Foster + Partners' designs for the new Le Dôme winery in Saint-Émilion have been unveiled today, nestled in the rolling hills of Bordeaux. The design of the new building aims to blend  with the UNESCO World Heritage Cultural Landscape of the region with a state-of-the-art facility for the young label.
Le Dôme is the Foster + Partners’ second winery in Bordeaux, the first being Château Margaux in 2015.
 
Foster + Partners proposes that visitors approach the winery along a tree-lined avenue, at the end of which there is a circular building. Acording the architects, the form of the building is rooted in a desire to create a structure that simultaneously looks both inwards and outwards, providing an efficient space for wine production, while engaging in dialogue with the surrounding landscape.
 
“The views and the landscape have always been the primary protagonists of the design. The process of winemaking is taken to the heart of the building and the upper level provides a flexible area for people to gather and taste the wonderful wine of the terroir. The direct visual connection between the inside and outside, wine tasting and production, creates a unique and unified space for Le Dôme.”
Norman Foster, Founder and Executive Chairman, Foster + Partners.

One of the early garagiste winemakers when he first arrived in Bordeaux twenty-five years ago, Jonathan Maltus has expanded CHATEAU TEYSSIER from five hectares to its current sixty hectares.

A combination of two ramps – one external to emphasise the relationship with the site and the other internal, allowing the visitor to walk through the different stages of the wine process – gives the new building its spatial definition. Both ramps lead up to a gallery on the upper level which forms the social heart of the building, with tasting tables, an elegant wine bar and entertainment spaces – all wrapped by 360-degree views of the adjoining vineyards. A circular atrium allows people to look down onto the wine production and storage spaces below, providing a holistic experience for visitors.

The 40-metre diameter timber roof is a unique reciprocal structure consisting of mutually supporting sloping beams that spans over large column-free space. The structure naturally creates a 6-metre-wide oculus at its centre, which allows daylight to flood the gallery spaces. The roof is clad with local terracotta tiles, while the base of the building – made with rammed earth and concrete – is partially buried into the ground to reduce its visual impact on the terrain. The building to reinforces the landscape by creating a hill-like form that echoes the gentle slopes that surround it.
 
“This is an exciting new chapter for the Château. We have some ambitious projects to complete in the next few years and we could not be more delighted to have Foster + Partners leading the design process for the winery at Le Dôme. The whole team, many who have been with me since the beginning, see this as great reward for their efforts over the years.”
Jonathan Maltus, owner of Château Teyssier.
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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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Published on: September 25, 2019
Cite: "Foster + Partners reveals its project for the Le Dôme winery in Saint-Émilion" METALOCUS. Accessed
<http://www.metalocus.es/en/news/foster-partners-reveals-its-project-le-dome-winery-saint-emilion> ISSN 1139-6415
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