The arboretum of the Franklin & Marshall College in Lancaster, Pennsylvania, in the United States, has a new lightweight pavilion designed by Steven Holl Architects in 2016, and now completed.

Franklin College was chartered in 1787, on the site of a former brewery. The school was established as a German college whose goal was "to promote those improvements in the arts and sciences which alone render nations respectable, great and happy."

The new building activates the southern end of the campus as a new campus destination.
The Winter Visual Arts Building was designed by Steven Holl Architects with a special geometry, curving its facades and leaving a courtesy space with respect to the centennial trees of the campus. In addition, its three floors are distinguished by their upper facades are wavy and translucent.

This creates luminous facade that allows light into the studio spaces and achieves excellent thermal performance.

A gradual exterior ramp connects from Old Main’s axis to a second-floor entrance of the new building, just above a ground floor entrance facing the newly formed 'Arts Quad'.
 

Project description by Steven Holl Architects

On the historic campus of Franklin & Marshall College, the new Winter Visual Arts Building takes shape as a raised pavilion formed by the site’s 200-year old trees, the oldest elements of the campus. A new campus destination for all students, the building’s spaces aim to evoke the creative energy involved in teaching and making art.

Creating a Sense of Place.

Drawing on Franklin & Marshall College’s motto Lux et Lex the new building for the Art, Art History, and Film Department is conceived as ‘light’ in complementary/contrast to the ‘heavy’ exemplary brick architecture of the 1856 ‘Old Main’ original campus building. A gradual exterior ramp connects from Old Main’s axis to a second-floor entrance of our new building, just above a ground floor entrance facing the newly formed 'Arts Quad'. The building activates the southern end of the campus as a new campus destination.

The large diameter trees, the oldest elements of the Franklin & Marshall’s 52-acre arboretum campus, were the conceptual generator of the building’s geometry. As a lightweight building, its main floor is lifted into the trees on a porous ground level open to the campus and the adjacent Buchanan Park. The reflections of the hovering building at night glowing in the water of a large reflecting pool add to the special articulation of this place.

Inspiring Space for Making and Teaching Art.

The 33,000 sqf Winter Visual Arts Building is the center of creative life on campus. The universal language of art enabled by the building’s spaces brings together students from diverse cultures to collaborate on art projects. On the Ground Floor, a Forum and suite of galleries draw in the surrounding community of Lancaster to engage with the College around art events and exhibitions. Sculpture studios, involving heavy objects, are adjacent to ground floor loading and an open-air sculpture yard. Digital Labs are located below grade due to their need for minimal light and receive a daylight glow from around skylights.

The second-floor studios – for drawing, design, printmaking, painting, woodworking, and cinema - are efficiently organized around a ‘Commons’ gathering space for students which doubles as an informal presentation space. All studios receive natural light through the translucent façade and have an operable viewing window and skylights. Faculty studios and Art History seminar rooms are set on a Mezzanine overlooking the teaching studios, filling the building’s volume while allowing double-height studios of inspiring space.

Practical and Innovative.

The lightweight, two-story ‘box-kite’ steel frame sits on two ground floor concrete rectangles to create the dramatic cantilevers and arced geometry with precision and economy. Thin truss frames sit within the 2nd-floor studio walls and support bent steel tubes spanning between them. SHA used 3D modelling to develop and coordinate the construction documents with the team, allowing contractors to build complex geometry efficiently and precisely. The entire roof structure is exposed, and the steel tubes are rolled at one radius and then tilted in place to create the curved roof geometry. The three-inch-deep, tongue, and groove fir planks that rest on the bent tubes create a billowing ceiling. They are simply fastened to the top of the bent steel and, given the tolerance of wood, they create this softly curved ceiling for inspiring learning space.

Ecological Excellence.

Curved translucent glass walls are formed by a double-layer U-plank structural glass system filled with translucent insulation for high thermal performance and 19% light transmission, ideal for studio light. Natural light and ventilation along with active slab heating and cooling contribute to LEED Gold status.

All the trees on site were maintained and their roots were protected during the entire construction process. The importance of preserving the trees is evident in the building’s curved form, preserving its drip line. Maintaining the indigenous plants on-site provide minimum maintenance and minimum disturbance to the existing ecology.

