The concert hall for the Hamburg Elbphilharmonie finally has an opening date set for 2017, but its price tag is now more than 10 times the original estimate. Herzog & Meuron's design was originally projected to cost just €77 million. According to the Hamburg Senate, the expected final price has now rocketed up to €789 million, although a portion of that will be covered by investors.

All partners involved in the project agreed on 11 January 2017 as the official opening date of Hamburg’s new concert hall, designed by Herzog & de Meuron. Its 4,000 square metres large plaza that will offer unparalleled panoramic views of the Hanseatic city and its port will already be accessible to the general public by November 2016, the Senate informed yesterday, 12 January 2015.

Herzog & de Meuron presented the project at the 2012 Venice Architecture Biennale, to demonstrate the impact of planning difficulties and how cost inflation can affect the architectural industry.

The statements of all authorities placed agree, below.

Exterior Scaffolding Nearly Dismantled

Following the reorganisation in spring 2013, the project advanced well. With the roof rain-proof since August 2012, works in the interior also progress well. In the Great Hall, the white skin and the ceiling reflector have been mounted, and the working platform has been dismantled. For the very first time, the amazing architecture of the concert hall has become fully visible. In addition, works on the building’s old brick facade have nearly been completed, allowing to fully dismantle the exterior scaffolding.

30,000 Visitors At The Construction Site

Hamburg’s first mayor Olaf Scholz: “The progress in construction shows that co-operation significantly improved after our reorganisation. I hereby thank all project partners for their excellent work and look forward to focussing our energies on preparing all for the opening fixed in January.” With 30,000 visitors at the construction site last year, the Elbe Philharmonic Hall still arises great public interest. “By opening the plaza already in November 2016, we will offer locals and visitors alike the great chance to discover Hamburg’s new landmark even prior to its official opening”, the first mayor continued.

Cultural Highlight At A Unique Location

“Next to our ongoing critical monitoring of the construction, we finally can draw up concretely plans for the opening of the Elbe Philharmonic Hall on 11 January 2017. A look into the impressive Great Hall shows that Hamburg can look forward to an architecturally exceptional concert house. It becomes increasingly clear that the Hamburg Elbe Philharmonic will be able to strengthen Hamburg’s role an an important international centre of culture”, state Prof Barbara Kisseler, Hamburg MInister of Culture.

Extraordinary Design of World-Class Concert Hall

The heart of the Elbphilharmonie, designed by Swiss architects Herzog & de Meuron, is the Grand Hall with a seating capacity for 2,100 guests. Wile its centre will be occupied by the orchestra and the conductor, terraced steep seating rows will allow the audience to enjoy unobstructed views. The hall’s perfect acoustics is achieved by a white skin made up from 10,000 individual plates, and a 50-ton reflector mounted to the ceiling. Two smaller concert halls will complement the building.

Last Cranes To Disappear In Spring

Also from the outside, the Elbe Philharmonics impressive architecture is becoming more visible. Following the dismantling of all exterior scaffolding, general contractor Hochtief announced to also take away the cranes after the end of works on the roof. In a few weeks, however, scaffolding will return for a short period of time to allow the storation of the hatches. The next big steps have been determined as follows in the contract: completion of works on technical installations above the Grand Hall and the Hotels until 30 April 2015, completion of the white skin until 31 January 2016, completion of the entire building by 31 October 2016.

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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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Published on: January 13, 2015
Cite: "Elbphilharmonie Hall to Open 11 January 2017" METALOCUS. Accessed
<http://www.metalocus.es/en/news/elbphilharmonie-hall-open-11-january-2017> ISSN 1139-6415
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