OMA/Jason Long and Library Street Collective co-founders Anthony & JJ Curis, have announced plans to expand the footprint of LSC’s cultural plans in Detroit’s East Village with the adaptive reuse of a former commercial bakery and warehouse built in the 1900s into a mixed-use arts education and public space for Detroit’s East Village.

It is located in a former bakery and warehouse in the East Village in Detroit, the largest city in the US state of Michigan. Led by OMA Partner Jason Long, the 2,000 square meter (22,300 sq foot) complex will be transformed to serve as headquarters for two local arts non-profits, Signal-Return and PASC (Progressive Arts Studio Collective).

Nicknamed ‘LANTERN’, it will also include roughly 500 square meter (5,300 sqf) of affordable artist studios, an art gallery, and nearly 370 square meter (4,000 sqf) of creative retail—centred around a 190 square meter (2,000 sqf) outdoor courtyard that will serve as an accessible community space and activity condenser.
Library Street Collective's new mixed-use arts centre designed by OMA takes advantage of the building’s current state of disrepair, transforming an area missing both its roof and an end wall into a courtyard at the heart of the building. Defined as the primary entry with multiple frontages for all tenants, the courtyard becomes a public, accessible gateway and an activity condenser.

Signal-Return and PASC’s diverse set of programs—art education, production and display—are organized within and across the existing structures to maximize points of access and potential for community interface. Production zones and artist studios create an active and inviting face to Amity Street; galleries line the courtyard to reinforce a public heart for the building, and neighbourhood serving functions are orchestrated on the opposite side of the courtyard to consolidate the most public amenities along Kercheval Avenue.

OMA makes a series of transformations,  and PASC and Signal-Return will anchor the development, occupying roughly 800 square meter of combined space on the building’s main level.
 
“PASC and Signal-Return are both extraordinary organizations with a multi-faceted approach to community building through the arts. To support and enhance their ambitions, we are both turning the building in on itself and out toward the neighborhood to bring a new density of activity and creative life to East Village.”
Jason Long, OMA Partner-in-Charge.
 

Description of project by OMA

Located in a former commercial bakery and warehouse in Detroit’s East Village, Library Street Collective’s new mixed-use arts hub is a revitalization of an existing industrial building—composed of three connected structures on a single parcel built at different times with each addition simpler than the building before it. Two local artist non-profits, Signal-Return and Progress Arts Studio Collective (PASC); affordable artist studios and art gallery; neighborhood serving, creative retail; and a communal outdoor public space will occupy the renewed, 22,300 square foot building.

Signal-Return and PASC will occupy approximately 8,500 square feet of the complex. PASC is an art studio and exhibition program dedicated to supporting adults with developmental disabilities and mental health concerns. Signal-Return is a nonprofit dedicated to preserving and teaching traditional letterpress printing. While different in disciplines and the communities they serve, both integrate art education, production, display, and retail to engage with and provide for the community.

OMA’s approach takes advantage of the building’s current state of disrepair, transforming an area missing both its roof and an end wall into a courtyard at the heart of the building. Defined as the primary entry with multiple frontages for all tenants, the courtyard becomes a public, accessible gateway and an activity condenser. Signal-Return and PASC’s diverse set of programs—art education, production and display—are organized within and across the existing structures to maximize points of access and potential for community interface. Production zones and artist studios create an active and inviting face to Amity Street; galleries line the courtyard to reinforce a public heart for the building, and neighborhood serving functions are orchestrated on the opposite side of the courtyard to consolidate the most public amenities along Kercheval Avenue.

The existing, bricked or boarded up openings will be opened strategically. Operable windows are inserted at the studios to allow for ventilation; gallery windows are extruded to become art vitrines, and larger openings offer indoor-outdoor potentials for production spaces. The south building faces the intersection of two prominent streets, Kercheval and McLellan, but is currently a solid expanse of concrete masonry (CMU). Rather than imposing a new composition of windows, 1,500 holes will be drilled into the blank CMU walls and filled with cylindrical glass blocks. This monolithic field of openings will subtly reveal activities within and become a glowing lantern at night.