Air/Light/Greenspace: Post Covid. The Winter Visual Arts Building is currently in use by students as the Franklin & Marshall campus has opened for the academic year. The building, embodying SHA’s design philosophy, naturally adapts to COVID necessities such as social distancing and fresh air. It offers generous social/circulation space, with two main entries on different levels that enable one-way flow when needed, abundant daylight to all rooms, natural ventilation, and outdoor terraces. The architecture is deeply connected to its verdant, park-like campus setting, a restorative place within nature.

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En el campus histórico de Franklin & Marshall College, el nuevo Edificio de Artes Visuales de Invierno toma forma como un pabellón elevado formado por los árboles de 200 años del sitio, los elementos más antiguos del campus. Un nuevo destino del campus para todos los estudiantes, los espacios del edificio tienen como objetivo evocar la energía creativa involucrada en la enseñanza y la creación de arte.

Creando un sentido de lugar.

Sobre la base del lema Lux et Lex de Franklin & Marshall College, el nuevo edificio para el Departamento de Arte, Historia del Arte y Cine se concibe como 'ligero' en complemento / contraste con la arquitectura de ladrillo ejemplar 'pesada' del campus original de 1856 'Old Main' edificio. Una rampa exterior gradual se conecta desde el eje Old Main hasta la entrada del segundo piso de nuestro nuevo edificio, justo encima de la entrada de la planta baja que da al recién formado 'Arts Quad'. El edificio activa el extremo sur del campus como un nuevo destino del campus.

Los árboles de gran diámetro, los elementos más antiguos del campus de arboreto de 52 acres de Franklin & Marshall, fueron el generador conceptual de la geometría del edificio. Como edificio liviano, su piso principal se eleva hacia los árboles en un nivel del suelo poroso abierto al campus y al adyacente Parque Buchanan. Los reflejos del edificio suspendido en la noche que brillan en el agua de una gran piscina reflectante se suman a la articulación especial de este lugar.

Espacio inspirador para hacer y enseñar arte.

El Winter Visual Arts Building de 33,000 pies cuadrados es el centro de la vida creativa en el campus. El lenguaje universal del arte habilitado por los espacios del edificio reúne a estudiantes de diversas culturas para colaborar en proyectos de arte. En la planta baja, un foro y un conjunto de galerías atraen a la comunidad circundante de Lancaster para interactuar con el College en torno a eventos y exposiciones de arte. Los estudios de escultura, que involucran objetos pesados, están adyacentes a la carga de la planta baja y un patio de esculturas al aire libre. Los laboratorios digitales están ubicados debajo del nivel debido a su necesidad de luz mínima y reciben un brillo de luz diurna alrededor de los tragaluces.

Los estudios del segundo piso, para dibujo, diseño, grabado, pintura, carpintería y cine, se organizan de manera eficiente en torno a un espacio de reunión "Commons" para los estudiantes que también funciona como un espacio de presentación informal. Todos los estudios reciben luz natural a través de la fachada translúcida y tienen una ventana de visualización operable y tragaluces. Los estudios de la facultad y las salas de seminarios de historia del arte se encuentran en un entresuelo con vistas a los estudios de enseñanza, lo que llena el volumen del edificio y permite que los estudios de doble altura tengan un espacio inspirador.

Práctico e innovador.

El ligero marco de acero de dos pisos "box-kite" se asienta sobre dos rectángulos de hormigón de la planta baja para crear los espectaculares voladizos y la geometría arqueada con precisión y economía. Los marcos delgados se colocan dentro de las paredes del estudio del segundo piso y soportan tubos de acero doblados que se extienden entre ellos. SHA utilizó el modelado 3D para desarrollar y coordinar los documentos de construcción con el equipo, lo que permitió a los contratistas construir geometrías complejas de manera eficiente y precisa. Toda la estructura del techo está expuesta y los tubos de acero se enrollan en un radio y luego se inclinan en su lugar para crear la geometría del techo curvo. Los tablones de abeto de tres pulgadas de profundidad, lengua y ranura que descansan sobre los tubos doblados crean un techo ondulado. Simplemente se sujetan a la parte superior del acero doblado y, dada la tolerancia de la madera, crean este techo suavemente curvado para inspirar el espacio de aprendizaje.

