idle modern condition of the suspended ceiling by exploring its potential in contemporary architecture with their IN.DENT project.
 

Description of project by AN.ONYMOUS

In his essay, “On Trial 1: The situation. What architecture of technology?,” published in1962, Reyner Banham called the suspended ceiling a “Utopian or a Dymaxion dream.” He maintained that suspended ceilings had achieved a degree of industrialization, flexibility, and interchangeability of parts—accommodating a range of services such as heating and cooling, ventilation, lighting, sound, fire-extinguishing, acoustic control, etc.—that far surpass the limited functions of exterior panelling or curtain-wall systems. “Taken grosso modo, one-offs, off-the-pegs, standardized and specialized,” he wrote, “all together, suspended ceilings represent probably the greatest achievement to date in accommodating technology to architecture.” Yet, despite its remarkable all-pervading presence, in Banham's view, the suspended ceiling had been unremarked in the mythologies of modern architecture. “No one is for or against suspended ceilings,” he argued, “and yet they constitute one of the most sophisticated elements in the technology of architecture.”

Today, five and a half decades later, not much has changed. The suspended ceiling has continued to be an unseen, invisible or indifferent element of architecture, and its design has almost completely remained unchanged, unchallenged. This project aims to respond to this idle condition of the suspended ceiling by exploring its potential in contemporary architecture.

Designed for a dental office in Woodland Hills, California, the suspended ceiling acts as the main organizing system for a programmatically dense space that consist of a reception and waiting area, a consultation room, an imaging room, a dental lab, a business area, a sterilization area, a doctors’ office, three consultation rooms and two surgery suites.

A standard Tee bar aluminum ceiling system—with two-foot groove spacing on the main ’T’ and two-foot cross ’T’s—is used to create a new grid of isosceles triangles with side lengths of 2’,4’, 4’. The new grid forms an organizing system that determines all the spaces within the office.

The ceiling grid is then infilled with nearly 400 vacuum-formed acrylic panels. The panels consist of five unique types, all made from a combination of zero to three pyramids, which— with the possibility of being placed facing both up and down—create ten different different conditions. Fluorescent lighting is installed behind the ceiling panels and spread evenly across the space. For panels that accommodate HVAC, a special transition units are designed that connect the circular ducts above the ceiling to the triangular openings of the acrylic panels.

The reception and waiting area furniture of the office is made as a single piece, consisting of 592 CNC-cut MDF pieces. The sectional variations allow the piece to transform from a reception counter and business area desks to seating areas and benches. The geometry of the piece is derived from two volumetric systems that intersect and interweave—one corresponding the the business area and the functions of the staff and the other to the waiting area and that of the patients. Through this programmatic and geometric mediation, the furniture provides different standing, sitting or relaxing positions, tying the working postures of the office staff to that of the waiting patients.

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Architects
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AN.ONYMOUS
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Project team
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Iman Ansari, Marta Nowak, Shiqi Fan, Chun-Hua Chiu, Isabel Brañas, Dan Zhu, Maria Katticaran
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Client

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Brighton Periodontal and Implant Group
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Area

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1,600 ft2
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Dates
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Project Year.- 
2017
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Location

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6325 Topanga Canyon Blvd., Woodland Hills, CA 91367, United States
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AN.ONYMOUS is a transdisciplinary design firm based in Los Angeles. Founded by Iman Ansari and Marta Nowak, AN.ONYMOUS explores the relationship between design, technology and the human body. Projects encompass a diverse range of scales from urban and architectural design to furniture and prosthetics.

Iman Ansari is a founding principal of AN.ONYMOUS. He is a practicing architect, urbanist, and lecturer at University of Southern California (USC) School of Architecture. Prior to establishing AN.ONYMOUS, Iman worked for multiple architecture offices including Terreform/ Michael Sorkin Studio, Foreign Office Architects (FOA), Skidmore, Owings, & Merrill (SOM), Pei Cobb Freed & Partners, Gensler, as well as the United Nations Human Settlement Programme (UN-Habitat) where he worked on the Cities and Climate Change Initiative. His work and writings have been published in Log, Architectural Theory Review, Metropolis, Architect’s Newspaper, and Architectural Review among others, and have been exhibited in international venues including the Museum of Modern Art (MoMA) in New York and A+D Architecture and Design Museum in Los Angeles. Iman holds a professional degree in architecture from the City College of the City University of New York and a post-professional degree in architecture and urban design from Harvard University Graduate School of Design. Currently, he is pursuing a PhD in architecture at at University of California - Los Angeles (UCLA).

Marta Nowak is a founding principal of AN.ONYMOUS. She is a practicing architect and lecturer in architecture at University of California - Los Angeles (UCLA). Prior to establishing AN.ONYMOUS, Marta worked for multiple architecture offices including Safdie Architects in Cambridge, Toshiko Mori Architects in New York, and Skidmore, Owings, & Merrill (SOM) in New York, and was an editorial assistant at Harvard Design Magazine. Marta's art and architectural work has been widely exhibited in galleries across the United States, such as MoMA PS1 in New York, A+D Museum in Los Angeles, Catherine G. Murphy Gallery in St. Paul Minnesota and at Harvard University in Cambridge Massachusetts. She has been recipient of numerous scholarships and grants including Harvard University International Community Service Fellowship to work at the United Nations Human Settlement Programme (UN-Habitat) in Nairobi, Kenya. She has presented her work at numerous international conferences including World Economic Forum and Automobilia. Marta holds degrees in Studio Arts from St. Catherine University in Minnesota, and in architecture from Harvard University. 

Chun-Hua Chiu is a designer at AN.ONYMOUS. He is a Los Angeles-based architect and urban design researcher. Prior to joining AN.ONYMOUS, Chun-Hua has worked professionally on interactive installations and residential projects in multiple offices including ELECTROLAND in Los Angeles. He has extensive knowledge on prototyping which helps to bring design ideas from concept to reality by using both computer aided and traditional fabrication tools. He also worked with College for Creative Studies, Detroit and the University of California, Los Angeles on several urban design projects. He is interested in creating the innovative solution for complex problems through his understanding of material, science, technologies and the intricate beauty of the architectural and urban design. Chun holds degrees in architecture from the TungHai University, Taichung, Taiwan and in architecture from University of California, Los Angeles.

Cody Miner is a designer at AN.ONYMOUS. He is a Los Angeles based architect, urbanist and currently adjunct design faculty at the Southern California Institute of Architecture (SCI-arc). Prior to joining AN.ONYMOUS, Cody has worked professionally, producing both speculative and realized projects. At Zago Architecture, he produced “A New Federal Project” for the Architectural Imagination, US Pavilion at the 2016 Venice Biennale. He has also worked for 64North, Tim Durfee Studios, and AUX office. Cody acted as co-editor and contributor at Underscore journal, a SCI-Arc student produced publication. His interest lies in the parallels between art and architecture at various scales, applying novel form and aesthetics to disciplinary matters. Cody holds a degree in architecture from Southern California Institute of Architecture and a degree in Urban Planning and Design from Arizona State University.

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Published on: April 13, 2017
Cite: "Utopian or a Dymaxion dream. IN.DENT by AN.ONYMOUS" METALOCUS. Accessed
<http://www.metalocus.es/en/news/utopian-or-a-dymaxion-dream-indent-anonymous> ISSN 1139-6415
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