The new Knowledge and Cultural Centre is located in the historic town centre in Kongsberg, housing a variety of functions including a university of technology, public library, cinemas, municipal offices, theatre and youth centre.

Mecanoo’s design for an open and flexible cultural centre connects closely with the cultural life of Kongsberg. While the different functions are organised in blocks to fulfil each user’s needs, they intersect to stimulate interaction between the various organisations.

Shared functions are placed at the heart of the building, among them the public library that connects the church square with the park 12 metres below. Continuing the pavement surface from outside to inside underlines this new public route. On the park side, an amphitheatre in the grass with dress circle seating accommodates open-air performances.
 

Description of project by Mecanoo

Synergy
The KRONA Knowledge and Cultural Centre enhances Kongsberg’s cultural institutions and stimulates interaction between diverse communities and disciplines. Comprised of a variety of functions, KRONA houses new teaching and technical laboratory facilities for Buskerud University College and Tinius Olsen Technical Vocational College, as well as a technical university library. The complex also includes a public library, cinemas, municipal offices and a theatre auditorium. Its functions are organised around a central void with shared functions, enhancing flexibility and reducing programme redundancy. Using subtle landscape elevations and strategically locating programme access points, visitors intuitively gravitate towards the Centre. Throughout the interior spaces, strong visual connections to public functions further enhance the liveliness of the complex.

Context
Located in one of Kongsberg’s most recognised locations alongside the oldest university building in Norway, Mecanoo’s design is sensitive to its historic context. It is shaped by the site conditions and opportunities. In addition to prefabricated elements, and use of ground source energy, the facility uses locally-sourced materials. A facade of rough slats references local architecture and contrasts with the interior of wood, concrete and subtle silver accents that reflect daylight. Facing the park, the building has a balcony for outdoor performances as well as an amphitheatre formed in the Hasebergtjerndalen park landscape below. The public and university libraries, located in the heart of the complex, appear to be cut from the building volume and continue the public space of the church square. The stone floor of the surrounding courtyards is drawn into the interior, enhancing the material continuity of the public realm.

Flexible
The KRONA Knowledge and Cultural Centre is highly flexible: in the evening the university canteen transforms into a café, the public library serves as a theatre foyer and the art gallery transforms into a bar for the film centre. The very concept of the building is adaptable in its components and form. Central to the shared programme is a number of large assembly rooms that accommodate a range of events including lectures, meetings, performances, receptions and concerts. The auditoria in the heart of the building are equipped for a variety of different configurations. These entertainment spaces are designed to be as open and flexible as possible, yet also create a vibrant, social atmosphere, and a connection to Kongsberg’s historical context.

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Design Team
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Mecanoo, Code Arkitektur

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Collaborators
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Local architect: Code Arkitektur, Oslo, Norway
Structural engineer: Rambøll Norge AS, Oslo, Norway
ME engineer: EM Teknikk - Energi AS, Drammen, Norway
Fire safety consultant: Rambøll Norge AS, Oslo, Norway
Main contractor: Strøm Gundersen AS, Drammen, Norway
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Client
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Kongsberg Kommune; Bolten Eiendom AS, Vestby
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Dates
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Project Design.- 2012 - 2013
Project Realisation.- 2013 - 2015
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Location
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Hasbergs vei 5, 3616 Kongsberg, Noruega
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Programme
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Cultural and educational building of 24,000 m², including two University Colleges, University and Public Library, 3 cinemas, a multifunctional theater of 600 seats and a black box 200 seats, and municipal offices.
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Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

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Published on: July 18, 2016
Cite: "KRONA Knowledge and Cultural Centre by Mecanoo" METALOCUS. Accessed
<http://www.metalocus.es/en/news/krona-knowledge-and-cultural-centre-mecanoo-0> ISSN 1139-6415
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