More information

Label
Architects
Text
OMA. Partner-in-Charge.- Jason Long. Associate.-Chris Yoon. Project Architect.- Samuel Biroscak.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Design team
Text
Yiyao Wang, Cameron Fullmer, Mariana Curti.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text
Structure.- Wiss, Janney, Elstner Associates, Inc.
MEP.- EAM Engineers, Inc.
Executive Architect.- Metro Cad Group.
Arts Nonprofit Partners: Signal-Return Press, Progressive Art Studio Collective (PASC).
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Contractor
Text
CIR Group.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Client
Text
Library Street Collective / Anthony & JJ Curis.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text
2,072 m².
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Location
Text
Detroit, Michigan, USA.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
Text
Jason Keen. OMA. LSC.
+ + copy Created with Sketch.
- + copy Created with Sketch.

Office for Metropolitan Architecture (OMA) is a leading international partnership practicing architecture, urbanism, and cultural analysis. OMA's buildings and masterplans around the world insist on intelligent forms while inventing new possibilities for content and everyday use. OMA is led by ten partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten, Chris van Duijn, Ippolito Pestellini Laparelli, Jason Long and Michael Kokora – and maintains offices in Rotterdam, New York, Beijing, Hong Kong, Doha and Dubai.

Responsible for OMA’s operations in America, OMA New York was established in 2001 and has since overseen the successful completion of several buildings across the country including Milstein Hall at Cornell University (2011); the Wyly Theater in Dallas (2009); the Seattle Central Library (2004); the IIT Campus Center in Chicago (2003); and Prada’s Epicenter in New York (2001). The office is currently overseeing the construction of three cultural projects, including the Musée National des Beaux-arts du Québec and the Faena Arts District in Miami Beach – both scheduled for completion in 2016 – as well as a studio expansion for artist Cai Guo Qiang in New York. The New York office has most recently been commissioned to design a number of residential towers in San Francisco, New York, and Miami, as well as two projects in Los Angeles; the Plaza at Santa Monica, a mixed use complex in Los Angeles, and the Wilshire Boulevard Temple.

OMA New York’s ongoing engagements with urban conditions around the world include a new civic center in Bogota, Colombia; a post-Hurricane Sandy, urban water strategy for New Jersey; the 11th Street Bridge Park and RFK Stadium-Armory Campus Masterplan in Washington, DC; and a food hub in West Louisville, Kentucky.

Read more
Jason Long (OMA partner / OMA NY co-director) Jason Long is a Partner at OMA. He joined the firm in 2003 and has been leading OMA New York since 2014. Jason brings a research-driven, interdisciplinary approach to a wide range of projects internationally—from concept to completion, he served as the project manager for the Quebec National Museum in Quebec City and the Faena Forum in Miami.

A number of projects under his direction take a creative approach on the much-needed adaptive reuse and restoration of existing buildings, including POST Houston, the transformation of a former post office warehouse in downtown Houston into a mixed-use cultural platform, incorporating a new venue for Live Nation; the conversion of an Art Deco parking garage in New York City into a synagogue; the renovation of the Fitzgerald Building at University of Toronto into a new campus administration center; the adaptive reuse of Jersey City’s Pathside Building into museum for Centre Pompidou; and LANTERN, the conversion of a former commercial bakery into a community arts hub in Detroit.

Jason’s projects in urbanism and the public realm, particularly in Washington, D.C., public health, and equitable development at varying scales: a streetscape design for D.C. Convention Center, the 11th Street Bridge Park connecting disparate communities on either side of the Anacostia River, and a sports and recreation masterplan for the RFK Stadium Armory Campus.

His diverse portfolio extends to residential developments across housing types and regions in North America. Jason led the recently completed Eagle + West, OMA’s first high-rise towers in New York. In California, he oversaw the design and completion of The Avery in San Francisco and is currently leading 730 Stanyan, a 120-unit, 100% affordable housing building in historic Haight Ashbury. Currently in progress is The Perigon, a beachfront high-rise in Miami’s mid-beach neighborhood.

Jason previously served as a key member of AMO and was the Associate Editor of Content (Taschen, 2004).

Jason has lectured at SPUR, Urban Land Institute (ULI), AIA Conventions, and various museums and universities across the globe. He has been a visiting professor at Cornell University School of Architecture, Art and Planning (AAP).

Jason holds a Bachelor of Arts in Philosophy from Vassar College and a Master of Architecture from Harvard University’s Graduate School of Design (GSD).
Read more

Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

Read more
Published on: May 4, 2022
Cite: "Library Street Collective’s new mixed-use arts hub by OMA" METALOCUS. Accessed
<http://www.metalocus.es/en/news/library-street-collectives-new-mixed-use-arts-hub-oma> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...