Excelencia Ecológica.

Las paredes de vidrio translúcido curvo están formadas por un sistema de vidrio estructural de tablones en U de doble capa relleno con aislamiento translúcido para un alto rendimiento térmico y una transmisión de luz del 19%, ideal para iluminación de estudio. La luz natural y la ventilación junto con la calefacción y el enfriamiento activos de la losa contribuyen al estatus LEED Gold.

Todos los árboles del lugar se mantuvieron y sus raíces se protegieron durante todo el proceso de construcción. La importancia de preservar los árboles es evidente en la forma curva del edificio, preservando su línea de goteo. El mantenimiento de las plantas autóctonas en el lugar proporciona un mantenimiento mínimo y una alteración mínima de la ecología existente.

Aire / Luz / Espacio Verde: Post Covid. El Edificio de Artes Visuales de Invierno está actualmente en uso por los estudiantes ya que el campus de Franklin & Marshall se ha abierto para el año académico. El edificio, que encarna la filosofía de diseño de SHA, se adapta naturalmente a las necesidades de COVID como el distanciamiento social y el aire fresco. Ofrece un generoso espacio social / de circulación, con dos entradas principales en diferentes niveles que permiten el flujo en un solo sentido cuando es necesario, abundante luz natural en todas las habitaciones, ventilación natural y terrazas al aire libre. La arquitectura está profundamente conectada con el entorno verde del campus, similar a un parque, un lugar restaurador dentro de la naturaleza.

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Architects
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Steven Holl Architects. Design Architect Principal:Steven Holl. Partner In Charge.- Chris McVoy. Project Architect, Senior Associate.- Garrick Ambrose. Assistant Project Architect.- Carolina Cohen Freue.
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Project team
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Dominik Sigg, Marcus Carter, Elise Riley, Michael Haddy, Hannah LaSota.
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Collaborators
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Project Manager.- Casali Group, Inc, Thomas Murray and Franklin and Marshall College, Sheldon Wenger.
Structural Engineers.- Silman Associates.
Mep Engineers.- ICOR Associates.
Civil Engineers.- David Miller Associates.
Climate Engineers.- Transsolar.
Landscape Architects.- Hollander Design.
Façade Consultants.- Knippers Helbig Advanced Engineering.
Lighting Consultants.- L’Observatoire International.
Acoustical Consultants.- Harvey Marshall Berling Associates.
Pool Consultants.- Aqua Design International.
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Client
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Franklin & Marshall College.
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Area
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3,066 sqm (33,000 sqf).
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Dates
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2020.
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Photography
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Steven Holl was born in 1947 in Bremerton, Washington. He graduated from the University of Washington and pursued architecture studies in Rome in 1970. In 1976 he attended the Architectural Association in London and established STEVEN HOLL ARCHITECTS in New York City. Considered one of America's most important architects.He has realized cultural, civic, academic and residential projects both in the United States and internationally. Most recently completed are the Cité de l'Océan et du Surf in Biarritz, France (2011).

Steven Holl is a tenured Professor at Columbia University's Graduate School of Architecture and Planning. He has lectured and exhibited widely and has published numerous texts.

Recently the office has won a number of international design competitions including the new design for the Contemporary Art Institute at Virginia Commonwealth University (Richmond, USA) and he has been recognized with architecture's most prestigious awards and prizes. Recently, he received the RIBA 2010 Jencks Award, and the first ever Arts Award of the BBVA Foundation Frontiers of Knowledge Awards (2009). In 2006 Steven Holl received honorary degrees from Seattle University and Moholy-Nagy University in Budapest. In 2003 he was named Honorary Fellow of the Royal Institute of British Architects (RIBA).

Steven Holl is a member of the American National Council of Architectural Registration Boards (NCARB), the American Institute of Architects, the American Association of Museums, the Honorary Whitney Circle, the Whitney Museum of American Art; and the International Honorary Committee, Vilpuri Library, of the Alvar Aalto Foundation.

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Published on: October 10, 2020
Cite: "In dialogue with the trees. Winter Visual Arts Center, by Steven Holl Architects" METALOCUS. Accessed
<http://www.metalocus.es/en/news/dialogue-trees-winter-visual-arts-center-steven-holl-architects> ISSN 1139-6415
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