As first place winners, at the final of the 4th LIXIL International University Architectural Competition in Tokyo, the UC Berkeley Architecture team was invited to construct their winning proposal, "Nest We Grow", in Taiki-cho, Hokkaido, Japan.

Nest we grow was the top prize winner in this competition sponsored by the LIXIL JS Foundation, aimed to seek and review next-generation sustainable housing technology and communicating that technology to global society. The project was designed based on the theme: “Productive Garden – A Space for Enjoying Hokkaido with All Five Senses.”

The architecture team members are students Hsiu-Wei Chang, Fanzheng Dong, Yan Huang, Baxter Smith, Hsin-Yu Chen, and Max Edwards. Four members worked under the supervision of internationally renowned Kengo Kuma and Associates to develop the initial design into a set of construction documents. Several improvements were made for the final design including a more robust structural system, a stronger focus on wood construction, and the fine tuning material choices. Two members of the team, Hsiu-Wei Chang and Hsin-Yu Chen, stayed in Japan to oversee and document the construction process.

Description of project by UC Berkeley Architecture team

In response to an international design-build competition, our team proposed a quintessentially Californian approach embracing many ideas still new to Asia, from where most of us hail. These Californian ideas formed into Nest we Grow, which grew from a shared interest in the materials that make up our build environment with a focus on renewable materials. Nest We Grow won the 4th Annual LIXIL International design-build competition in 2014, and unlike structures built in the first years of the competition, it is an open, public structure. Its main intent is to bring people in the community together to store, prepare and enjoy local foods in the setting of Hokkaido, Japan.

Our team of graduate students, comprised of two Taiwanese, two Chinese, and one American, sought to examine what structural and material elements we could combine to create this community and food oriented space. We recognized how modest materials and actions are celebrated in Berkeley and wanted to explore their implications in Asia. Our initial research started with techniques we find readily in California, including rammed-earth walls and straw bale construction. We presented these ideas in pursuit of a building that would introduce renewable building techniques to an area of Japan that could take advantage of these concepts. What we found was an appreciation for the difficulty of applying transnational technology in a new environment.

We also focused on a heavy timber construction technique coming from the US, which uses large sections of wood. In Japan this translated to the composite column, which uses smaller pieces of wood to generate a larger column. It took considerable effort to identify a way to join materials, which was influenced by both local carpentry practices and the Japanese material market. We were also under a considerable time constraint with the entire building process taking only six months to complete.

The wood frame structure mimics the vertical spatial experience of a Japanese larch forest from which food is hung to grow and dry. A tea platform in the middle of the nest creates a gathering space where the community can visually and physically enjoy food around a sunken fireplace. Local foods make up the elevation of the Nest as people see the food forest floating above the landform.

The wall at the base of the building, in addition to creating a micro topography, helps to block the prevailing northwest winter wind. The Nest takes advantage of the transparent plastic corrugated sheets on the façade and roof, allowing light in for the plants, and heating the space during colder months, extending the usability of the Nest. Sliding panels in the façade and roof open to facilitate air movement through the structure during the summer and warmer parts of the day. The tea platform sits up into the Nest, keeping it in the warm air created by the skin during the colder months, and in a cross ventilated area during the warm summer months.

The openness of the façade allows the building to incorporate the surrounding natural environment into the interior climate, but can also be closed off to create a buffer between the two. The funnel-shaped roof harvests rain water and snow melt. The collected water is delivered to tanks that are then used to irrigate the plants in the concrete wall. The shape signifies the Nest’s ability to bring nature in the form of air, water and light into the Nest.

The program of the Nest is decided according to the life cycle of these local foods: growing, harvesting, storing, cooking/dining, and composting, which restarts the cycle. All members of the community help to complete each stage, allowing the structure to become a platform for group learning and gathering activities in the Nest throughout the year. Community participation extends and completes the life cycle of local foods, which is a symbiotic relationship. This is the time-line of people and food in the Nest, and this is the Nest for people and food.

Text by.- UC Berkeley Architecture team

CREDITS. TECHNICAL SHEET.-

Completion date.- November 2014.
Design group.- College of Environmental Design, UC Berkeley:
Hsiu-Wei Chang (M.Arch 2014), Fanzheng Dong (M.Arch 2014),  Max Edwards (M.Arch 2014), Hsin-Yu Chen (M.Arch 2015),Yan Xin Huang (M.Arch 2016) and Baxter Smith (M.Arch 2016) (Instructors: Dana Buntrock, Mark Anderson).
Collaborators.- Project supervisor.- Kengo Kuma & Associates, Takumi Saikawa. Structural engineer.- Masato Araya. Mechanical engineer.- Tomonari Yashiro Laboratory at the Institute of Industrial Science, University of Tokyo / Bumpei Magori, Yu Morishita

Nest We Grow Memu Meadows, 158-1 Memu, Taiki-cho, Hiro-gun, Hokkaido, Japan
Completion date.- November 2014
Contractor.- Takahashi Construction Company
Floor area.- 85.4 sqm
Client.- LIXIL JS Foundation.

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Kengo Kuma was born in Yokohama (Kanagawa, Japan) in 1954. He studied architecture at the University of Tokyo, finishing his degree in 1979. In 1987, he opened the "Spatial Design Studio". In 1990 he founded "Kengo Kuma & Associates" and extended the study to Europe (Paris, France) in 2008. Since 1985 and until 2009, has taught as a visiting professor and holder at the universities of Columbia, Keio, Illinois and Tokyo.

Notable projects include Japan National Stadium (2019), V&A Dundee (2019), Odunpazari Modern Art Museum (2019), and The Suntory Museum of Art (2007).

Kengo Kuma proposes architecture that opens up new relationships between nature, technology, and human beings. His major publications include Zen Shigoto(The complete works, Daiwa S hobo)Ten Sen Men (“point, line, plane”, IwanamiShoten), Makeru Kenchiku (Architecture of Defeat, Iwanami Shoten), Shizen na Kenchiku(Natural Architecture, Iwanami Shinsho), Chii sana Kenchiku (Small Architecture, IwanamiShinsho) and many others.

Main Awards:

· 2011 The Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize for "Yusuhara Wooden Bridge Museum."
· 2010 Mainichi Art Award for “Nezu Museum.”
· 2009 "Decoration Officier de L'Ordre des Arts et des Lettres" (France).
· 2008 Energy Performance + Architecture Award (France). Bois Magazine International Wood Architecture Award (France).
· 2002 Spirit of Nature Wood Architecture Award (Finland).
· 2001 Togo Murano Award for “Nakagawa-machi Bato Hiroshige Museum.”
· 1997 Architectural Institute of Japan Award for “Noh Stage in the Forest”. First Place, AIA DuPONT Benedictus Award for “Water/Glass” (USA).

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Published on: January 30, 2015
Cite: "Nest We Grow, Memu Meadows" METALOCUS. Accessed
<http://www.metalocus.es/en/news/nest-we-grow-memu-meadows> ISSN 1139-6415
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