Richard Rogers and Alberto Campo Baeza with Raphaël Gabrion, have won ex aequo the public competition for the new building of the Louvre Museum in Lièvin.

The success of the first extension of the Louvre designed by SANAA in Lens, has led to the decision to build this second extension in Lièvin, adjacent to that piece of Lens. In the contest there was a tie between Richard Rogers and Alberto Campo Baeza with Raphaël Gabrion, which after a final negotiation phase was won by the proposal presented by Richard Rogers. The function of the new building is to properly store the large amount of valuable pieces, around 250,000, which currently are kept in the Louvre's basements. The need to properly save all these treasures is what led to the directors of the Louvre and the French State to hold this competition.

Description of the project by Estudio Campo Baeza

The building of Campo Baeza and Gabrion appears on the landscape like a great ship, very horizontal, dark, making visible from the first moment the character of secure fortress, well able to keep those treasures. The motto with which they've won was Le Bateau Îvre which is referred to the famous poem by Rimbaud, also on the accuracy of his poetic rhythm ABAB. A large and dark podium containing all workshops and services, and emerging, as if it was the chimney of a great ship, the cubic part of the storage. If the image of the ship is adequate, it is even more the drydock, because that's what it sounds like: a boat on repair at a dry dock. Repairing the works of the Louvre.

Functionally the spatial structure created by Campo Baeza and Gabrion is rigorous and of extreme precision, such as the poem by Rimbaud. Each requirement of the complex program has been promptly fulfilled in the project and they have managed to put everything in order. Order that our architects defended as one of the essential characteristics of the architecture.

Campo Baeza remembered with emotion the story of Bernini and his trip to Paris to see the Louvre's construction. A trip which was described by Chantelou in a highly recommended book for any architect. And how after three projects the building was finally built by Perrault. It is worth the effort to see the beautiful Bernini's drawings for Paris. Campo Baeza said that somehow, if they had won this award, this can build the new Louvre, it would have been like save his bacon for the master. And for the first moment, they devote this project to Bernini, although it won't be build.

CREDITS. DATA SHEET.-

Situation.- tied with Rogers Stirk Harbour, without success after the negotiation phase.
Dates.- Competition from November 2014 to July 2015.
Area.- 17,500 m².
Cost.- 35 million €.
Program.- restoration and treatment workshops + 9500 m² of reserves.
Team.- Raphaël Gabrion Arquitecturas with Estudio Campo Baeza. Cabinet Mizrahi, Emma Blanc, Bollinger & Grohmann, Elements, Gevolys, CL Infra.
Client.- Louvre Museum, Nord-Pas-de-Calais region.

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Alberto Campo Baeza. Born in Valladolid (1946), where his grandfather was an architect, from the age of two he lived in CADIZ where he saw the LIGHT. From his father he inherited a spirit of ANALYSIS and from his mother the determination to be an ARCHITECT.

He lives in Madrid, where he moved to study Architecture. His first professor was Alejandro de la Sota, who instilled in him the ESSENTIAL architecture that he is still trying to erect. He is a PROFESSOR at the Madrid School of Architecture, ETSAM, where he has been a tenured professor for more than 25 years.

He has taught at the ETH in Zurich and the EPFL in Lausanne as well as the University of Pennsylvania in Philadelphia. And in Dublin and Naples, Virginia and Copenhagen. And at the BAUHAUS in Weimar and at Kansas State University. He spent a year as a research fellow at COLUMBIA University in New York in 2001 and again in 2011. He has given many lectures and has received many awards like the TORROJA for his Caja Granada building. And he was awarded the Buenos Aires Biennial 2009 for his Nursery for Benetton in Venice and his MA Museum in Granada. He has recently been nominated by the American Academy of Arts and Letters for the prestigious Arnold W. Brunner Memorial Prize of 2010.

His works have been widely recognized. From the single family houses Casa Turégano and Casa de Blas, both in Madrid, to Casa Gaspar, Casa Asencio and Casa Guerrero in Cádiz. And the Olnick Spanu House in Garrison, New York, the Centro BIT in Inca-Mallorca, the Caja de Granada Savings Bank and the MA, the Museum of Andalusian Memory, both in Granada, and a nursery for Benetton in Venice. And Between Cathedrals in Cádiz, and just recently a building for Offices in Zamora (2012). And the construction of the new Offices for Benetton in Samara, Russia, which is about to begin.

And more than 20 editions of a BOOK with his texts “LA IDEA CONSTRUÍDA” [THE BUILT IDEA] have been published in several languages. A fourth edition of “PENSAR CON LAS MANOS”, a second compilation of his writings, has just been published. And just now “PRINCIPIA ARCHITECTONICA”, a collection of his texts written during his sabbatical year at Columbia University in New York in 2011.

He believes in Architecture as a BUILT IDEA. And he believes that the principle components of Architecture are GRAVITY that constructs SPACE and LIGHT that constructs TIME.

He has exhibited his work in the CROWN HALL by Mies at Chicago’s IIT and at the PALLADIO Basilica in Vicenza. And in the Urban Center in New York. And at the Saint Irene Church in Istanbul. In 2009 the prestigious MA Gallery of Toto in Tokyo made an anthological exhibition of his work that in 2011 was in the MAXXI in Rome.

Act.>. 04-2012
 

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Published on: July 15, 2015
Cite: "ROGERS and CAMPO BAEZA, ex aequo LOUVRE competition" METALOCUS. Accessed
<http://www.metalocus.es/en/news/rogers-and-campo-baeza-ex-aequo-louvre-competition> ISSN 1139-6415
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