Years ago, the Midtwon New York was an area full of car dealerships, auto body shops, and light-industrial uses, now is the last frontier of real estate in the city. Nowhere is the change more apparent than around Hudson Yards  and along its northern reaches where the thoroughfare transitions into West End Avenue.

There, at the corner of Eleventh and 56th Street, is where Portuguese architect Álvaro Siza was commissioned to design his first ever building in the United States.
The architect Álvaro Siza, 86-year-old, is having his New York moment. His building, called, and rising at, 611 West 56th Street, slick 37-story residential tower of Perla Bianca limestone and glass that stands out for its clear design. A joint venture between Sumaida + Khurana (the developers that also realizes Tadao Ando's first New York City project at 152 Elizabeth Street) and LENY.
 

"I didn’t expect to have the opportunity to build in Manhattan. Now, at my age, I thought I had lost the opportunity. I was very happy to be invited and thought, ‘Well, let’s see if I still have energy for this project.’"

Álvaro Siza

Large windows will offer views of the Hudson River, and according to Siza  resembles a giraffe due to its slender upper half.  Siza aimed to give his building similar qualities — a “special point” at the top and a graceful presence where it meets the street. Then, realizing that the corners of the tower afforded views to Central Park to the northeast, and to the Hudson River to the southwest, he designed a gridded facade around corner windows.

After acquiring the narrow corner site at West 56th Street and 11th Avenue, just east of a city Department of Sanitation garage, and south of numerous new large-scale rental buildings developers decided Álvaro Siza’s stripped-down geometric work would be an ideal fit for the project.

He began his architecture career in 1954 and during a recent interview, he recalled being smitten with New York from the moment he first visited in the 1960s. At the time, he said, he was struck both by the crowns of great skyscrapers like the Chrysler Building and Empire State Building, as well as the intricate level of detail these buildings had at street level. “It was a constant surprise,” he said. “It was so interesting, the imagination at the edges of the buildings: the floor and the sky.”

The interiors of the building were designed by Gabellini Sheppard Associates, the same firm that designed the interiors at 152 Elizabeth Street.

Amenities include fitness, yoga and boxing rooms, a children’s playroom, a dining room with a catering kitchen, a library and a media room. There will also be a fourth-floor garden designed by the landscape architect M. Paul Friedberg.

Because of the slender nature of the tower, many floors have only one or two apartments, and more than half of the project’s 80 apartments will have direct, keyed elevator access. Sales are expected to launch later in September, with one-bedroom units from $1.26 million, two-bedrooms from $2.42 million, three-bedrooms from $4.22 million, and full-floor four-bedrooms from just over $11 million.

The penthouse, however, which comes with a private terrace beneath a notch cut into the crown of the building, at a price that has yet to be announced, won’t be quite so attainable.

More information

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Architects
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Álvaro Siza Vieira
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Collaborators
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Interior design.- Gabellini Sheppard Associates
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Co-developers
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Sumaida + Khurana and LENY
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Area
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15,980 sqm (172,000 sqf)
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Status
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Under construction. Sales launching in fall 2019.
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Álvaro Joaquim Melo Siza Vieira was born in Matosinhos (near Porto), in 1933. From 1949-55 he studied at the School of Architecture, University of Porto. His first built project was finished in 1954. From 1955-58 he was collaborator of Arch. Fernando Távora. He taught at the School of Architecture (ESBAP) from 1966-69 and was appointed Professor of "Construction" in 1976. He was a Visiting Professor at the Ècole Polythéchnique of Lausanne, the University of Pennsylvania, Los Andes University of Bogotá and the Graduate School of Design of Harvard University; he taught at the School of Architecture of Porto (jubilate in 2003).

