The studio follows a minimal intervention strategy that sensitively reflects the past of the place, whether industrial or natural, without neglecting the functionality and adaptation of the space to its new program. For architects, the continuation of what already exists is more important than starting from scratch; they see the projects as carriers of memory and condensers of local identity with innovative concepts, adding, and not substituting, symbols.
---
Con sus proyectos, Atelier Deshaus muestra en la exposición cómo la energía y los recursos invertidos en construir grandes complejos industriales se pueden conservar, al menos en parte, a través de la rehabilitación. Se presentan varios complejos culturales y museos, creados mediante la re utilización de la infraestructura de antiguos puertos de carbón; otros proyectos privados más pequeños, como su propia oficina de Atelier Deshaus o una casa de té; y un claustro ecientemente terminado con vistas a la Gran Muralla, ubicado en la montaña de Jinshan.
El estudio sigue una estrategia de intervención mínima que refleja con sensibilidad el pasado del lugar, ya sea industrial o natural, sin dejar de lado la funcionalidad y la adaptación del espacio a su nuevo programa. Para los arquitectos, la continuación de lo existente es más importante que un empezar de cero; ven los proyectos como portadores de la memoria y condensadores de la identidad local con conceptos innovadores, añadiendo, y no sustituyendo, símbolos.
Long Museum West Bund by Atelier Deshaus. Photograph by Su Shengliang.
---
Long Museum West Bund por Atelier Deshaus. Fotografía por Su Shengliang.
Taizhou Contemporary Art Museum by Atelier Deshaus. Photograph by Tian Fangfang.
---
Museo de arte contemporáneo de Taizhou por Atelier Deshaus. Fotografía por Tian Fangfang.
Descripción del proyecto por Atelier Deshaus Project description by Atelier Deshaus
The successful conversion and expansion of abandoned buildings and relics from the industrial past have been the mission of Atelier Deshaus from Shanghai since 2001. The question of how formerly closed industrial complexes can be transformed into new, attractive places for the public is the core theme of this exhibition. It focuses on the transformation along the Huangpu River in Shanghai, whose seamless accessibility as a public space was heralded by Expo 2010 "Better City - Better Life". Aedes is showing seven projects that have used the potential of former industrial sites to bring new unctions to the riverbank and to which the residents attach both emotional and cultural significance. The presentation is complemented by two additional buildings in other locations that are also inspired by their immediate surroundings and have recently been completed.
In 2016, Atelier Deshaus was part of Aedes’ successful exhibition Zài Xīng Tǔ Mù - Sixteen Chinese Museums, Fifteen Chinese Architects.
Taizhou Contemporary Art Museum by Atelier Deshaus. Photograph by Tian Fangfang.
Abandoned production sites and relics of inner-city heavy industry, warehouses, and port facilities can be a huge burden on the sustainable development of a city, especially if they are seen as waste to be disposed of. With its projects, Atelier Deshaus shows how the grey energy used in them can be preserved, at least in parts, through conversion and reconstruction, and how new functions can be assigned. In the face of climate change and the generally far too energy-hungry construction industry, it is also an obvious necessity in China to take an unbiased look at existing buildings. Nevertheless, demolition is still often the priority. Atelier Deshaus counters this with a strategy of minimal intervention that sensitively heralds the transformation of the existing buildings without destroying the historical reminders.
The enormous urbanization push since the 1990s has not only produced more and more new residential areas in Shanghai but also increasingly displaced the industry along the Huangpu River in the last decade. With the conversion of these often huge complexes, new possibilities for the design of a continuous public space for urban society are emerging, especially along the riverbank. As the examples by Atelier Deshaus show, large and small industrial building relics can be cultivated and integrated. New cultural landmarks can emerge from the formerly derelict buildings and structures, which not only address historical aspects but also ascribe entirely new meanings to them, with which social transformations become visible.
Riverside Walkways on Laobaidu Wharf by Atelier Deshaus. Photograph by Tian Fangfang.
The exhibition
The projects are presented in the exhibition with models, plans, photos, and videos. They illustrate Atelier Deshaus' practice with a focus on the conversions along the Huangpu River in Shanghai. This important water trade route also forms the 'narrative thread' in the exhibition design, thus placing the projects on display in a large-scale context. As a special element, short videos developed from social media posts show the appropriation of the architecture and the success of the projects as new cultural sites in the city.
The projects
Major cultural buildings such as the internationally awarded Long Museum, the Modern Art Museum, the associated Riverside Walkways, and the Riverside Passage, all of which were created by repurposing the former coal ports with its infrastructure buildings, are shown. Also on display is the 80,000-ton Silos Art Centre, created from a former grain warehouse, and two smaller private projects: Atelier Deshaus' own office and a neighbouring tea house. In addition, the Contemporary Art Museum in Taizhou, which was built largely as a new building in an area of former warehouse buildings, and the recently completed Upper Cloister, which is located in the mountainous landscape within sight of the Great Wall halfway between Beijing and Chengde, will be on view.
Upper-Cloister in Jinshan Mountain by Atelier Deshaus. Photograph by Su Shengliang.
Upper-Cloister in Jinshan Mountain by Atelier Deshaus. Photograph by Su Shengliang.
What the projects have in common is that the architects are careful with what they find, whether it is a picturesque landscape or the harsh legacy of industry. For the architects, the continuation of the existing is more important than a new beginning, which has been the tabula rasa of so many building projects in recent years. The respectful upgrading of the existing preserves local and accidentally created landscapes with their micro-ecosystems, which also support the diversity of the metropolitan cultural landscape in the sense of ecological sustainability. Atelier Deshaus sees the projects as carriers of memory and condenses local identity with refined concepts and new uses that both refer to historical Chinese culture and at the same time enable new contexts and functions with the smallest possible intervention that can also serve as a model elsewhere.
