The amphitheater’s furnishings are versatile, making multiple arrangements for different activities possible. The seats are stackable, in order to optimize their storage. The materials used have the environment in mind, such as recyclable floor tiles, PEFC-certified wood, infinitely recyclable polyamide tulles, recyclable vinyl, etc.
The exhibit is featured alongside another one called “ECO-VISIONARIES: Art for a planet in emergency”, both addressing climate change as a crucial challenge of our time.
Description of project by elii
“Your attention please. You are now entering the Mutant Institute of Environmental Narratives. A platform for generating knowledge and artworks as a means to address the challenges presented by the climate crisis in the 21st century. A place for communicating with other species, for learning from ants and many-headed slime mould and for talking with humans who have not as yet been born.
We invite you, firstly, to a preview of the prototypes of the future Cyborg Garden now being developed by a team of artists, designers, architects, scientists and specialists in various fields and which will soon be planted in Matadero Madrid.
After that, you will be able to visit the exhibition Eco-visionaries. Art for a Planet in a State of Emergency, in which over 40 creators tackle climate change through art.
We also encourage you to take part in the various activities that will be held in this mutant space over the coming four months.
Welcome.”
Audio at the entrance of the exhibition
The Cyborg Garden is a coral process in which a group of artists led by a team of technical experts from different disciplines develops a set of creative processes to try out strategies for adapting to climate change that enhance the resilience of public spaces and make Matedero Madrid a desirable venue. The Cyborg Garden will be a testing ground to experiment with ways for humans and non-humans to co-exist. It will entice visitors to make other use of the open spaces.
Why a Cyborg Garden? On one hand, a garden is a meeting-place for different kinds of species as well as a venue for enjoyment, desire, and care. On the other, the cyborg dimension lets us imagine the relationship between nature and technology as spheres that must necessarily be thought out continuously, like a hybrid relation.
Currently, Matadero finds itself in the limelight of an urban “island of color”: a space that undergoes temperature extremes for months on end on account of its layout and material configuration. The projects featured in this display are the first entries in this project that will turn Matadero Madrid into a laboratory for trying out Nature Based Solutions and that will culminate in a set of repeatable prototypes in other areas of the city.
The Mutant Institute for Environmental Narratives was founded for the purpose of assessing the role of imaginaries, myths, traditions, and desires articulating our society in constructing the discourse on climate change. It suggests that we make a critical revision of them and proposes strategies that help create other environmental narratives beyond the ones traditionally linked to the environment.
IMNA proposes artistic endeavors in connection with other fields of knowledge that overflow classical disciplines to take on the planetary issues (cultural, political, scientific, technological, or arising from communication processes) of the climate crisis from collective intelligence and social innovation. Their main lines of actuation are presented in the exhibition through a set of works by artists and a program of activities that range from citizen science actuations and workshops on climate speculation to performance art and even a radio show.
For both the garden and for IMNA, a group of artists has been chosen with very differing but complementary stances that, taken as a whole, cover a plural range of knowledge: in JC, UH513 from experimentation with cyborg species; Orkan Telhan, from the scaler relation between microbial reality, our bodies and the environments we inhabit; TAKK, from the questioning of the design in the Anthropocene Age. At IMNA, Paula Nishijima, who studies networks and living systems as frameworks that question the traditional division of nature vs culture; Roberta Šebjanič and her cultural realities, bio-politics, chemistry and biology of aquatic environments; Fito Conesa, from inter-species communication.
A disembodied voice greets us as soon as we arrive at the exhibition, entreating us to step into the experimentation space. Once we are inside, the design of the exhibition suggests a garden of ‘species’ crisscrossed by paths that lead to the different works of art, both from Cyborg Garden and IMNA.
The artworks stand out on organically arranged, light-colored slabs. Off to the sides, wavy upright elements complete the artificial environment and hold up the credits, the posters, the basic information on the activities and graphics. In the middle is a small amphitheater reminiscent of dalliances in pleasure gardens of libertine houses, but rather than flaunting a statue of Venus in the middle, this contemporary version houses an audiovisual artwork by Nishijima.
The amphitheater’s furnishings are scant and versatile, and lend themselves to multiple arrangements for different activities. Its see-through enclosure arranged in blurry swaths of colors facilitates crossing visits and sets relationships between the pieces. The geometry of the seats make them stackable to optimize storage in the future.
The design prescribes a set of environmentally friendly materials such as recyclable floor tiles, PEFC-certified wood, infinitely recyclable polyamide tulles, recyclable vinyl, etc., that aim to align the construction processes with the ecosystems, thereby imbuing this indoor space with large-scale ecological programs.
The display is featured at the center for contemporary creation Matadero Madrid along with the exhibition called “ECO-VISIONARIES: Art for a planet in emergency”. Taken together, both exhbits present a set of contemporary artworks that address climate change as a crucial challenge of our time.