He is the author of many projects such as: the Boa Nova Tea House and Restaurant; 1200 dwellings built in Malagueira, Évora; the Superior School of Education in Setúbal, the new School of Architecture in Porto; the Library of Aveiro University; the Museum of Modern Art in Porto; the Church and Parochial Centre in Marco de Canavezes; the Pavilion of Portugal for EXPO '98 and the Pavilion of Portugal in Hannover 2000 (with Souto de Moura); the dwelling and offices complex of “Terraços de Bragança” in Lisbon; and he has rebuilt the burnt area of Chiado in Lisbon since 1988, including the projects for some buildings like Castro e Melo, Grandella, Chiado Stores, and others.

He has been coordinated the plan of Schilderswijk's recuperation in The Hague, Holland, since 1985, which finished in 89; in 1995 he finished the project for blocs 6-7-8 in Ceramique Terrein, Maastricht.

In Spain he has completed the projects for the Meteorological Centre of Villa Olimpica in Barcelona; the Museum of Contemporary Art of Galicia and the Faculty of Information Sciences in Santiago de Compostela; the Rectorate of the Alicante University; Zaida building – offices, commercial and dwelling complex in Granada; Sportive Complex Cornellà de L’lobregat in Barcelona.

Cultural Centre and auditorium for the Ibere Camargo Foundation in Brazil; Municipal Centre of Rosario in Argentina; lodging-house in the Plan of Recuperation and Transformation of Cidade Velha in Cap Vert; Serpentine Pavillion (2005) with Eduardo Souto Moura; Museum of Modern Art of Naples in Italy; Anyang Pavilion in South Korea (with Carlos Castanheira); Mimesis Museum in South Korea (with Carlos Castanheira); are to be mentioned.

He has participated in several lectures and conferences in Portugal, Spain, Italy, Germany, France, Norway, Holland, Switzerland, Austria, England, Colombia, Argentina, Brazil, Japan, Canada, United States, Romania, Greece, South Korea and Sweden.

Having been invited to participate in international competitions, he won the first place in Schlesisches Tor, Kreuzberg, Berlin (now built), at the recuperation of Campo di Marte in Venice (1985) and at the renewal of Casino and Café Winkler, Salzburg (1986); Cultural Centre for the La Defensa, Madrid (with José Paulo Santos) (1988/89); J. Paul Getty Museum, Malibu, California (with Peter Testa) (1993); Pietà Rondanini Room, Sforzesco Castell, Milan (1999); Special Plan Recoletos-Prado, Madrid (with Juan Miguel Hernandez Leon e Carlos Riaño) (2002); Toledo Hospital (Sánchez-Horneros office) (2003); “Atrio de la Alhambra” in Spain (with Juan Domingo Santos)(2010); “Parco delle Cave”, Lecce in Italy (with Carlos Castanheira) (2010).

He has participated in the competitions for Expo 92 in Sevilla, Spain (with Eduardo Souto de Moura and Adalberto Dias) (1986); for "Un Progetto per Siena", Italy (with José Paulo Santos) (1988); the Cultural Centre La Defensa in Madrid, Spain (1988/89); the Bibliothèque of France in Paris (1989/90), the Helsinki Museum (with Souto de Moura) (1992-93); Flamenco City of Xerez de la Frontera, Spain (with Juan Miguel Hernandez Leon) (2003).

From 1982 to 2010 has won many different awards and have been assigned with Medals of Cultural Merit from many country around the world. Doctor "Honoris Causa" in various European and International universities.

He is a member of the American Academy of Arts and Science; "Honorary Fellow" of the Royal Institute of British Architects; AIA/American Institute of Architects; Académie d'Architecture de France and European Academy of Sciences and Arts; Royal Swedish Academy of Fine Arts; IAA/International Academy of Architecture; American Academy of Arts and Letters.

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Published on: September 3, 2019
Cite: ""I didn’t expect to have the opportunity to build in Manhattan". Álvaro Siza, 86" METALOCUS. Accessed
<http://www.metalocus.es/en/news/i-didnt-expect-have-opportunity-build-manhattan-alvaro-siza-86> ISSN 1139-6415
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