The exhibition designed by Izaskun Chinchilla poses a gymkhana through the pieces whose common thread is the different uses and possibilities of wood in our society, according to the following scheme:
• The first consists of a chair with a special backrest configured as a nest, where you can hear the song of a bird.
• The second, centred on water, invites you to compose “a beautiful image” through a small pond, playing with the geometry of shapes inspired by tangrams.
• The third aims to become aware of movement by closing your eyes on a swing.
• The fourth generates a space to tell secrets.
• The second, centred on water, invites you to compose “a beautiful image” through a small pond, playing with the geometry of shapes inspired by tangrams.
• The third aims to become aware of movement by closing your eyes on a swing.
• The fourth generates a space to tell secrets.
Connective Nature - Finsa by Izaskun Chinchilla. Photograph by Alessandro Garofalo.
• The fifth experience presents a grassy area where you can lie down and practice relaxation.
• The sixth proposes reciting a haiku, a short poem, to a person who is sitting in front of this installation with coloured seats.
• The seventh is a sofa made up of inflatable elements that yield unevenly to the weight of bodies.
• The latest experience around a circular table proposes that visitors share a pleasant memory as an example of shared memory.
• The sixth proposes reciting a haiku, a short poem, to a person who is sitting in front of this installation with coloured seats.
• The seventh is a sofa made up of inflatable elements that yield unevenly to the weight of bodies.
• The latest experience around a circular table proposes that visitors share a pleasant memory as an example of shared memory.
