The exhibition ‘Mobile Forest’ ran from June 30 till August 5, 2012 at Taipei’s Digital Arts Centre. For this group show by invited international artists, Beesley created an immersive film experience in which viewers stand amidst projections and an evocative, minimalist soundtrack, as they contemplate images from the Hylozoic Series of works.

Hylozoic Ground is part of a series of complex experiments that look to make the future of a living architecture a reality.  It reacts directly to today’s challenges of climate change and the need to alter our current building practices through the development of a responsive and self-generative architecture.

"In 'Mobile Forest', artists utilize interactive mechanical installations and digital image works to highlight life-forms that transcend the boundary between machines and plants, and the combined evolution of the species. The artists utilize machines, sensor components, interactive computer programs and animation to create mechanical plant life and a vibrant forest in a virtual reality environment...man-made things and the thing we are becoming ourselves are co-evolving, which is to say that people, plant and animal life, and information continue to evolve together in the tides of time."

- Curatorial Statement for ‘Mobile Forest’, Hui-Ching Hsieh

The Hylozoic series are based on more than ten years of research from architect and sculptor Philip Beesley, synthetic biologist Dr. Rachel Armstrong, and engineer Dr. Rob Gorbet.  This latest version served as Canada’s entry at the 2010 International Architecture Biennale in Venice, with a new prototype showcased later in Salt Lake City.

© PBAI; photography: Philip Beesley and Pierre Charron Video editing and sound: Susanne Eeg

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Philip Beesley is a professor in the School of Architecture at the University of Waterloo. A practitioner of architecture and digital media art, he was educated in visual art at Queen’s University, in technology at Humber College, and in architecture at the University of Toronto. At Waterloo he serves as Director for the Integrated Group for Visualization, Design and Manufacturing, and as Director for Riverside Architectural Press. He also holds the position of Examiner at University College London. His Toronto-based practice PBAI is an interdisciplinary design firm that combines public buildings with exhibition design, stage and lighting projects. The studio’s methods incorporate industrial design, digital prototyping, and mechatronics engineering. Philip Beesley’s work is widely cited in the rapidly expanding technology of responsive architecture. He has authored and edited eight books and appeared on the cover of Artificial Life (MIT), LEONARDO and AD journals. Features include national CBC news, Casa Vogue, WIRED, and a series of TED talks. His work was selected to represent Canada at the 2010 Venice Biennale for Architecture, and he has been recognized by the Prix de Rome in Architecture, VIDA 11.0, FEIDAD, two Governor General’s Awards and as a Katerva finalist. Beesley’s funding includes core CFI, SSHRC, NSERC and Canada Council for the Arts grants.

Professor, School of Architecture, University of Waterloo
Director, Integrated Group for Visualization, Design and Manufacturing, University of Waterloo
Chair, Association for Computer-Aided Design in Architecture ACADIA 2013 Adaptive Architecture
Director, Riverside Architectural Press

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Published on: August 10, 2012
Cite: "Regenerative and Responsive Architecture [II]. HYLOZOIC SERIES: MOBILE FOREST" METALOCUS. Accessed
<http://www.metalocus.es/en/news/regenerative-and-responsive-architecture-ii-hylozoic-series-mobile-forest> ISSN 1139-6415
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